Daily Archives: October 16, 2002

Just Ten More

I promised myself I would work for two hours this morning. Ideally, four would have been nice, but I told myself after the first quarter-hour that two would be the limit. You see…

My back is hurting again. A lot of this has to do with computer work, and two seven-hour drives in the past weekend; I haven’t been back to my osteopath in two months due to this not-working thing (and besides, I felt so much better… so like any other human being I stopped the (admittedly expensive) treatment.) My eyes hurt, and my back hurts, and I have the attention span of a flea. I know I have to get a couple of hours of cello work in this afternoon as well, since we’re doing sectional rehearsals tonight and I’m going to be horribly embarrassed, as I always am, since there are some quite nasty passages that come out of nowhere in the Mendelssohn, and the Handel is a nightmare. I’m seriously considering skipping it, except that we only have seven rehearsals before our December memorial concert. Deliberately missing a rehearsal would be, well, irresponsible. Even though my eyes and my back hurt, and rehearsal will only make them worse.

Ten more minutes to go. Just ten more minutes. Then I’ll stop.

I just feel all grumbly. I want to curl up with a book and a cat, and some Bach. I want to have a heating pad on my back, and a teapot beside me. I want the world to go away.

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I had a vaguely disappointing book club meeting last night. Nothing I could really put my finger on; it�s just that we�ve been trying to do this book for two years, and I somehow expected more. Perhaps I was missing a more Joseph Campbell-esque discussion, as Paze suggested on the way home. Mythago Wood is so rich in the concept of myth and man�s mind that there exist weeks of discussion material tucked away in it, and instead we talked abut how the wood functioned. Ironically, we illustrated one of the very issues we were arguing about: the scientific, rational, logical modern mind attempting to explain things, as opposed to the mythological mind, which feels, plain and simple, and creates meaning out of emotion and instinct. Myth is story, pure and simple; story, and theme, and archetype. Science may just be another myth man has created to explain the world around him, but at least we might have discussed that as myth-making rather than attempting to pin down the mechanics of the fantastic element that enables the story to exist in the first place. Do you try to explain how Aslan is resurrected in the Chronicles of Narnia � or, say, how Christ �rose from the dead� (to side-step into another mythology)? Do you try to explain how you can go through a wardrobe made of Narnian wood in our world, and end up in Narnia itself? Explaining how the magic works may satisfy our panicked twenty-first century minds, using rational parameters to truss the poor thing up so it can�t move and we can label it with a neat toe-tag� but in the long run, why do it? The very wildness and inexplicability of it all is part of the attraction. There�s a reason why the concept of magic still exists in our contemporary mythos.

Bah. I am so grumpy this morning, goodness me. I should go re-read The Power of Myth. Perhaps that would help.