Sparky and I had our cello recital this past Sunday, and that went very well. It was a terrific programme. Sparky played a Bach minuet (which he crushed, a triumph after some rocky patches this fall) and I played a Kreisler RondinoÂ that presented some stupid challenges that shouldn’t have been challenges, except my brain and fingers decided they were brick walls. But we each pulled it off. Our group pieces were lovely, too, and our studio mates all had excellent performances as well.
After an amazing fall concert with the Lakeshore Chamber Orchestra, I’ve had to decide to take the next concert off because of low energy levels, high workload, and insanely circuitous traffic rerouting while the Turcot interchange is being rebuilt. I can’t face a commute over ninety minutes long each way at the end of the day, plus a two-hour rehearsal in between; not in deep winter. This will be the first concert I have planned to miss since I started playing with the orchestra in the fall of 2001. (Dear gods, I have been playing with them for sixteen years. I had no idea till I did the math.) (Planned to miss is critical, here; I didn’t plan to miss the concert three weeks after Sparky was born, I just… had to.) (Third parenthetical interjection: That’sÂ forty-seven orchestral concerts I have played!!! Not including the three I did with the Cantabile orchestra.)
I bought a new bow this fall, a high-end octagonal Brazilwood Knoll through The Sound Post in Toronto, because I could finally afford it (thank you, ridiculously busy freelance life). This bow has been overdue for about seven years; my previous wood bow had a cracked frog due to a toddler-related incident and had started to warp, so I was playing with the heavy German fibreglass bow that came with my new 7/8 in 2009.Â The Knoll isÂ glorious. I have no idea how I played with the fibreglass for so long. It’s bouncy but strong, flexible but sturdy. I love it. And for something purchased online, with just the help from one of the specialists at the Sound Post… I feel so incredibly fortunate. They were technically out of stock, but he pulled this in from the Ottawa store where they weren’t using it and had it rehaired for me at no extra cost. He offered me the next level of bow at a price midway between this one and that (a very generous offer), but I wanted this specific bow for the faux whalebone wrapping; my fingers have been reacting badly to wire wrapping. So he made it happen.
Owlet began piano this fall, and is zooming along. It’s her thing, and I’m glad we encouraged her to do this instead of violin; the pianoÂ avoids frustrating intonation problems as long as you’re hitting the correct key. She’ll do her first recital in the spring, and is looking forward to it. Right now she can play a four-page version of Jingle Bells with relatively decent rhythm, and her teacher is delighted (and somewhat dazed, I think?) at how well she absorbs information and how quickly she’s progressing. It’s not from excess of practice, that’s for sure; we think she just has good musical memory. She’s the first non-Suzuki musician in the house, and as much as I like the Suzuki philosophy I think this teacher and this programme suit Owlet just fine.