It’s been ten years this month since my first book came out. It seems only right that I use the icon that HRH drew of me taking a bow after a G&S show for this post, yes? I probably don’t take enough bows. I’m shy like that.
It’s been an interesting ride these past ten years, and I like where my career has gone along the way.
I’ve worked in the book business since my very first part-time job at the local children’s bookstore. I went from there to working at (and then managing) the local F/SF bookstore, then working in the local metaphysical bookstore. I ‘retired’ from the retail aspect and did writing, data entry, and ordering for the metaphysical store, until the owner forwarded me a letter from one of the large publishing companies we purchased from. They were looking for someone with an English degree who was experienced in writing, the book business, and the new age market. “They’re looking for YOU!” she told me with excitement, and encouraged me to send in my CV and an introductory letter. The publisher was astonished that someone out there actually existed who matched their criteria perfectly, and invited me to sign on as a consultant as they established a new age imprint. I got to help define the imprint’s mission statement, help develop a plan and schedule, help vet proposals, and do tech reviews of the finished manuscripts. After rescuing an unfinished manuscript that also featured plagiarism (longtime readers know how I feel about that particular subject), the editor in charge of the imprint asked me to write the next book in the series. I did, and then I wrote another right on its heels at their request.
I was pregnant when that first book came out, unknowingly only a couple of weeks away from giving birth to Sparky. (Ahead of schedule… gosh, a lot happened in those four weeks; we moved a week after it came out, too. I corrected the page proofs for the second book in the hospital. And I had a delivery deadline for my third book the next month, as well. Good grief.) I remember walking into the new age store after they’d called to tell me it had arrived, and seeing a full-sized poster of the front cover mounted on foam board proudly displayed on a table among piles of that first book. It was slightly surreal to see my name that large on anything. And then the second one came out only four months later.
In ten years I wrote about alternative spirituality, practicing nature-based spirituality in urban areas, home and hearth-based practice, edited an anthology of firsthand experiences of discovering alternative spirituality, approaching pregnancy from the point of view of earth-based spirituality, and the spiritual associations of birds. I oversaw the development and editing of two new age series. I worked with some wonderful, wonderful editors, one of whom introduced me to other departments within the publishing company who gave me rewriting/repurposing work, and, ultimately, my current position as a copy editor.
People ask me sometimes when my next book is coming out, and honestly… I like what I’m doing right now. Writing a book takes an tremendous amount of energy and time, and because when I do something I want to do it right, the per-hour fee ends up being below minimum wage when I take into account the number of hours it takes to produce a manuscript I am satisfied with. Copy editing is more lucrative, frankly, and more immediately gratifying. I am one of those weird people who adores copy editing. I like knowing why a comma is necessary, or why it should be taken out. I like being able to tweak the punctuation or syntax in a sentence to clarify its meaning. I take a stupid amount of pride in being able to use a hyphen, en dash, or em dash correctly. I love finessing a paragraph to focus the author’s point, querying to make sure I grasped what they were trying to say. (The answer is almost invariably yes, oh yes, and thank you.) I have the kind of mind that remembers how an author phrased or formatted something seventy pages ago, and I can make sure every instance of a phrase or instruction is presented the same way each time. I have a sixth sense for a wonky fact that needs to be checked. I have a not-so-secret crush on the sixteenth edition of the Chicago Manual of Style. And I really like being able to put it all out of my mind when I’ve closed the document and walked away to pick the kids up from school, which I was never able to successfully do while writing on a book contract, and that stressed me out a lot. Add to this the fact that the new age market really shrank about four or five years ago, and, well… at this point in time, I’ve said everything I want to say in a book. (Would I like to produce a book on parenting from an earth-based spirituality POV? Absolutely, but while I like how my kids are turning out, I still feel like I’m flailing around when it comes to parenting, and I couldn’t do it with enough confidence.)
I still get messages from people thanking me for being their introduction to alternative spirituality, for giving them a name to what they felt or believed, for letting them know they’re not alone, and they all mean a lot. I’m proud of what I’ve done. But I love what I’m doing right now, and I wouldn’t chose to do anything else at the moment.
This does not preclude writing on the side, of course. I almost had a new book gig this spring, actually, except they wanted me to write it on a crazy deadline, and my current contract with the game studio takes precedence. Not knowing how much work would be coming or precisely when, I couldn’t take on a book contract in good faith. I do have almost-finished novels lying about that I would like to poke at, finished ones that need rewrites, and I have started a new one for the first time in a few years, writing longhand with a fountain pen in a notebook. (It just felt wrong to try to start it on the computer, and if a story will cooperate in another easily accomplished way… well then, story, here is a Parker fountain pen and some J Herbin ink; come and play.)
Ten years. The traditional gift material for a tenth anniversary is tin; maybe I should buy a new fountain pen to celebrate. (I also see that the modern equivalent is diamond jewellery, which just makes me laugh a lot. Seriously? I’d prefer a new fountain pen.)
Thank you to everyone who has been around for this ride so far. To single a few people out (which is always dangerous because one feels dreadful if one misses someone important), I will name Ron, of course; Ceri, who kept me company on writing jams while I wrote that first book, and provided tea and sanity checks; Debra, who gave me the publisher’s contact request for the consultant in the first place; Silver, who told me I could do it, and to stick to my guns when negotiating for future titles and deadlines; Scarlet and Robyn and all the Melange Magique staff who were excited for me, stocked the book, and hand sold it; and all my lovely editors, especially Andrea, who fought long and hard on my behalf during her time as my last editor. Thank you to booksellers and readers, to reviewers and interviewers, and all my friends who encouraged me, came to book launches, and have my books on their shelves, even if they’ve never read them and never intend to. You are all wonderful, and there would be no point in doing this, if not for you all.