Category Archives: Music

Concert Reminder: The Two and a Half Weeks Version

Yes, the first concert of the 2007-08 LCO season is nigh!

Circle Saturday the 24th of November on your calendars! At 19h30 in the Valois United Church in Pointe-Claire (70 Belmont Ave., between King and Queen), the Lakeshore Chamber Orchestra will present their fall concert. On the programme for the evening:

Overture in the Italian Style in D – Schubert
Clarinet Concerto No 2, movement #3 – Weber (guest soloist: Eric Abramovitz)
Peer Gynt Suite – Grieg
Valse Triste – Sibelius
Symphony No. 100 ( “Military”) – Haydn

Admission is $10 per person; admission is free for those under 18 years of age. The concerts usually last approximately two hours, including the refreshment break. There are driving directions and public transport info on the church website, linked above. I usually encourage people who are vehicle-less to find someone who has a car and share the cost of the driver’s admission to the concert among them. It’s more fun to enjoy the evening in the company of others, after all.

Reserve the date! Bring friends! See you there!

Twenty-Eight Months Old!

Today is a momentous day: Liam and HRH removed the front rails of the crib this morning, to make him a real bed.

He scrambled right up onto it and said, “A bed!” Then I pulled out the Nemo spread I bought him months ago in anticipation of this day, unfolded it and said, “Who’s this on your new blanket?” He leapt off the bed and stood taking it in with a slightly open mouth for a moment, then said “Nemo” in quiet, reverent tones. I put it on the bed and he threw himself back on to test it out. “Liam on a Nemo bed!” he said, and went to find his favourite toys to pile on it. Every once in a while as he played he’d say, “Oh, nice bed!” in a casual way as if he’d just noticed it. We’ll see how bedtime goes tonight. HRH was a little sad last night when we confirmed that we’d be doing this as planned today. I’m relieved, because I frequently have to lift Liam in and out of the crib many times every day because he wants to play in it. This way he can do the climbing in and out himself. I don’t anticipate any major problems in keeping him in bed at night; it’s so exciting for him that I think he’ll want to stay there on his own.

Lately when we’ve put him in his crib at night and turned out the light he would say “Too dark! Turn on light!”, which was ironic to me because he was the one insisting on sleeping in the blanket tent that HRH made for him over half the crib. If you want more light, come out of the tent, kid! There’s plenty of light being cast by the aquarium. So we’d turn the overhead light back on and turn the dimmer down almost as far as it would go, then turn it out completely once he was asleep. This will no longer be a problem, because he hasn’t requested the tent back up now that the crib is a bed.

He woke up at six the other morning, pointed outside and said, “Too dark! Turn on light!” I said, “I can turn on the light inside, but I can’t turn it on outside. The sun isn’t up yet.” He looked surprised. “Sun not up yet?” Then he pondered for a moment. “Maybe… call sun? SUUUUUUN! WHERE ARE YOU, SUN! COME OUT!” The sun isn’t the only thing he’s called. A few weeks ago HRH and Liam were on the back deck watching a storm roll in. The sky was dark and the wind was tossing trees around, and lightning was flashing with thunderous accompaniment but it wasn’t raining quite yet. I was in the kitchen and I could hear them talking. Suddenly HRH bundled Liam inside. “Raining?” I said. “No,” said HRH. “My son leaned on the railing, held his arms out to the storm and said, ‘Thunder lightning, come play with Liam!'” As some of you may know, HRH has a certain sympathy (empathy?) with weather, and having experienced first-hand what being next to a lightning strike is like, he chose to curtail the suggested playdate.

Our big TV died some time ago, and two weeks ago we re-acquired our smaller oak-cased television from the upstairs neighbours. We went out and bought a rabbit-ear antenna, and voila! Reliable DVD watching! Plus we get CBC and CTV and Global, which means the Tudors, Heroes, and House for us, and — the best of all for Liam — the Doodlebops again. But really, just having a reliable television for movie-watching is such a relief. We put movies on to relax, and having a screen that flickered and shrank unpredictably was decidedly not relaxing. His favourite film is still currently Lilo & Stitch, although he’s been asking for “Woody Buzz” again recently, and once a week he’ll ask for Peter and Benjamin or the mice (also known as the World of Beatrix Potter series. Music-wise he’s still big on the Cars soundtrack, but here again he’s been asking for “Woody Roundup”, which is what he calls the Toy Story 2 soundtrack.

Two weeks ago he came and sat on my lap to watch the third movement of Beethoven’s cello sonata in A minor with piano accompaniment (as played by Leonard Rose and Glenn Gould — YouTube is incredibly useful sometimes). He became very excited, said “Liam play piano!” and thwacked enthusiastically at the laptop keyboard, sending the semi-colon key spinning off into the air. It’s kind of hard to be mad at a child for being passionate about music. I brought out the viola for him the other day and he gasped with delight, clapped his hands, and said “Liam make music!” I love that he gets so excited about it. Eventually he’ll love it in a less physically violent fashion and I won’t have to run interference.

When Liam wants to do something he’ll suggest it, and generally, because life tends to be a series of crushing defeats for a two year old, the answer is no. So sometimes he’ll deliberately ask for a list of things he knows can’t happen, in a veiled effort to get to something reasonable that we will, he imagines, agree to with relief and enthusiasm. “Go outside?” he’ll say. “It’s too wet, Liam.” “Watch… Woody Buzz?” “It’s too early to watch movies, Liam.” “Go see Nana Grandad?” “It’s too far, Liam.” “Go bookstore?” “The bookstore isn’t open.” “Go see… lobsters?” And he has a look on his face that says, ‘You see, I am not dim, I have cleverly herded you into my crafty trap, you cannot POSSIBLY say no to driving to the grocery store because we ALWAYS need something from the grocery store and while we’re there we can stop by the fish counter for, oh, half an hour so I can watch the live lobsters.’ The first time he said it I nearly choked because I laughed so hard at the unexpected appearance of crustaceans on his list.

He loves to play tea-time with his tea set, and now we frequently have a pretend tea session after his pyjamas are on and before we curl up to read stories at bedtime. “Oh, tea!” he exclaims and scrambles to get the tea tray, pouring pretend tea in an enthusiastic (if not tidy) way into the little red teacup, tossing it back before saying “Mama tea! and pouring me a cup. Once we’ve sipped, he says “Oh sugar!“, and we go through the spooning of pretend sugar into our cups. Then I inevitably have to look under the dresser for the little cream pitcher, and we do it again, and then HRH gets his cup too. His pretending is becoming more complex by the day. Liam picked up a block last week and waved it around in the air making whooshing noises. “Rocket!” he said to me and ran around the room with it, still making the happy whooshing noise. Then yesterday he picked up a helicopter toy and waved it around. “Harold flying with Buzz!” he said. This interested me because Harold is a helicopter character from the Thomas the Tank Engine world, while Buzz Lightyear is a character from a Pixar film, and he was imagining Buzz was there. When he takes a bath he plays with two plastic turtles and a Little People treasure chest, and the turtles pretend to eat what’s in the chest. “Turtles eating… oatmeal,” he’ll say. “Nom nom nom!” The turtles eat for a while, and then he says, “Turtles eating… sausage!” (That’s one magic chest: not only does it serve up any kind of food the turtles wish to eat, it appears to be a never-ending supply as well. Disguised as gold coins and various other piratey treasure too, I might add.)

He reads voraciously, on his own as well as with us. Mortimer, Murmel Murmel Murmel, and The Incredible Book-Eating Boy are all still frequent bedtime requests. He’s added The Cat In The Hat Comes Back to his Seuss favourites, too. He points at words while we’re out and about sometimes and says, “Letters!”, although he doesn’t voluntarily identify them very often. He frequently counts to ten, and sometimes goes beyond, but after ten there’s no guarantee they’ll come in correct order. He likes to touch the magnetic letters on the fridge, then knock them all down, saying “Chicka chicka boom boom!“.

He grows every single day. People notice a difference when they haven’t seen him in a week. His head now comes up to my hip! We’ve given up on size 2T pants; size 3T is where we need to be now, because his legs are so long. Tops absolutely need to be 3T or larger because his 2T shirts show a little too much tummy! Shoes are between size 7 and 8, and he’s wearing at least 3X coats. He can climb just about any staircase, and walk down them too if he’s holding someone’s hand. Afternoon naps range between an hour and a half to two and a half hours long, and night sleeps are about eleven and a half hours long. Every day is an adventure; every day is fun. Even when I get frustrated, there’s something to appreciate or marvel at about him.

Vivaldi Update

Today I wrote what is essentially the climax and resolution of the first draft of this young adult novel.

Total word count, Il Maestro e le Figlie di Coro: 53,903
New words today: 3,643

There is a full chapter of wrap-up to go, but the hard part is over. Then comes the rewriting of the uneven first draft and expanding of the basic story. I still have two pages of scenes outlined in note form to expand and insert somewhere in the first half of the book, and I know the timeline is a bit wonky season-wise and needs to be fixed. When it’s over it will be the right length. I have to keep reminding myself I cut five thousand words not long ago, too.

I had momentum on my side today, once I actually got this part going. I kept thinking ‘I should stop and work on that book proposal’ but another part of me would point out that if I stopped I’d just have to work up the momentum again another day. So here we are, and I’ve written what the entire book has been leading up to. It needs more emotional depth, perhaps more detail (although I risk going into territory too technical that may lose the reader if I do), but the basic structure is there, eleven months after I began it.

Mousme came over to write with me today again. I like it when she’s here; I actually sit down and write instead of messing about doing other things. She requested Haydn quartets as writing music and I remembered why I own so many CDs of them: I love the things. And when she left I took a bit of a break, then went back to writing (see above re: momentum).

Now I have to really change gears and get into the headspace for orchestra tonight. And I’ve just realised that because I was gone for four days over the holiday I haven’t practised at all, and there will only be three of us in the section tonight, which means I have to be extra on. Oops. I should put the CDs I have of the pieces we’re doing in the CD tray and listen to them.

Thursday

More orchestra goodness last night. There were times when I was reading those really high notes in the Grieg and translating them to fingers in the right place without thinking, and I caught my brain saying to itself, “Maybe you do deserve to be in the second chair.” Nothing like a very respectable performance in a cello-exposed theme to make oneself feel good: expression, intonation, and the right notes all combined to make a rather lovely sound. Although we’d worked the opening movement of the symphony for an hour leading up to the Grieg and my brain didn’t fully make the key signature shift, so I fumbled through the first go at it. I’m really enjoying how our conductor is working the music and the sections so far this season. There’s very obvious improvement by the end of each rehearsal. It’s terrific to look forward to rehearsal, and to leave feeling great.

My principal gave me a fingering she wants us to use for a particular phrase in the overture, and I kept trying to work it during break. She asked how it was going and when I said I was having trouble with the stretch for the last note she took my left arm and readjusted it, pointing out that by having my elbow so low I was ‘breaking’ the wrist and limiting the pronation of the hand. That’s something I never noticed. It’s odd how certain things stick in your mind from lessons ten years ago: I’ve always been hyper-aware of raising my right arm too much, as it was a problem I had as a beginner. Evidently after years of telling myself to keep it down, I’ve not only learned the lesson but have proceeded to overcompensate, thinking that I still make the mistake. On the way home I hit upon a good idea: if I think about holding my arms as I was trained to do in ballet, long and slightly rounded, then the arms will automatically balance and fall into the right place, with the added bonus of my shoulders both dropping and being parallel. I do wish I could take lessons every couple of weeks to get my technique back into shape. I talked to the principal and she gave me one of her cards, and told me not to worry, in a couple of years the boy and I could have lessons together! I love that idea. Suzuki method it may be, but going back to basics in any method can’t hurt. And I like the idea of being able to participate in a lesson with Liam: it’s less like work for both of us that way, and more like fun. More motivation to set aside practice time, too. I joked about setting up a tip jar on the floor between our stands and dropping a quarter in it every time I ask her a question or she gives me a tip about playing in general.

Also, it should not have been that hot and humid yesterday. Four days before October. Just wrong.

More laundry today. It felt like my whole day evaporated yesterday what with the late start in the morning, dropping the boy off, driving HRH to a job downtown and then running my errands. I had two hours to work at home and do two loads of laundry before I had to leave and pick the rest of the family up, then do the usual evening things before leaving for orchestra. This sample edit I’m working on is hard to wrap my brain around because there’s so much to do with it, and as it’s a sample I’m doing it for free to demonstrate to the writer how we might work with one another. I’ve got to limit the time I spend on it as a result, but it does need a lot of thought and analysis, and I want to edit it in two different ways to illustrate the choice of direction the writer has. Above and beyond that I have to transcribe the work, which is atypical in every way and so I have to keep rechecking what I’m typing to make sure it actually matches the original. Fascinating stuff, but time-consuming.

The boy is napping. Time to do more laundry. Then I won’t have enough time to get into that edit, so I may do some research on Baroque instruments (no, it’s for the Vivaldi novel; I’m not pining for yet another instrument. I think playing the cello and the fretless bass, plus planning for a double bass sometime in the next five years and wishing for a harpischord is more than enough). I’ve started telling myself it’s okay to not turn on the main computer on days where I’m not working, so I sit down with the laptop instead to mess about reading news and doing research, and it feels more relaxing, less rushed.

Right. Laundry.

Foiled

I did a bunch of running around this morning. Finally picked up the sheet music to an Arvo Part piece that Sandman7 and I are considering playing together, and picked up a CD of Boyce symphonies because I enjoyed playing the first one so much last season. I also came home with Edgar Meyer’s recording of three of the solo cello suites by Bach (2, 1, and 5, if you’re curious), played on a double bass. I am so glad I have a subwoofer wired into my computer system. The volume isn’t up very high but already the lowest notes are making the window and things on my altar on the other side of the room rattle. Much is my love for Edgar Meyer. Also, much is my admiration: the intervals, stretches and shifts are murderous on a bigger instrument like the double bass, and he’s managed to make it all sound liquid. I would love to hear it played live in a church. (Now I want a double bass even more.)

The main reason for going out, however, was to get HRH’s anniversary present… which was not available. Well, one kind was available, but it was much too expensive for something of lower quality. Argh! Looks like I will have to resort to a much less exciting alternate option, which he pointed out to me in passing this morning. I could have driven to a different shop much further north in the city, but I have a sample edit to begin working on today, and there’s no guarantee the item would be available there either. (No, I can’t call, because it’s a look-at-various-ones-and-evaluate kind of thing.) Maybe for Yule.

There was also an astonishing lack of Glenn Gould recordings available, considering the anniversary year this is. I could have bought remastered recordings of two things I already own, but I’m not that obsessive.

Now, to work.

Nostalgia

Poking around online at all things Gouldian today, I discovered my report on that book launch and film festival that I had written for the rest of the F-Minor e-digest crew ten years ago.

It’s all still there, all the conversations we had about music theory, performance, criticism, and other things only tangentially Gould. The Internet holds on to everything.

I joined the F-Minor e-list back in the days of text-based Internet, when I was still using a telnet connection. Maybe I’ll resubscribe, and rejoin the GGF, too. Well, I’ll sort through the newer posts and things first and see if I like the current environment before I decide. Just by scanning the names of people posting I can see many of the old crew are still around.

I thought I’d pick up a couple of new Gould discs tomorrow while I’m out too, something I haven’t done in years and years. Maybe some Brahms. Or the gamba-harpsichord sonatas, if they’re still available.

September Twenty-Fifth

I am home alive and rested from camping. It was an incredible weekend weather-wise and otherwise.

Today there are several things to celebrate:

1) The belated birthday of Gmarc! (I will forever remember his birthday one day late.)

2) It’s the 75th anniversary of Glenn Gould’s birth! I am, as some know, a staunch Gould fan and wrote a third of a thesis on his dual modes of expression in performance and written musical analysis. (This was before my advisor vanished into the ether because he was soon retiring, leaving a handful of thesis students hanging because he didn’t care any more.) Coincidentally, next week is also the 25th anniversary of Gould’s death. I shall buy Thirty-Two Short Films About Glenn Gould on DVD as a gift to myself tomorrow (Gould’s music! Colm Feore!). The CBC has a week of stuff going on about Gould, and YouTube has tons of clips online as well.

3) Today marks the tenth anniversary of HRH and I doing our first road trip together. We went, appropriately enough, to a Glenn Gould book launch and film festival in Ottawa. (Hey, someone had to drive me, and he was free and willing to learn about one of the things that made me tick, AKA something I wouldn’t stop nattering about because I was in Full! Thesis! Mode! at the time.)

4) It also happens to be our eighth wedding anniversary today. When I realised I’d planned a wedding on the weekend of a bi-annual Gould conference that I really really wanted to attend (I was a member of the GG Foundation at the time) I was not amused. Still, I think I made the right decision, going to the wedding instead of the conference, don’t you?

None of these things were deliberately scheduled thusly because they built on previous events, it just kind of turned out that way. I find that interesting and also mildly disturbing.

Thanks to everyone in the blogosphere who has already wished us well. And thanks again to all the friends who shared our wedding weekend with us: you made it a very special time.

I have a cool anniversary present in mind for him. Muah-hah-hah! (I have to top the Xbox somehow at some point, and it may as well be this year…)