Category Archives: Art, Theatre, & Film

Dusting Off The Sewing Machine

In other non-ranty news, I made over my corset on Tuesday night. I’d already unpicked a couple of seams and removed the peplum and straps about a month ago, so Tuesday night’s work consisted of resewing the bottom seam, encasing the seam in velvet ribbon trim, taking in the side panels by an inch, putting on the eyelet ribbon, grumbling a lot, taking off the eyelet ribbon and unpicking the side seams because it still wasn’t fitting correctly, and redoing it all. Then I sewed a velvet ribbon halter strap on it, and put tiny darts in the two front seams to make it fit even better.

So! I have a new-old corset for the gig in two weeks. Now I need to decide what I’m wearing with it. I’m liking the jeans idea, although if I can find my flirty little black wraparound miniskirt I may wear that, because a skirt allows me to wear my funky high-heeled lace-up boots. There’s just no point to wearing funky lace-up boots if no one can see them.

(Two weeks! Eep. But we kicked the collective ass of our set list at last night’s rehearsal, and with a little more work on my own I’ll be more comfortable with the final two new songs that I need to polish. The general consensus seems to be that we’re feeling pretty good about things, better than we did leading up to last gig in October.)

Concert Review!

We gave a brilliant all-Mozart concert last night! All of it was great, but I’m particularly pleased with the symphony we played in the second half. It’s full of dynamic changes and sixteenth-note runs that never seem to end, and I’m very proud of my own performance as well as that of everyone else. We nailed the final Presto movement beautifully. It was one of those “in the cello zone” times that happens now and again, where you realise that nothing’s going to go wrong and the whole thing’s just going to flow. And flow it did: I played those runs better than I’d ever played them. (Flow may not be the best word; that finale is like a freight train once it starts… it’s not stopping for anybody.)

Thanks go out to everyone who came by to be a member of the audience, those who attend every concert and those who came by for the very first time. I truly appreciate your support! We had about a hundred people there to hear us, and I know they all went home satisfied.

And since you’re all dying to know what we’re playing for Canada Day, I can tell you that there will be symphonic selections from Beethoven and Schubert and Mozart during the first half, and selections from twentieth century operettas and musicals for the second half. Followed, of course, by church bells and fireworks as always!

Concert Reminder

(Yes, I’m spamming my journal this morning, because I can, all right?)

This Sunday night (that’s April 2, 2006) at 19h30, the Lakeshore Chamber Orchestra will be presenting an all-Mozart spring concert the Valois United Church. On the programme are:

Cosi fan Tutte overture, K 588
Adagio from the Clarient Concerto, K 622
Three German Dances, K 605
Romanze for soloist and orchestra (from the horn concerto, transcribed for cello), K 447
Three Marches, K 408
Symphony no. 35 in D Major, K 385

Admission is $10 per person; if you’re under 18 you get in free. The concerts usually last a couple of hours, a bit longer if there’s an intermission.

Valois United Church is on the corner of King and Belmont in Valois, Pointe-Claire. Here’s a map if you’re driving, and directions for metro and bus if you’re public tranport-ing.

This is a wonderful way to spend a spring evening. While there’s public transport directions here for you, I usually encourage people who are carless to find someone who has a car and share the cost of the driver’s ticket among them. It’s more fun to enjoy the evening in the company of others. (Here’s a map for you driver-types.)

See you there!

Author Crack

Seriously. I now understand how tracking sales can become obsessive for an author.

TitleZ.

Type in Solitary Wicca for Life and click the “title” box. Then click the green arrow next to the search result to see the graph of Amazon sales since the day it was released. My all-time best sales ranking on Amazon for this book was 17K-ish, on September 24, 2005. When you think that there are over 2.5 million titles listed on Amazon, to be in the 17Kth best-selling book is pretty nifty. I’m no Dan Brown (thank all the gods), but to be in the top 20K is fun.

Currently Reading, Writing, Hearing, & Playing

What am I doing in offline life? Take a look at what I’ve been reading, writing, listening to, rehearsing, and mark down when I’ll next be performing with one of the groups with which I play!

Last Updated: January 21, 2008

    READING:

Reading Now:

Striding Folly by Dorothy L Sayers
Gold Bug Variations by Richard Powers

Vivaldi’s Virgins by Barbara Quick (stalled)

Recently Read:

Virgin Earth by Philippa Gregory
The Thin Man by Dashiell Hammett
The Looking Glass Wars by Frank Beddor
Earthly Joys by Philippa Gregory
Wicked Lovely by Melissa Marr
The Druidry Handbook by John Michael Greer
Dust by Elizabeth Bear
Daughter of Venice by Donna Jo Napoli
Beatrix Potter: A Life In Nature by Linda Lear
You’re Not Fooling Anyone When You Take Your Laptop to a Coffee Shop by John Scalzi
The Cipher by Diana Pharaoh Francis

  • Past Reading List
    • WRITING:

    Contracted:
    untitled hearth magic book: delivery April 2008, projected release date April 2009
    Pagan Pregnancy: A Spiritual Journey from Maiden to Mother: release date July 2008

    Uncontracted:

    Wings & Ashes: novelette in first draft (begun August 2007)
    The Moments of Being Pandora: YA urban fantasy novel, first rewrite, final four chapters in draft (begun November 2004)
    Swan Sister: adult novel, first draft (35% complete) (begun January 2006)
    Il Maestro e le Figlie di Coro: YA historical novel, first draft (75% complete) (begun November 2006)
    Creating the Muse (also referred to as ‘The Poppy Book’, or tongue-in-cheek as The Great Canadian Novel or GCN): adult novel, in rewrites (and the last four chapters may as well be a first draft, as the end has to be so drastically changed) (begun July 2002)

    Many Names: complete YA novel, submitted without representation December 2007 (written November 2002 – late 2003)
    Balsamic Moon: adult novel, on hold; requires final two chapters (written November 2003)

      LISTENING:

    A Distant Bell Caroline LaVelle
    Pride & Prejudice film score – Dario Marinelli

      RECENTLY SEEN:

    Shrek the Third – dir. Chris Miller et al, 2007
    The Golden Compass – dir. Chris Weitz, 2007
    The Cat Returns – dir. Hiroyuki Morita, 2002

      REHEARSING:

    Lakeshore Chamber Orchestra:

    Symphony no. 1 – Gounod
    Overture to The Caliph of Baghdad – Francois Adrien Boieldieu
    Pavane – Fauré
    Pavane pour une infante defunct – Ravel
    Aires de danse dans le style ancien from Le roi s’amuse – Delibes

    Random Colour:

    Current Set List: covers of Leonard Cohen, Metallica, The Tragically Hip, Loreena McKennitt and more!

      PERFORMING:

    Lakeshore Chamber Orchestra:

    early April 2008
    details TBA

    Random Colour:
    ~ currently on hiatus ~

    Challenges

    I’ve been faced with a couple of difficult choices recently.

    The first concerns the fact that I’ve lately struggled with wanting desperately to take up dancing again. I’ve always wanted to go back, but over the past ten years I’ve come up with every reason in the book to avoid it: I haven’t the money, I’m working too hard, I haven’t the time, there’s no studio near me, I’m shy, etcetera. The single sample class I took a decade ago ended in tears and a vow to never, ever show my face in a studio room again. Looking back, accepting the invitation of a sample class towards the end of a semester was really stupid, because I measured myself (having not danced at all for nine years) against women who had been training for fourteen solid weeks. Barre work was all right, but I stumbled badly in my floor work, and couldn’t remember the moves to match the names the teacher called out in combination sequences as we performed them across the room one by one. It scarred me badly.

    I’m taking sample classes at two different ballet studios at the beginning of September. In both, I’ll be starting from the very basic beginner’s classes once again, to preserve mental and emotional sanity as well as to be kind to my body. I’ve retained most of my flexibility and posture (training for six years as your body forms and grows will do that for you), but muscles evolve with you, and I’m not stupid enough to think that I can just jump into an advanced class right off the bat.

    So, there; one of my difficult choices. I’ll be dancing at one or both of them this fall.

    The second difficult choice revolves around something very personal and emotional that occurred to me four and a half years ago (which scarred much deeper than the dancing issue). It took me quite some time to heal from the original experience, and I eventually dealt with it and moved on (without the other individual in my life, by my choice; I don’t hold grudges, I just don’t offer people the second chance to backstab me). On Sunday, this situation and the individual originally involved in it were resurrected in my memory by three different people, at three distinctly different and unrelated times.

    I had a hard time working through what I was supposed to do about this, because I didn’t know what lesson Spirit was trying to teach me: how to surrender and accommodate, or how to say no. I’m very good — too good, some have said — at accommodating. I am bad, very bad, at saying no. In this instance, choosing to accommodate means that other people receive a lower-quality service. After the summer I have had, and the experiences I went through at the spiritual retreat ten days ago, and after meditation and divination and discussion with a couple of people I trust, I have chosen to interpret this as a lesson in saying no. The quality of my teaching and facilitating other people’s spiritual growth is very important to me, and I won’t have that interfered with. I owe that to my students, who trust me.

    Trying to puzzle out which lesson I was to be learning through this was not fun. Both outcomes had drawbacks. Whichever lesson I followed through, there was pain and disappointment. Another one of those no-win, choose-the-lesser-evil situations. I had a very emotional day as I evaluated who I was, who I had been, and who I wanted to be in the future. I’ve made my choice now, and it’s the right one.

    These are two very different challenges I have worked through. They both involve dealing with pride and spirituality: one expressed through movement and discipline; the other through a final emotional purging, a recognition that everything changes, and an acceptance of a teacher’s full responsibility, which sometimes must include saying no.

    Whew. Can I get off the growing-up treadmill for a bit now, please? Just for a rest?