Monthly Archives: December 2002

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Okay, so I was bored, and I did another of those ridiculous on-line quizzes that I swore I wouldn’t do anymore (and neither should you, so don’t look for a link).

This amused me though:

Which Ultimate Beautiful Woman Are You?

You’re hell’s librarian. You know more about the dark than anyone else, but you’re not really a part of it, it’s just a job to you, an opportunity to learn. Everything’s about the next life lesson; but if it’s a subject that doesn’t tickle your fancy, forget it, you’re stubborn with an iron will (you’d have to be). You’re smart *and* sexy!

How do they figure out so much from just asking you about your hair colour and the pet you’re the most likely to have? Unreal.

Oh, the image?

Ah, fantasy art. Never knew a pile of books could be so sexy, did you?

Sheesh.

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December tenth? A release date of December tenth?

Howard Shore’s soundtrack for The Two Towers has been available for two days and I don’t have it yet?

Things are awry in the universe.

I must remedy them. This weekend sometime. Maybe.

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Annika, Ceri and I went to the Salon des metiers d’art last night. Row upon row upon row of stuff: glass work, woolens, leatherwork, woodwork, candles, soaps, jewelry, sculpture, wall art, pottery. Nice vendors. Aggressive vendors. Shy vendors. It reminded me of the trade shows I’ve gone to, only more expensive.

It’s just too big. Annika and I burned out three-quarters of the way through and had to stop, fried and brain-dead. Ceri was still rarin’ to go.

I think it’s an age thing. Five and half years ago, I could game till four in the morning, and then get up and go to work for ten, and after work go downtown for a graduate class at night and not get home until quarter to midnight. Now, I’m regularly in bed at ten-thirty at night.

Poor Ceri. Out at the biggest, fanciest craft show in town, with two thirty-one year olds, artistically inclined and appreciative of the show in general, but betrayed by their decrepit bodies and need for sleep…

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So explain to me why I hate the Charlie Brown Christmas album so much, but love the debut album by the Vince Guaraldi Trio.

No, I didn’t think you could, either.

It probably has something to do with the destructive over-playing of the same half-dozen Christmas albums every December. I like jazz. I like jazz Christmas songs. And yet, I do not like Vince Guaraldi’s Charlie Brown Christmas album.

Eh. Whatever.

My personal vote for the best Christmas album (meaning something different, with original takes on classics, as well as some rarely-heard seasonal stuff) is, in fact, Holly Cole’s Baby, It’s Cold Outside. I got all excited a day or so ago when I discovered a listing for another Holly Cole Christmas album, a Japanese release entitled Santa Baby: Live in Toronto, but it’s no longer available, and I have all the songs on other albums anyway.

My love for Baby, It’s Cold Outside is sourced not only by Holly’s incredible vocal treatment of the music, but particularly by the stellar recording of the title track, Frank Loesser’s Baby, It’s Cold Outside, performed as a duet with Ed Robertson from The Barenaked Ladies. For those of you who were at the Stuart McLean show last Friday, Lisa Lindo and Chris Whiteley did a decent job of it, although I still prefer Holly’s version. I could leave it on a repeat loop for hours. Not that I have; no, I’d be afraid of over-playing it and desensitizing myself to it! Christmas music rapidly becomes tiresome; I’d rather not have that happen to my favourite Christmas album, thanks.

Actually, there is another album that I love at Christmas, but it vanished from my collection over two years ago (and I hope whoever has it now is enjoying it, muttergrumblegrr). It’s A Waverly Consort Christmas. I finally broke down and special-ordered another copy, since I can’t seem to find it on the racks anywhere (which surprises me not at all, since it isn’t a pop or country singer’s rehash of seasonal chestnuts). It will be four to six weeks before it arrives, naturally. At least I’ll have it for next December.

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I think I’ve hit on a pretty decent plan.

I wake up; I get out of bed right away. I wash, make tea, log on my computer, and work for at least two hours, preferably four, before I even think of taking a break.

Yesterday, I wrote a freelance article. Today, I did a slew of research on Montreal publishers and writers, and wrote a slew of requests for review copies for the magazine.

There’s only one thing preventing all this work from being resolved: my work e-mail is giving me grief. I can receive, but I cannot send. Eudora keeps telling me sweetly that it’s connecting, but that the connection times out.

So let me get this straight: this set-up and connection will merrily receive, but it will not deliver outgoing mail. It connects to the same IP number at the other end.

Grr.

In the meantime, I have a pile of letters and requests for review copies and press releases sitting here. I’m so close. Almost there.

I think I need more tea.

In Which She Muses About Freelancing And Self-Promotion

Sell yourself, don’t sell yourself short.

A lady whose opinion means a lot to me said this to me yesterday as we talked about my move into the freelance world, and this editorial position on the magazine staff. The work world is changing, and my generation seems to be the one that, as usual, has to strike a balance of some kind between the world of our parents’ generation and the world that the people fifteen years behind us will take for granted. In this case, it’s the realisation that we have to market our skills to a variety of places simultaneously, because our skills are theoretically valuable. They’re not valuable enough to build an entire job position around, however.

Hence the rather catchy phrase. As a freelancer, you do indeed have to sell yourself. And I’m terrible at that. I ‘m innately shy, and usually the last thing I want is to be noticed. When you’re seeking freelance work, however, that’s precisely the opposite of what you’re trying to do.

My strengths, of course, lie in the copy-editing and proof-reading areas. Areas which, amusingly enough, many tech writers and copy-writers I’ve met absolutely detest. It’s second-nature for me; sometimes I joke that I was born with a red pen in my hand. It’s an ideal situation, actually; the writers hand their work off to me with a sigh of relief, and I get work that I enjoy and that I do well.

In January, I’ll be polishing up my C.V. and passing it along to a bunch of people and places. I’ll agonise over a confident and clearly communicative cover letter (I hate cover letters) that announces my brilliant capability with style.

And, damn it, I’m going to publish. I have two and a half novels written since July alone, and over seventy single-spaced pages of notes on an esoteric non-fic reference book.

That lady whose opinion means a lot to me is right. I sell myself short. Most of us do. I think it comes from a combination of things, not the least of which was growing up in a world where you were polite, and never boasted, or said you were better than someone else, a world which taught us that if we were good, things would come to us on their own. Now, things have changed: the world has taught us that we have to shout louder than the next person in order to be heard, we have to show off in order to move ahead. Is it any wonder that people around thirty or thirty-five are so confused, and are one of the highest age demographics of the unemployed?

There are times when your mother tells you you’re special, and you think she’s saying it just because she’s your mother. And then, there are the times where she says it as one person to another, and you hear it in an entirely different way. I am talented. And I am special.

Thanks, Mum.

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Bake, bake, bake. Write. Bake. Chat with my mother. Bake. Write.

Piles of baked goods. Yummy-smelling house. Happy, happy Autumn.

Time comes for dinner. I take out the tourtiere we picked up at Loblaws this morning, the box claiming that it’s Made from a traditional Quebecois recipe. My mother used to create an amazing home-made tourtiere that was our traditional Christmas Eve dinner. I proceed to get nostalgic. Open box, pop tourtiere in the oven.

Idly turn over box. Read ingredients.

Pork, beef, veal; water, onions, textured soy protein, potatoes –

Whoa. Jus’ whoa.

Textured soy protein?

I’m fairly certain that traditional Quebecois recipes for tourtiere do not include textured soy protein.

Don’t get me wrong – I like TSP when I’ve had it, especially in vegetable stir-fries.

It’s just… odd.

At least there’s no swarms of poly-syllabic chemical-preservative-like things lurking in this tourtiere. The ingredient list goes on to read: toasted wheat crumbs, salt, spice, dextrose, onion powder, garlic powder. Pastry: enriched wheat flour, lard, water, salt, calcium propionate. Glaze: water, enriched wheat flour, dextrose, milk ingredients, canola oil.

I know what all of that is. That’s rare, when I read ingredient lists. It usually depresses me. (Okay, the calcium propionate is a preservative, but it’s used in most bread products, and that’s just the pastry in this tourtiere. I’m amazed. I’m truly amazed.)