Was I the only person on the planet who didn’t watch Lathe of Heaven on TV last night? I woke up this morning to half a dozen e-mails in my in-box either ranting or raving about it. Please tell me someone taped it so I can figure out what the fuss was about.

I had a nightmare this morning and woke up in a jolt of freezing terror around five, and lay there shaking till six when my husband got up. Bad dreams are so frustrating; your logical mind says, “Okay, car, knife, bad man, night, these things are highly unlikely to happen, it was just a dream,” but your system is still stuck in that shadow fight-or-flight a nightmare produces. I call it the shadow version because with real fight-and-flight, you can actively shake the tremors and cold sweats and pounding heart. Shadow fight-and-flight is an echo sort of reaction that happens while you’re asleep, and it lingers insidiously until your husband wakes up and rubs your back and brings you cats to scare away the bad stuff with purrs. I had good dreams too, although most had a chorus of invisible monks breaking into a chant of “Esca-flowne” all over the place, a direct result of watching the first Escaflowne DVD last night. Escaflowne is my very first foray into the world of anime, and I can say at the very least the score is having some sort of effect on me, evidently. Nothing like invisible monks chanting the name of a giant robot as a dream soundtrack to really highlight the ludicrous aspect to my quality dream-time.

My parents are back from their annual holiday drive into the States, and they’ve picked up their new four-month-old kitten friend, who is a Maine Coon. His name is Seamus, and he’s following them around a lot. Their established old cat is not amused. So now my mother and I get to exchange kitten stories. And speaking of kittens, they’re getting nice and plump, and Nix is filling out nicely. As of yesterday their milk formula was blended with a spoon of pablum, so it’s now like a very thin gruel, and they’re a bit upset. When you’re five inches long, a week is forever, so when the viscosity of their food alters once weekly, it must come as a real shock to their little kitten brains.

While going through my filing cabinet looking for a label I came across a picture taken at my one and only public cello recital. Ceri’s right; my cello is huge next to me. For everyone who is waiting with bated breath to know what my string decision will be, I’m going to try a Eudoxa A string, since that’s the crucial replacement and the string I always have the most trouble with sound-wise, and if it sounds horrible then I’ll order a set of Aricores. If it doesn’t, then I’ll try a D string too, and so forth.

I went out yesterday and wandered around downtown a bit. I went into Paragraphe, and wondered why on earth I don’t do it more often. It’s just around the corner from Indigo, after all, and it stocks all the books I like, and is nicer, and an independent, too. (Let’s never mind the fact that the owners sold out to become the directors of the distribution company owned in majority by Chapters a few years ago; water under the bridge and all that.) I suddenly thought that I ought to be reading the type of book I’m writing, to get a feel for what was being published. And then, something that an old customer who was an author from the F/SF shop told me once drifted across my mind: this counts as research. Save the receipts.

Hmm. I buy books anyway. If it doesn’t work come tax-time, I haven’t lost anything. Woo-hoo! So I bought Adam Davies’ debut novel The Frog King, which was one of those brilliant debuts last season. It began really well, then descended a bit into maudlin self-abuse. Still better than some of the stuff out there. Just finished it this morning. Lesson learned: does your protagonist really have to hit rock bottom in an unpleasant way for your story to be told? Is your audience going to come away from the novel with an unpleasant taste in their mouths? If so, is it ultimately key to the plot? I didn’t think so in this case, so my lesson note reads: put your protagonist through symbolic hell. Forcing your audience to read every little bit of ick and dredge before your protagonist sees a scrap of blue sky drags your tale down.

I also picked up Sophie Kinsella’s Confessions of a Shopaholic, which is rather amusing because the cover is pink, and my ex-colleagues know how much I foam at the mouth when I see a pink or purple book. (Pink or purple pages and/or fonts are even worse.) Mind you, that’s in the New Age sort of book, so maybe this slipped past my pink radar because it was in the Literature section.

I made tons of notes on what other books I would buy when I went back, too. It’s been ages since I got excited about books like this. I think it’s because for the first time in eleven years, I don’t work at a bookstore, so I don’t have my surprises spoiled for me by ordering from forthcoming catalogues. It also has to do with the style of book Paragraphe stocks. I don’t have to wade through crap, the way I do at a chain store. It’s all higher quality stuff. Call me elitist, I don’t care. Label me; just let me have good books.

Paragraphe has a web site, so I thought I could start linking the books I talk about. I haven’t before because I refuse to funnel money into a Canadian chain that doesn’t need it (I’m a staunch supporter of independant booksellers, and you should be too), let alone an American company (Bleah! Amazon.com sucks! Okay, they have a decent review system, I check them out for reviews all the time; and they have tempting shipping deals, but they’re American! So is the Amazon.ca site – Canadian shipping address, owned by a Seattle company! Don’t get suckered! Support your own economy – please!) (Okay, rant over.) So I checked the Paragraphe site this morning. Alas, it is counter-intuitive, doesn’t list all their books, doesn’t have a page per title describing it, etcetera. Still, it’s an excellent place in person, which is what you want when you’re looking for a good bookstore anyway. More nifty Montreal bookstores you might not know about: The Double Hook on Greene, which deals exclusively in Canadiana, and Nicholas Hoare, also on Greene (with another location in the basement of Ogilvy’s if you’re feeling particularly swanky someday). Anyone else have a favourite?