Category Archives: Sewing

Miles To Go Before I Sleep

Note to self: if you decide to have two layers in a costume, you have to hem two layers.

Sigh.

Three days ’til the party. I’m 98% done. Just have that wretched second hem to do. Thank the gods that Ceri came over yesterday and helped by pinning the first hem in place for me. I have to practice that Handel today (yes, I know, I had all week to do it, and predictably, I did not), and I’d like to get the basic four-seams-and-I’m-done completed on my husband’s vest, too.

I went back to the sinus medication this morning. The light on-pseudoephedrine feeling is preferable to the heavy, I-can’t-even-think-let-alone-function feeling of having my sinus cavities clogged up.

Onward, ever onward…

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Yawn. I need a weekend after my weekend. Not that I was rushed; I just went from appointment to appointment to appointment from Friday night all the way to this morning.

I saw my osteopath for the first time in a couple of months today. When I emerged from my warm flat to walk over to the sports clinic, the world was quite dark, and a few cars even had dustings of snow caught in the crevices between windows and frames (that dreaded S-word!). When I left again over an hour later, I could just see a line of pink through the clouds to the south-east, but wow, was I relaxed. We truly don’t understand how our bio-mechanic operating system gets off-kilter and requires more energy to run efficiently until we’ve been tuned up.

I spent Sunday in Kingston at the local COGECO cable TV station, in production meetings and rehearsals for the live True Story of Dracula broadcast the Midnight Players are doing on October 31st. I love the slogan our producer came up with: Radio As You’ve Never Seen It Before! The whole premise of the show is that we’re doing a 1930s broadcast in front of a studio audience. If you’ve ever seen the film Radioland Murders, then you know exactly what we’re trying to reproduce. Radio features used to be performed live in front of an audience: performance theatre with scripts, nominal costuming and sets. For The True Story of Dracula we’re doing the same sort of thing. I’ve done radio shows in studios, radio shows at a mike for recordings, and radio shows with no broadcast at all in front of an audience, but working with cameras and a standing mike is new for me. Watching the rehearsal rushes yesterday, I can see that there’s a whole different dynamic required; a TV camera asks that the actor make eye contact, or at least not have their eyes glued to a script, for visual interest’s sake. This means, of course, that the script has to be pretty much memorised, so you can interact. Which leads me to wonder why we’re even using scripts at all, since if you’re holding a piece of paper with words on it, even if you know those words backwards and forwards, your eyes will instinctively glance downwards and try to capture the phrase, get tangled up in all the lines, and as a result you stumble. Mankind doesn’t trust itself very much; we tend to second-guess ourselves and create more problems than we’d have had if we’d stuck with our first instincts.

It’s going to be a blast, I know. While I’ve worked with cameras before, on films and interviews and such, I’ve never been involved with live broadcasts. I’ve done eighteen years of live theatre, though, so to see the two blended will be fascinating. JDH took some digital photos of the first rehearsal, so when we get those up I’ll link them so you can get an idea of what was happening (now that I’ve figured out my Sympatico storage space!). You’ll just have to imagine the set and costumes that will be there on the 31st. (JDH, by the way, filmed a fantastic mocumentary section on the life and times of our ol’ pal Vlad, looking slightly scruffy and professor-like as he told creepy stories in the basement of a chilly old deserted school. Complete with rather large millipedes and slamming doors, none of which were faked.)

And before the 31st, I have that Hallowe’en party that I need to finish my costume for. Ceri is coming over on Tuesday to help me hem metres and metres of fabric (bless her), and I have an hour of quick stitching for my husband’s costume (which he developed all on his own, and he’s doing the bulk of the work; I swore I’d not do anyone else’s costume again for years, but an hour of donated time on my part is fair, I think); then — ’tis done! I’m going to get even more wear out of it than I expected — I have another party to attend at the beginning of November, which is just fine with me: the more mileage, the better!

Good Days

I had a fantastic day yesterday. That’s about it. Four hours of playing in the store, dinner with Ceri, a smash-bang-wow workshop, a request for a private workshop for a group on the South Shore, then drinks with friends.

On the way to the pub we stopped in at Renaud Bray and I picked up those inks, because I was paid for my full-time work last week and for last night’s workshop (private instruction is so much more lucrative than retail!) and I thought that I deserved a little treat for surviving the past two lean weeks. I now have those darling little oval pots of cuivre, marron, and spring green. Yay! We got home last night and the first thing I did was get out my dip pen, sit on the floor and make lines all over a sheet of blank parchment paper to see what it looked like. I’ll be paying Hydro off in full later today with a chunk of my earnings, but before that, the inks were a lovely little gift to myself. (Note to self: ink (both black and colour) for the printer would probably help too.)

Over dinner last night Ceri gave me her latest pages of creative effort, and for the first time since we began doing this exchange of writing in July, I had nothing to give her. I felt guilty when I left the flat yesterday morning, but then I told myself that I really didn’t have to feel that way since I had given her seventy-eight (!) pages of the Great Canadian Novel over the past three months. I did try to write earlier this week, honestly I did; but I opened the laptop, made a couple of corrections as I re-read the eleven pages of the latest section, and then stared at the screen for about twenty minutes. I’m stuck. Normally when I’m stuck, I jump to the next scene and then go back and fill in the necessary space with an event of some sort, but the next scene I had planned was Christmas shopping, and the characters were still only in mid-November with no way to get to early December. So when I shared that frustration with Ceri yesterday, she said, without missing a beat, “Make it snow,” which was absolutely brilliant and I don’t know why I hadn’t thought of it. Another of Ceri’s super-powers, by the way, is being a Muse for people. She gives them great ideas. She occasionally laments that alas, she doesn’t inspire herself in the same fashion, so I can only hope that our writing arrangement covers at least the deadline sort of inspiration that writers need. I did give her a nifty idea for her husband’s Hallowe’en costume, but I doubt it even comes close to repaying the Muse-debt that society has incurred to her.

I’m terribly looking forward to driving up to see my parents next weekend; I haven’t seen them since July, and we haven’t made the drive to Oakville in this new car yet. After its spectacular performance through New York and Pennsylvania, this five-hour spin should be a dream! Seven days to go!

Hallowe’en 02

Operation Hallowe’en has begun.

Muah-hah-hah-hah!

I have cut the paper pattern out; I have cut jacquard pieces out for trim; I have dyed said jacquard pieces; I currently have another six meters of dyed fabric drip-drying in my bathtub. I have purchased Fimo and sparkly things and been successfully creative in that department as well.

The dryer downstairs is being used by someone who obviously does not comprehend how imperative it is that I dry those six meters of wet fabric RIGHT NOW so I can cut out more fabric and move on to the sewing. I’m on a roll, here. S/he is being most annoying.

I was worried about the dying process, but it was a beautiful success. What was once a medium blue is now a lovely ripply pewter grey, and the jacquard pattern shows up much better to boot. I’m now a dye convert. Now if I find a fabric that I love in a shade that’s not quite right, Dylon it is! None of that Tintex stuff; I’ve had such horrible results with that before. (It occurs to me that I have enough of the blue jacquard left to make a corset. A-ha! Do I leave it blue, or do I find a sage green dye? Must put that on the List Of Things To Think About.)

Onward, ever onward. Muah-hah-hah-hah-hah!

The Little Things Count

So I spent yesterday with Ceri, and all day something was lurking in the back of my mind, and it had something to do with Ceri herself (indirectly), and Saturday night when I went to a ritual.

It nibbled, and nibbled, and every time I tried to look at it it would vanish into the shadowy depths of my subconscious again. All Sunday it lurked and gnawed. Something like this is like having a mosquito in the room with you: you can hear it, and you know it’s there, but you’ll never see it, and it just gets more and more irritating.

When I go to ritual I usually wear a hand-made anklet of amber and onyx. I rarely wear it for any other reason, and if I do, I have to be feeling really special. As I did up the clasp on Saturday night I thought about wearing it more often, but I’m always afraid it will break. This casual observation must have been what started that lurky thought that hung around for a day or so. Ceri and I looked at a lot of fabric and trims yesterday, and Ceri mentioned making her wedding dress. The niggling feeling that I was forgetting something floated closer to the surface, but still didn’t make it all the way to conscious thought. It wasn’t until I was in a bath last night that I finally, triumphantly, dragged that thought out into the light, kicking and screaming.

I bought another anklet in Halifax last September the day of Ceri’s wedding, so I could wear an anklet all the time.

There.

When I emerged from the bath I hunted through my jewelry box until I found it, underneath some stone necklaces. Out of sight, out of mind. Figures.

I shouldn’t feel this smug and content about remembering a delicate silver anklet. Really.

Determined

I am listless. Lethargic. Languid. Langorous. Languishing. Limp, even.

I have absolutely no energy whatsoever. The most action I have participated in over the last twenty-four hours was waking up much too quickly at 2.30 this morning to bounce out of bed and partially close windows. Some storm! Then, of course, I went back to bed with a headache because of the plummeting air pressure and the waking-up-too-quickly-ness.

I broke three glasses yesterday because someone who shall remain nameless insists on piling all the used dishes into the sink. He claims he can’t stand them being on the counter. My point of view is that the counter is smaller than the sink, so the dishes would get washed faster if they’re on the counter. In addition, piling them into the sink means that as they don’t get washed as often, they take up more room, and I can’t use the faucet to get water in the kettle. Finally, he has a bad habit of just piling, not thinking it through, which means that heavy plates and pots get put on top of glasses and delicate mugs, resulting in breakage of said mugs and glasses when attempts to shift the pots and plates out of the way are made in preparation for washing.

So I was irritated about the glasses. We now have two glasses from that set left. That’s it.

On top of that, I woke up in a crafty mood and pulled out a sewing kit I’d had in my possession for over ten years. Yes, indeed; with all my back problems I’ve been toying with the idea of finally constructing the corset I fell in love with lo these many years ago. Unlike others, I actually have enjoyed my previous experiences wearing a corset; I’ve done it a couple of times now for two runs of stage work, and they’re darned comfortable, let me tell you. So I ordered a reconstructed pattern and supplies from an American dry goods company and then left it, not having time or the sewing skill at that point to accomplish what the pattern asked. After ten years, I’ve acquired a sewing machine and made my share of insanely complicated Renaissance outfits, including a couple of boned bodices, so when I looked at the corset pattern yesterday, hurrah! It made sense! In fact, it was easy! I could put it together in a single day!

Yeah, well, the best-laid plans, etcetera, etcetera.

Having such long legs and a short waist, I have to adjust every pattern I use to shorten the torso, otherwise the waist ends up around my hips. I shortened the corset pattern and then on a hunch, I decided to check to see if the boning and the front busk closing would still fit.

My hunch was correct. The busk was now an inch and a half too long.

Busks are made of metal, like the boning. You can’t just trim it. So I folded the project up and seethed for a bit about the unfairness of the one-size-fits-all mentality. I wasted time on the Internet. I finished my reread of Howards End. I decided to watch the movie while the book was fresh in my mind.

The VCR didn’t work.

By now I understood that the day was in fact out to get me. Fine, said I; I’ll read, then. Upon which I remembered that I had just finished my current fiction and had to find another novel to read. I hate choosing what book to read next. Being between books is dreadful.

Then, of course, I broke the glasses before I even started washing dishes.

The day did get better. I watched Howards End over dinner with my husband once he’d reset the VCR. He had never seen it before and was surprised to discover an energetic examination of what constitutes richness, intellectual riches or material possession. I was delighted to re-discover how true the movie is to the book. I also decided to re-fit the pattern and allow for nice big seam allowances on the top and bottom, which I rarely do (why trim the seams when you can sew tiny ones to begin with?), resulting in the front busk just barely fitting. However, alas, there was no way to rescue the glasses.

Today looks like it will be another horribly listless day. At least I can finish the corset. I started another book, Still She Haunts Me, about Charles Dodgson (whose nom-de-plume was Lewis Carroll) and Alice Liddell (immortalised in Alice in Wonderland), but it’s rather banal, so I think I’ll switch to The Winter King which Tas has lent to me.

Know what else is frustrating? I can’t string my own bow. I manage to flex it to about an inch short of where I’d need it to be to slip the looped bowstring over the tip, and then I’m stuck.

Maybe I’ll go see what’s happening in the Great Canadian Novel, which acquired four and a half more pages on Saturday after all that procrastination, thank you very much.