Category Archives: Music

Fall Concert Announcement!

It’s late November! Before we know it, it will be December. Have you been wondering when the Lakeshore Chamber Orchestra’s fall concert announcement would appear? Did you worry that you’d missed it?

Well, wonder no more! We’re presenting it a couple of weeks later than usual this year. In fact, it’s happening as late in November as it possibly can be.

Airs de jeunesse will be presented this Saturday, 30 November 2013, at 19h30. As the concert’s title suggests, the theme is early works from some well-known composers, but early doesn’t mean weaker than their more mature works; in fact, they’re anything but! They’re bursting with energy and vitality. Here’s the programme:

    Overture for A Midsummer Night’s Dream — Mendelssohn
    A Simple Symphony — Britten
    Violin Concerto (first movement), with soloist Ember Reed — Kabalevsky
    Symphony no. 1– Beethoven

The concert is taking place at Valois United, our orchestra’s home, which is at 70 Belmont Ave (corner King) in Pointe-Claire. Admission is $10, free for children 18 and under. The concerts usually last just about two hours, including the refreshment break. The address and map are on the church website. Children of all ages are very welcome.

I hope we’ll see you there!

A Night Out With Sparky

Last night Sparky and I did something special together, just we two cellists. We went to a concert held by the West Island Youth Symphony Orchestra, in the church where I usually do my Canada Day concerts.

It would have been little more special if half an hour before we got there, Sparky hadn’t done a 180 degree shift from his excitement prior to the actual concert and decided he didn’t want to be there, because we’d get home much too late to read a chapter before bedtime. He was cranky and a bit whiny through the first half. He sat there with a Lego book open on his lap, poking me and whispering stuff now and again. It was chilly in the church and he was wearing only a cotton button-down shirt, so that didn’t help; he burrowed into his down-filled jacket and pulled his scarf and hat on. But as every new piece began he asked for the programme and looked up its name. I like to talk to him about music, and sometimes give him snippets of trivia about the piece and the composer. He’s often receptive, but he wasn’t in the mood this time, so I let him be.

They opened with a Shostakovich overture that was nice and crashy with lots of brass, moved to Respighi’s Fountains of Rome (I need to break out my double disc set of Respighi music, because I do not listen to it enough), did a pleasant arrangement of Williams’ theme for Schindler’s List, and finished the first half with a soloist performing Chaminade’s Concertino for Flute and Orchestra. I was especially interested in this one, because our orchestra played it with a phenomenal young flutist a couple of years ago, but I’d never heard it live.

The orchestra was incredible. They were smooth, tight, confident, and leapt from pianissimo to fortissimo without dragging along the way. (My orchestra must make our conductor despair sometimes, because dynamics are one of our issues; he likes a lot of contrast, and we are usually very slow to get there.) We sat in the perfect place to see the celli work, and I was kind of excited about that. I think the last time I saw an orchestra play was about three years ago, and it was the WIYSO again, in their free concert for the Beaconsfield centennial year. (Again with Sparky! That’s one of the reasons I thought this would be a nice treat; we’d very much enjoyed that one.) It’s quite a treat to be able to sit and enjoy another orchestra.

The second half was what it’d really be looking forward to. They played Dvorak’s eighth symphony, and while the ninth is yes, very good, I prefer the eighth, hands down. The last time I saw the eighth done in concert, it was in the second half of an all-Dvorak programme presented by the TSO fifteen years ago; the first half was the Dvorak cello concerto with Yo-Yo Ma as the soloist, and Ma crept out in the second half to sit with the cellist at the last desk and play through the eighth symphony with them in the cello section for fun. The WIYSO did a brilliant job. The symphony is very cello-heavy; they have a lot of the themes and carry a lot of the textural richness along with the brass section, and they did a terrific job. It turned out that a lot of his grousing during the break was because he was tired, because Sparky slept through the second half, his head pillowed on my lap. I marvel at how he manages to sleep through the loudest, crashiest pieces of music. He’d whined through the break, wanting to go home, but I told him pleasantly yet firmly that we weren’t leaving because I wanted it hear the symphony, and so he could be miserable or try it make the best of it. I opened a tiny packet of Smarties during the second movement for him, and he went back to sleep for the rest of the symphony.

He said the next day at our group lesson that he’d really liked it, even though he slept through most of the second half. I know that even though there are hiccoughs along the way, he’ll remember these special nights. And yes, I read half a chapter to him after we got home, as I’d promised.

Sparky’s Summer So Far


[ED NOTE on 19 AUG 2013: This was originally written two weeks ago. No, three, since it was when Sparky had just begun his second two-week session of camp, and he has been done with camp for a week. Sigh. In my own defence, I was working on a project that ate up all the time ever, because it needed tonnes of fact checking. (Not because things were wrong, I hasten to point out. Just because there were lots of real-world facts, and part of my job is to make sure the author hasn’t mixed things up or misremembered something, especially if those facts affect key plot points.) Anyway, that project is now done, and I will get a nice big cheque for it late next month.

So I’m backdating this instead of updating it. The update is basically that “Yay, Sparky adored camp, and I got to go to the last parents’ day with HRH while HRH’s parents stayed with Owlet, and then we took him out for ice cream. The end.”)]

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Sparky is in his second two-week session of day camp, and is loving it. We have impromptu little songs about, “Oooh, I love camp, I love camp, I’m going to camp” in the car on the ten-minute drive there in the morning.

At the end of each two-week session there’s a presentation for the parents on Friday afternoon. Each class has a fifteen-minute block in which to demonstrate their new skills or talk about what they did and learned in the class, and then the bell rings (they use a huge old-fashioned school handbell, and it has a glorious sound) and everyone moves to their next class. At the end, there’s a half-hour concert where the whole camp population sings whatever songs they’ve chosen to work on over the session in choir. As the parents’ afternoon takes place the very same time Owlet’s nap does, I stayed home this time and HRH went. He recorded a couple of Sparky’s demonstrations for me, though.

Sparky chose to do piano this summer as his music class at camp. He learned a two-hand scale and some finger exercises in the first two weeks. We were expecting him to play the scale for his presentation, which is what he told us he was doing, and that’s what he did. There was applause… but then he went right into something else, a simple piece that he played with both hands and read from the music on the piano in front of him. We were so excited. After only two weeks! He really, really enjoys piano, he says. I am slightly anxious, because I want to ask him if he likes it more than cello and would prefer to study it instead, but I don’t know if I want to hear the answer. On one hand, a local teacher for an instrument we didn’t need to lug around would be great. On the other hand, we’d have to prepay a season’s worth of lessons, and we don’t have that kind of available money. Our cello teacher asks for a month’s worth of lessons at a time. And cello is something that we do together, and he benefits from a parent who has a different understanding of the instrument than one who doesn’t play can offer. If he ends up doing Suzuki piano I will end up learning it with him, which is not a bad thing, but also perhaps one more thing I do not need on my plate right now. It is to be seriously ruminated upon, however.

The next thing HRH recorded for me was Sparky’s martial arts demonstration. They did different kicks and punches to break practice boards, which was fun, but the best part was the last bit. Sparky was first in the lineup for this one. The teacher braced, held out his hand with what looked like a pencil upright in it, and Sparky clapped his hands around the instructor’s hand and the pencil thing flipped away. When he was showing me, HRH was excited and said, “Did you see that? That was amazing!” It was filmed far away, so I couldn’t see any detail and had no idea why this was so fantastic. I had to ask a couple of times for it to be explained properly. Turns out the teacher was holding a practice knife, and Sparky hit the tendons in his wrist with one hand and the back of the instructor’s hand with the other, which forces the gripping hand to snap open in reflex. And he did it so well that the practice knife spun up and halfway across the room. So my kid knows the rudiments of disarming someone with a knife. Holy wow.

I finally finished his Gryffindor socks. He loves them, in case you can’t tell.

And since we’re talking about feet… he has worn through his fourth pair of shoes this year. School hasn’t even started yet.

He is very excited about water and pools these days. But he’s resisting actually trusting himself, the water, and the parent teaching him to swim, which is so argh-inducing from the parental POV that we’re pretty much at our wits’ end. It may be time to register him in lessons this fall, at an indoor civic pool. His French is good enough now, which was the main stumbling point before.

He’s currently in love with my Calvin and Hobbes books, and the Mutts collections as well. At least one goes with him everywhere. They’re getting a bit tattered, but since it’s from love, my rule about with keeping books pristine is somewhat relaxed.

Concert Reflections, And On Emily’s Quest To Be With Henri

We held our annual Canada Day concert as part of the Pointe-Claire Canada Day celebrations last week. It was really, really good. Having brass and percussion certainly kicks things up a few notches, and also relieves some stress. After dress rehearsal, some of the cello section laughed about how we no longer felt the need to practice like crazy to try to polish the last little things, because no one would be hearing them anyway. In all seriousness, though, I’m happy with how I did considering the lack of time I had to practice this material.

We’ve played the Capriol Suite by Peter Warlock before (twice, I do believe) but in the arrangement for string orchestra. This time we had the percussion and a BRASS SECTION (it deserves capital letters because it was VERY THERE) and it totally changed the feel of it. Also, it was a more aggressive interpretation on the part of our conductor, so all in all, a very different piece. I enjoyed the Tchaikovsky waltz from Swan Lake (also much more energetic than I’d expected), and as it was Canada Day and a dance-themed concert, we naturally played Strauss. I grumble about Strauss, but playing through waltzes gives me a much more refined appreciation of them. This year’s was Tales from the Vienna Woods, and we also did the Thunder and Lightning Polka, which was deliciously rollicking, crashy and loud thanks to the percussion, and a lot of fun. We played some Dvorak Slavonic Dances to end the concert, and while at times I think Dvorak orchestrated these with particular attention to trying to kill cellists, they do sound fabulous.

I realized that it’s been four years since I’ve officially owned this 7/8 cello. I love it. It’s a tidy, trim little thing, a workhorse that matches me in whatever I ask of it, and it’s developing some very pretty sound in the upper register as it ages and is worked in. (Or maybe that’s me. Or both of us together.) It doesn’t have any oddities that I’ve found yet, just nice even sound from bottom to top. I consider myself extremely lucky to own it. (I need to replace the strings this fall, and it really should have a check up, since it hasn’t been back since I bought it in the summer of 2009.)

I can’t even imagine not owning a cello. Playing on a borrowed instrument and not being able to allow yourself to make as deep a connection as you want to must be incredibly difficult. And yet, that’s the position my friend Emily has been in. She’s a professional cellist and teacher, and a year ago she was forced to sell her cello in order to make ends meet. We’re talking a totally different bracket of cello, here. Selling mine would maybe net me a grand. Emily’s… well, let’s just say it was a heck of a lot more than that.

But in selling it, she also sold a friend, a companion, an instrument that had been with her for the entirety of her professional life, and most of her student life, too. And while a colleague lent her a cello so she could continue to work, she was missing… well, she was missing a soul mate.

And she’s found it.

Henri is a 1938 French cello with dreamy, rich sound. He and Emily fit together beautifully. And she’s asking for help from friends and strangers in raising the last of the money she needs to buy him. In typical Emily fashion, her way of thanking sponsors is to give back to the community by working with charities, veterans, public schools, and various assistance programs. There are fun personal thank-yous, too — Emily’s quirky stick figure drawings, copies of her quite excellent cello technical manual, and so forth — but Emily’s all about giving back at large, and outreach. It’s no surprise, because she has an enormous heart and sense of justice, and she values everyone and everything.

So when HRH asked me what I wanted for my birthday this year, I really thought hard about it. Did I want a gift certificate to the local spinning supply studio, and a free afternoon in which to visit it? Did I want a pair of hand carders? Did I want books? And then I knew.

HRH is donating money to Emily’s fundraising campaign as my birthday present. Because I know that Emily and Henri are meant to be together, and because I know what it’s like to own your instrument and be able to allow yourself to fall in love, to make that deepest connection. And if I know that on my own superficial, amateur level, then I can only imagine what it’s like on Emily’s professional level. To be a professional musician without an instrument… it’s unthinkable. And I’m happy to be able to direct my husband’s birthday present to me towards a friend’s need, and know that many, many people will benefit by it in the long run.

Emily’s website is EmilyWright.net.
Her fundraiser can be found at http://www.indiegogo.com/projects/stark-raving-cello-fundraiser.
Here’s an interview by Zero 2 Maestro with Emily about her situation.

Recent Excitement

1. We have a new kitten. She’s three months old, and it only took our big orange cat Gryffindor two days of suspicion before he started romping with her. His hisses were half-hearted, though. I think they were mostly for show.

Gryff has been clingy and needy since Cricket left us. He’s always been one of a multiple-cat household, and very social; he was miserable without another cat around. The original plan was to get another cat at the end of the summer, when Owlet turned two. Well, that plan was moved up for Gryff’s sake. Last Sunday afternoon we visited the city shelter, and came home with a wee brown and grey tabby. Meet Minerva (McGonagall, of course):

She’s zippy and so energetic that she may tire out both the kids and Gryff, now that he acknowledges that she exists in his own reality. The first evening, she raced laps in our bedroom, under the bed, up one side, running across under my knees, throwing herself off the other side, then repeating the whole thing. She’s three months old, is slim and tiny, and has wee kitten claws and wee kitten teeth. We put her carrier in a quiet part of the living room when we got her home, and I found Owlet pushing the straw of her water bottle and goldfish crackers in through the wire door to share with the kitten on two different occasions while we made supper.

We all had a really good feeling about this. We wouldn’t have brought her home otherwise, as disappointed as everyone would have been to come home kitten-less. We’re good at judging personalities and energy and estimating how they’ll fit into the energy of the family and house. Minerva was grounded, forthright and self-assured without being aggressive, and wasn’t afraid of the children. She fit in right away.

2. Sparky turned eight last Tuesday, and we celebrated his birthday this weekend en famille. My parents came in from out of town and HRH’s parents came over, too. The birthday boy requested cheeseburgers and ice cream cake for his birthday feast, which also doubled as our Father’s Day celebration, so that’s what we had for lunch on Sunday. He specified ice cream cake with an Oreo crust, a bottom layer of chocolate ice cream, and a top layer of peanut butter ice cream, so I made that Sunday morning. We had it with whipped cream and homemade hot fudge sauce, and it was really good. My mother, who does not eat desserts, had a slice and enjoyed it immensely, which was all I needed to know it was really good. (I knew everyone else would like it, and I’m glad they did. It’s just that Mum doesn’t eat desserts, so wow.)

3. Sunday afternoon Sparky and I had our end-of-year cello recital. Sparky played “Song of the Wind” extremely well, clearly, in tune, and in tempo. I had the pleasure of accompanying him again. I did a “Chanson Triste” that people thought was excellent, but I knew had been better in rehearsal. And then we played lots of good movie music as an ensemble, and we totally killed our teacher’s original four-cello-part arrangement of “Skyfall,” which we segued into after playing the James Bond theme. (I don’t know about the audience, but most of the students up on stage had goosebumps!) My teacher now has twenty students, so it made for a long afternoon, but it was good. It was great to have Marc M and Marc L in the audience, and both HRH’s parents and my parents this time; my parents haven’t heard me play for years.

My teacher is raising her lesson fees for the first time in ages next year, so it looks like I’ll have to stick to my biweekly schedule instead of returning to a weekly lesson. (Assuming I ever work again. It’s been six weeks since the publisher sent me a project. Feast or famine, that’s what this is, and I know it. Still, work would be nice, what with Owlet’s private daycare costs about to begin in August. Especially since the whole point in putting her into daycare was so that I could get work done without making myself sicker.)

4. The Tour de Fleece is coming up! This is a for-fun spinning event that runs concurrent with the Tour de France. I was so excited that I cleared my wheels two weeks ago, which was kind of a dumb move. So I’m doing my vanilla spinning now to get it out of the way and fill my time before the TdF begins at the end of June. I’ve got an undyed BFL and BFL/silk blend going on my Symphony to ply with a bobbin of dyed BFL/silk I’ve already spun, and I’m doing some longdraw singles from heathered plum roving on my Baynes Colonial to get used to woollen spinning on it.

5. It’s the last week of school for Sparky. (We got next year’s supply and fee lists today, and I’m having trouble parsing the fact that he’ll be in grade three in September.) He has a final birthday party coming up next Sunday for five friends. Then after that it’s the Canada Day concert, two weeks off for everyone, and then day camp begins for Sparky. I’ve made it through the past two weeks; I just need to make it through the next couple.

Extreme Advance Warning For The Summer Concert

In recognition of the fact that I have been terrible at posting information about upcoming concerts in decent time to allow people to make plans…

Hey, everyone! Our summer concert happens on July 1! Mark your calendars now! Unless things have changed drastically, it start either at 19h30 or 20h00 and take place at St-Joachim church in Pointe-Claire Village, located right on the waterfront at 2 Ste-Anne Street, a block and a half south of Lakeshore Road.

We will be presenting a programme with a dance theme. I know there is a Tchaikovsky waltz, some Strauss, some Dvorak, the Capriol suite by Peter Warlock (yay!), and there will be more.

So there you have it. No one can say I didn’t give them enough lead time on this one.

Eleventh-Hour Concert Announcement

Apparently, my fracturing time sense has affected my perception of the timing of journal entries, as well as my sense of when the next concert is actually taking place. I mentioned my next orchestra concert in passing here a week and a half ago, and then was convinced that I had ages of time in which to post a dedicated entry with more details. And yeah, that hasn’t happened. (People with a better grip on time may also have noticed that I am five days late on Owlet’s 20-month update, too. Allow me to say: Zero spare time, workingworkingworking, it will be up soon and backdated for your reading and viewing pleasure.)

So yeah, orchestra. Hey, there’s a spring concert! And it’s, um, this Saturday!

Take a look at this lovely evening of a Serenade to Spring:

    Albinoni: Oboe Concerto, op. 7 no 3 (soloist: Stewart Grant)
    Elgar: Serenade for string orchestra
    Grant: Sinfonietta
    Elgar: Chanson du Matin
    Beethoven: Symphony. no. 2

Sparky is absolutely fascinated that our conductor is going to be the oboe soloist for the first piece. How is he going to conduct and play, he wants to know? (I have told him that it is a mystery, and he will just have to wait and see.) We are also playing a piece composed by our conductor, his Sinfonietta co-commissioned by the Oakville and Brampton Chamber Orchestras. It is a very bright piece, with great rhythm and movement in the melodic lines

The concert is taking place at 7:30 PM on Saturday April 13 2013 at Valois United, our orchestra’s home, which is at 70 Belmont Ave (corner King) in Pointe-Claire. Admission is $10, free for children 18 and under. The concerts usually last just about two hours, including the refreshment break. There are driving directions and public transport info on the church website. Children of all ages are very welcome.