Category Archives: Music

Forty-Four Months Old!

Our house is all Star Wars, all the time. The boy is alternately Artoo, the Millennium Falcon, and either the Imperial Star Destroyer or the Rebel Blockade Runner. Lego is now material for creating X-wings and TIE fighters and Star Destroyers. I found an R2-D2 figure the other day (Clone Wars figures, who knew?) and bought it for him. He’s still thanking me. He drew about nine pictures of Star Wars characters and ships last week, which I should find and put up on the fridge.

I love that someone can mention something about the moon, and I can say, “That’s no moon, that’s a space station,” and without missing a beat my son will reply, “It’s too big to be a space station. Maybe you should turn the ship around. Yeah, yeah, I think you’re right.” While he plays with Lego spaceships in his room I can hear him recite passages of dialogue accurately, complete with inflection and accent.

In the book area we’re revisiting picture books as we search for a new series of early chapter books to read aloud. A Bear Called Paddington didn’t work; neither did The Lion, the Witch, and the Wardrobe. The ratio of illustrations to text needs to be higher.

January was music month at preschool, and as part of the unit he made a guitar out of an empty Kleenex box and the long roll from gift wrap at school, complete with rubber bands stretched across the box opening. The picture says it all.

The biggest thing this past month is his sudden fascination with babies and how they grow. After seeing a woman in an advanced stage of pregnancy (as in, one could see and/or feel the baby moving) he asked where babies came from. Rather than get into super-specific technical explanations we told him that there’s a little bit of each of the mother and father that is grown inside the mother’s tummy over a long, long time. He then (incorrectly but understandably) inferred that the food one eats is what grows the baby. No no, we explained, the baby actually grows underneath the tummy, not in the stomach where the food goes to be digested, although indirectly yes, the food one eats is what helps the baby grow. And then he decided that he had a baby in his tummy and could feel it moving. So we had to disappoint him by saying that alas, only mothers could do this particular trick, although if he wanted to find a way for fathers to do it too when he grew up then more power to him. He then decided that there was a baby growing in my tummy, specifically a baby sister. And he cheerfully started telling people this. Which made things slightly awkward at times, until he decided we needed a new Maggie-cat, and included the information that there was a baby Maggie and a baby sister growing in my tummy. (Just to be absolutely clear: No, on both the kitten and the baby.)

We’ve begun talking about where we will eventually move to next, although it’s certainly not any time soon. He was quite upset by this for a bit, saying that he didn’t want to move to the new house, that he wanted to stay here, that this house was fine. I asked him where this hypothetical little sister would sleep. “In my bunk bed, with me!” he said. “She’d be too little,” I pointed out, “she’d need a crib.” “We could move my easel and put the crib at the end of my bed,” he said, which was very generous of him. While they were out on a walk or a shopping trip he and HRH saw a puppy, and talk turned to owning a dog someday. When they came home Liam burst into the house and said, “Mama, we have to get a new house and then we can have a dog!” So suddenly the new house isn’t such a bad thing. He’s decided that the bathtub will be bigger, the kitchen will be bigger, the living room will be bigger ( “And we will bring our new TV!”), and he will have an office of his own, like Mama and Dada do, with his own computer. To which I said hey, sure, because HRH has already let the IT guys at work now that the next time the eMacs get replaced he has dibs on a couple, one earmarked for the boy himself.

I mentioned that there was a level-up somewhere around Christmas. Well, there’s been another in the past two weeks. The reasoning and language and behaviour and associated stuff has refined yet again. It’s great. On the other hand, he’s hiding his reading skills from us and still trying to convince us that he can’t dress himself or draw. He pretends all over the place and tells exciting stories, and is getting better at lying down in his room and playing with trains or cars for a good half hour or so, constructing elaborate conversations between them and narrating the action.

He has recently gone crazy for raw snow peas. He’s been horse-like in his appetite lately in general (as in eating horse-sized servings, not preferring grass and oats) but particularly so for raw peas and carrots, bananas, blackberries, cantaloupe, and corn. The nap habit is kind of iffy; at school we’re lucky if he naps for half an hour, because there’s so much going on to distract him, and the older kids don’t nap any more. And as he hangs around with them, well, he sees it as perfectly reasonable that he doesn’t need to nap either. Which is, alas, untrue, because if the nap is missed he’s a whiny cranky horror by six o’clock. He naps around an hour and a half with his caregiver and Grandma, and about two hours at home, though, so heh, the nap is not a thing of the past yet, my son.

Something that amuses us is a sudden aggressive politeness. When you tell him to do something and he angrily says, “No, thanks!“, it’s really hard to hide the smile. He has also recently taken to moaning, “Oh, I never get to do [thing you won’t let me do]!” when we tell him no, and we’re very hard put to not laugh out loud at the dramatic hyperbole. Especially when it involves playing with cars, Lego, trains, colouring, watching a movie, or eating crackers. Because you know in our house those fun things Just Aren’t Done. Ever.

Other Liam posts this past month:

~ Liam is introduced to Star Wars

That Kind Of Day

Lunch: Two servings of bacon, and leftover whipped potatoes fried in the second round of bacon fat.

It was hard not to lick the plate. It was only a saucer, but still.

In other news, Gretchen Yanover’s Bow and Cello is absolutely exquisite. Lovely atmospheric, relaxing, meditative-y kind of stuff. She’s a brilliant musician who uses looping technology to enrich and deepen her already sensual music. Beautiful.

Also, hello annual February thaw. I have the heat turned off and windows cracked open to air out the winter-dead rooms.

Weekend Roundup

Yes, hello, Monday, nice sunny Monday. How are you?

Saturday morning I had a cello lesson, which went well. The newly adjusted-and-rented 7/8 performed very nicely. My teacher feels the C string could be even better, but it’s not crucial at the moment. It feels good to be working on nuances in pieces instead of struggling with technical stuff. Except for that one shift in that one piece, which I know I can do but never happens in a lesson. My teacher made a good point: We both know I can play it, so why am I stressing in a lesson? If I played it perfectly every time we wouldn’t be working on it, would we? It’s hard to focus on the things you’re doing right when you do things wrong. I need to work on recognising the successes more than the okay-so-that-bit-wasn’t-perfect-this-time parts. And she also gave me this pearl of wisdom: The next note you’re about to play is always be the most important one. That means not dwelling on the one you just played and criticising yourself because it wasn’t as good as you wanted it to be, because it takes away for the energy you should be directing toward that next note. Food for thought. (I swear, I would be so lost in this new way of discussing music if I hadn’t done years of energy work and meditation in a spiritual context.)

Saturday afternoon HRH went out to pick up my cousin downtown, who had a weekend layover in Montreal. For dinner I tried to slow-roast two rolled rib roasts from the farmer, but it didn’t exactly succeed (see, I am not saying it failed!) for a couple of reasons. One, I doubted the slow-roast instructions and decided to roast it for two hours at 250 degrees instead of one hour at 200 then turning the oven off entirely. Two, the second roast was inedible due to the amount of gristle and sinew marbled through it. Which is a risk one runs when buying directly from a farmer who butchers his own stuff, I suppose, because it’s not regulated the same way supermarkets and pro butchers are. Anyway, the first roast was all right, just half of it was overdone to my taste. The kick-ass gravy I made made up for some of it, though, as did the nice creamy mashed potatoes and carrots half-steamed then sauteed in butter. And there was pecan pie for dessert, except the shell cracked and the filling seeped through to glue the crust to the glass pie pan, thereby ensuring that every single piece had to be pried out in several bits. It tasted good, though, and the home-made pastry was quite acceptable: very crisp and light. And we really, really enjoyed my cousin’s visit. The boy dragooned him into playing with trains and Lego and all sorts of things.

Sunday morning we met the Preston-LeBlancs for lunch at the hot dog and French fry restaurant we love for its artery-clogging deliciousness. I had an ensemble lesson later that afternoon, which was also a lot of fun because we were reviewing the early Suzuki pieces we’re playing at the Sun Youth fundraiser next Sunday.

Than last night we had the second session of the new steampunkian horror game Tal began in January, and I got another two inches of my lap blanket done (I suspect I will need an even longer circular needle to work the size I’m aiming for comfortably). I also started a knitted lightsaber yesterday during the boy’s nap. And I found the missing bamboo circular needle! It was at the very bottom of one of my works-in-progress bags under some books.

So overall a very enjoyable weekend. And I’m bright-eyed and bushy-tailed this morning and ready to edit at least four more stories today, as well as read a first draft for a new contributor. Correspondence and news have all been handled, so away I go.

Astonishing

So I took the 7/8 in to the luthier last night (and was twenty minutes late, thank you every single red light on de la Verendrye) and talked about the kind of sound I was looking for. I played it for him and he agreed that the C string was a little mou (which would translate to ‘soft’ or ‘mooshy’ [not ‘mushy,’ totally different!] or some such thing, but in English those infer touch rather than quality of sound). He put the cello across his lap and WHACKED THE BRIDGE a few times.

Yeah. But he’s a professional, so he can get away with it. Also, he was probably using some Jedi Luthier Techniques or something, which means there was More Going On than just whacking it.

And he gave it back to me, and my gods, it was like a different cello.

Then he said, “Hmm, the A is a little timide.” And he asked what that would be in English and I said the direct translation was ‘timid,’ but again, it didn’t convey the quality he was looking for. I would have said ‘reserved.’ So he put the cello across his lap again and inserted the fancy swirly crowbar that is the soundpost-adjuster, adjusted the soundpost, and gave it back to me to play. And my gods, it was yet again a different cello. The lower strings are more focused, everything is more balanced, and yes, the projection has improved overall as well. (Not a lot of the latter, but hey, it’s a student cello.)

I am very pleased.

I signed a two-month contract for rental, paid the fees, and walked out with it. Now it becomes my primary cello so as to really work it and see if the size difference actually does make a positive impact on my technique.

I realised this morning that I haven’t even looked at my lesson material over the past insane work-week, which is moderately problematic because (a) I have cello lesson in an hour, and (b) there was an entirely new piece that I haven’t even played through yet, but I suspect my teacher will be understanding because I worked my orchestra stuff instead. (Good grief — the Hebrides overture, the Arlesienne treble clef celli solo in the ‘Carillon,’ and the Rimsky-Korsakov [heh, mistyped ‘Risky’]; they will kill me.)

In Which She Apologizes


Dear new guest conductor,

I’m really, really sorry for panicking about the second bassoon part you asked me to play for the L’Arlesienne suite two nights ago at rehearsal. I agree that it was really needed so we could fill in the missing bits, and I was willing to give it a shot on the cello until you handed me the music. I was having a really bad day, and all I saw was multiple flats and tenor clef, and I knew I couldn’t sight-read it. Thank gods for M, who was willing to give it a shot (and pulled it off creditably, too). I’m pretty ashamed of myself, especially because it turned out that I could have done it as the crucial bit she ended up playing in that exposed part was in fact in bass clef and nice relaxed eighth notes. But her intonation while sight-reading is probably more reliable than mine anyway.

Just wanted to say I was sorry. And I should apologize to M again too, who was almost as flustered as I was about the music, even though I probably already apologized to her too many times during and after the rehearsal. I feel awful about it.

But hey, how about that sight-reading of the third movement of Scheherazade? Pretty good, hunh?

Sincerely,
the cellist in the second chair

More Musings on 7/8 Cello No. 7

Yeah, I know, I tend to go on about this. It’s a big thing in my life, and this journal is mainly for my records, after all.

I mentioned the slice in the table to my teacher at the ensemble lesson on Sunday and her eyes got very big. She looked at it and said, “Do you have a digital camera? Take a picture and send it to them, and ask them what they’re prepared to do about it, and if they’ll guarantee the work. This kind of thing can really affect resale value.” I wonder if they might end up dropping the price a bit because of it. Because damn it, I like the sound of this one. I’ve already seen that four different examples of this model sound completely different; it’s not like they can just order another one in for me.

Also, the more I think about this, the less willing I am to make an absolute decision one way or another in this brief space of time. Renting had occurred to me months ago when I was trying the Jay Haides in Toronto, but my mother reminded me of it yesterday. I know my local luthier rents student kits; there’s probably no reason why they wouldn’t rent this student cello to me for a few months, in order for me to get a better sense of how the size is going to affect my playing. Not all my rental fee will go toward the purchase, of course, but most of it will, and if I don’t buy this one then I have a credit for whatever I do end up buying, be it cello or bow.

We got new music in the ensemble class yesterday: The Beatles’ ‘Maxwell’s Silver Hammer’ arranged for trio (so much fun for the middle voice because there’s that rhythm but you’re not playing the melody you expect), ‘Dona Nobis Pacem’ as a canon, ‘Ave Verum Corpus’ (which I could not get in tune; the 7/8 felt like it was sitting funny, as if I was torqued, but no matter how I adjusted I couldn’t shake it, and of course I was playing the top voice which goes stratospheric), a really fun blend of two popular tunes done tango-style, and a kids’ song (we get to accompany the littles, and it’s going to be hilarious). There will be more, no doubt. And I learned that my friend from orchestra, who also began studying with our principal cellist about a month before I did (and who also plays a 7/8), is playing the other part of the Lee duet with me, which is going to be lovely.

Back to work.

Mission Accomplished

The boy has been successfully initiated into the world of Star Wars. So much so that he played ‘oh no the walls are closing in we have to call the robots!’ in the bath last night. He also pulled a blue towel over his head and told us that he was ‘the little one with the one eye and two wheels’, which took me a moment before I understood that he was pretending to be R2-D2.

He says ‘Tith Lords’ in the most charming fashion, called Chewbacca ‘Rawbawca’ for a bit, thought X-wings were pretty cool, and asked where his own lightsaber was as soon as Obi-Wan handed one to Luke. ( “Erm,” HRH temporized, because of course we have a pair; we just didn’t want to hand him one and watch the ensuing devastation as he gleefully swept things off shelves.) We’re currently escaping Hoth in ESB.

And the final seal of approval: When we played the Star Wars soundtrack yesterday afternoon, he danced like a truly crazed thing. And he asked for it in the car this morning.

Excellent.