Category Archives: Cello

Concert Recap

After every concert we put on, I want to come home and journal about how this was The Best Concert Ever! And what that says to me is that I (a) enjoy them, (b) feel confident about our capabilities, and (c) the concerts go really really well, (d) the presence of an audience adds that extra edge, and (e) the concerts are fun. And evidently the audiences agree with me, because they keep coming back.

Last night was excellent. I’ll be riding the high for quite some time.

For my part, I was concerned about my performance in the Beethoven. September and October were horribly busy months, where I couldn’t practice as I wanted to practice (which quickly became the way I needed to practice), and trying to catch up in November proved extremely difficult. I’m proud to say I pulled it off: I didn’t savage the really difficult bits, only twice fell apart and stopped playing altogether for a bar or two, and nailed some of the stuff that had been really stonewalling me. The entire orchestra melded into a seamless Beethoven-playing machine, and achieved some sort of para-Beethoven performance that even we didn’t anticipate. Not that we expected it to go badly; it’s just that we’d never played it quite like that before. Everything else on the programme went smoothly as well, but the Beethoven simply overshadowed it all.

Also, my debut as a triangle player was a triumph.

The house was about three-quarters full, which was very gratifying because there’s nothing worse for a performer than to look out into the audience and behold a sea of empty seats: it’s demoralizing. And in the end, three people who I hadn’t been expecting showed up as well as the three I knew would be there. Thank you t!, Jan, MLG, Jeff, Paze, and HRH; your presence meant a lot to me. (Plus you got to enjoy some really, really fine music.) And I appreciate all the well-wishes for our season opener left in form of journal comments and phone and e-mail messages from those who couldn’t make it, too.

And I discovered that having a dress rehearsal the morning of the concert date itself does dreadful things to my sense of time and the day’s schedule. I’m thankful that this was an exception to the rule.

Next up: the first section of the Messiah!

Psyched

This concert is going to rock. I also have a percussion solo, or more correctly, I play when everyone else is playing but I play the only example of a particular percussive instrument in this concert. (Yes, I play the cello. Apparently I also have a secret identity. Don’t worry, Mousme, your job is safe.)

My only regret about the day is not being able to share the fun over at the ADZO household this afternoon, because I really, really could have gone for a relaxing family birthday thing with good friends. (Well, I also regret not being able to go to band practice today to test out my new cello pickup, but that can happen next weekend.)

The concert is at 19h30 tonight, folks, and the location and directions and particulars can be found here. It’s public, and the more the merrier!

Seventeen Months Old!

This morning Liam was playing hard in the living room, and I noticed that it had been a whole hour since he’d gotten up. He still hadn’t had breakfast. I said, “Liam, would you like some cereal?”

“Cereal!” he exclaimed, and ran to take my hand and lead me into the kitchen. As I went I exchanged a startled look with HRH.

“Wow, that was really clear,” HRH said. “How long has he been saying that?”

“He hasn’t,” I said. “That was the first time.”

He’s linking more words together, too. The other day one of his books slipped off the chesterfield where he was reading it. “Uh-oh,” he said, looking up at us; “fell down.” “Uh-oh” has become a frequently-used saying. Sometimes he just wanders down the hall saying “Uh-oh, uh-oh, uh-oh,” which is mildly amusing once you’ve gotten over the kneejerk “What’s happened?” reaction. In fact, Sandra Boynton’s Red Hat Green Hat board book is known in this house as the “uh-oh” book. Every time he looks at the turkey, who incorrectly wears the item of clothing the page features, he says “Uh-oh!” It’s hilarious. He also says “Wow!” a lot, sometimes caroling “Wow, wow, wow, wow, wow!” when something neat happens. “Door” is seeing a lot of use, as is “diaper”, and “shell” is tied with “coffee” for oddest new word this month. The other major new word he’s using is “clock”. He points them out all over the place.

Recently Liam has developed the habit of grabbing an adult’s hand to lead them somewhere, which is very sweet. The only problem with this develops when he tries to take both my and HRH’s hand while facing us, and then turn around to walk us in a different direction. His arms end up crossing over his head, or our arms get tangled up above him, which makes walking difficult for everyone involved! He’s also taken to dragging his bunny around behind him, sometimes hanging it upside down over his shoulders. Odd, but very cute. Sometimes he pulls the blanket out from his crib and walks around with that too, just in case he decides to lie down, I suppose. One likes to be prepared. (Perhaps this is why he hides crackers and raisins inside his little boxes, too. Come the singularity, we’ll all be sorry we didn’t set up food caches the way Liam has.)

Liam is currently obsessed with raisins, bananas, and applesauce, all of which he can ask for. “Cracker” is now crystal-clear. (He is also obsessed with the tea cosy, for some reason, and will grab it off the sideboard if he can. It amuses him.) When he eats, he usually makes what the Preston-Leblanc household calls “yummy noises”. “Mmm, mmm, mmm,” he’ll say expressively as he eats or drinks. It’s good to see someone enjoy their food so much. He pulled the container of tropical fruit juice out of the fridge the other day without either HRH or I noticing, and wandered away with it under his arm. Then he came back holding it out to us, frustrated because he couldn’t get the screw cap off. We laughed, then we got him a cup for it. He learned how to drink through a straw the other day when Arthur was over, which was really neat. And he eats like a small horse, so when he decides he’s not interested in finishing his meal — it’s rare, but it happens — we obsess for a bit over what might be wrong. But all that happens is he asks for extra milk and that’s that.

He finally figured out that the three cups he plays with in the bathtub stack together. Now he very carefully pulls them apart, watches them float in the bubbles for a while or tries to stuff ducks into them, then tries to put them back together. He gets them in the right order about half the time, too, which means that the other half of the time he tries to put a bigger one inside a smaller one, and looks very woeful when it doesn’t work.

Liam figured out how to open DVD cases a while ago, but now he’s figured out how to take the DVDs out. So all his DVDs are now in a multi-disc case up on a shelf, and the empty cases are on his shelf to play with — like a video store, as Julia pointed out the other day, where you take the empty case to the clerk and they give you the DVD. This is all well and good, but then he realised that our DVDs still have discs in them. Now our DVDs are all jammed as tightly as possibly into their shelves so he can’t pull them out, and what he does instead is run his fingers along the spines and look at the little pictures on them. He particularly loves the picture of Stitch on the Lilo & Stitch case, and the picture of Nemo on Finding Nemo. Speaking of which, we had to replace his toothbrush so I got him a Nemo brush, and he loves it. He loves getting his teeth brushed in general, which is a good thing. In fact, he loves it so much that sometimes if he gets his hands on his hairbrush, he tries to get it into his mouth after he brushes his hair. (We don’t let him handle his toothbrush for very long any more because after he pokes it around his teeth for a while he tries to brush his hair with it too, toothpaste and all.)

He has a new way of dancing. Instead of just bouncing in place, now he moves his feet in a little shuffle while smiling a huge smile. And he’s singing more now, too. “La la la la,” he’ll say in a little sing-song voice, especially if we’ve just sung something ourselves. And Liam’s becoming very good at bowing the cello; he keeps a nice weight on the arm, producing good tone. I do the fingering for him: it’s a cooperative effort. He keeps time very well too, but he only plays quarter notes in an andante four-four so far. I’ll get triplets out of him yet.

He is such a terrific kid. He’s so happy; he runs around singing and laughing, shares his food and toys, tries very hard to explain to us what he wants and gets cranky only as a last resort. He explores and asks questions and applies new skills all over the place to see what happens. He’s fun to be around. He’s definitely now down to one longer nap in the middle of the day, and he’s still sleeping a good twelve hours at night. When we cuddle in the chair before bedtime and he gets drowsy in my arms, I want to curl up in bed with him, my arms around him and his warm little body snuggled against mine. I’m looking forward to the time when his crib becomes the toddler bed so that I can snuggle with him for a while, because our bed isn’t a sleepy place for him as that’s where he comes sometimes to read books and play a bit on morning weekends before we officially get up. He’s a busy little guy, so long quiet snuggles don’t happen a lot. And quiet snuggles are different from the enthusiastic throwing of oneself at a parental figure. Both make the heart smile, but one makes you rejoice to see the life and love, and the other makes you count blessings as you touch pure peace.

Concert Reminder!

Right! Since it’s little over a week until the first concert of the Lakeshore Chamber Orchestra 2006-07 season, consider this your official notification and invitation to an evening of excellent music!

Next Saturday evening, November 18, at 19h30 (this time now confirmed) we will be presenting a wonderfully varied programme for your listening enjoyment:

Overture to “The Devil in Hydraulicus” – Schubert
Melody in F, op. 3 no. 1 – Rubenstein
Symphony no. 8 in F major – Beethoven
“Waves of the Danube” waltz – Ivanovici
Two Hungarian Dances – Brahms
“Skaters’ Waltz” – Waldteufel

Admission is $10 per person; entrance is free for those under 18 years of age. The concerts usually last a couple of hours, a bit longer if there’s an intermission.

The concert takes place in Pointe-Claire at Valois United Church, on the corner of Belmont and King. The 203 and 204 buses stop within one to three blocks away, and the Dorion/Rigaud commuter train stops at the foot of Queen. While there are general public transport directions here for you, I usually encourage people who are carless to find someone who has a car and share the cost of the driver’s admission to the concert among them. It’s more fun to enjoy the evening in the company of others. (Here’s a map for those of you who will be driving.)

Soothe the gloom of November with an evening of soul-warming music! See you there!

In Summary

Today was a dull, gloomy, very rainy day. And I ignored it all, and wrote all day long instead. The novella now stands at total of 11,174 words, which means 4,193 new words today (whee! — not that this is going to happen often). I encountered an interesting development in the form of passive-aggressive insistence from a character whom I had intended to be an old, dour, stubborn obstacle somewhere down the line insinuating herself into the storyline as a young, charming, sympathetic woman. I shall have to make the obstacle the board of governors instead.

I went to orchestra tonight feeling not as bad I generally have been feeling because I managed to get some practice in today, and it showed when I played the Beethoven. Unfortunately, I ignored the other pieces in favour of the Beethoven symphony because it’s what needed the most work, and that showed too, particularly because we played them last and my right hand has been stiff all day, so I kept fumbling the bow as well as missing fingering. Although I console myself with the fact that twice tonight, the Beethoven was so good that my throat closed up and I had to fight back a feeling of being swept away by the music.

Our principle cellist is test-driving a new cello, and she let me try it at break. Oh, it was so gentle on the fingers. I’ve been told by luthiers that my cello is remarkably easy to play, but it requires pounding and sawing in comparison to this one, which was incredibly soft and gave almost no resistance at all to fingers or bow. It felt as if it was cooperating in the creation of sound, as opposed to being played. I played a band solo on it, and some of the new sequences from the latest song we’ve been working on, and it was… well, I keep saying it over and over, so there’s no point in belabouring it: My cello was stiff in comparison. Although it made me despair somewhat, I’m glad I had the chance to play it because now I know how good a cello can be, and that’s the kind of thing I can look for when I eventually get to a point where I can seriously shop for an upgrade.

And from the file marked “Eep”, I realised tonight that we only have one more regular rehearsal before the concert date. I’m not quite sure when that happened. Possibly when the last half of October got eaten by my book deadline.

The Writing Soundtrack

Two problems.

One: I am astonished to discover that I have next to no Vivaldi recordings. I have the ubiquitous Four Seasons and an album of double concerti (for the double cello concerto, of course), and once upon a time there was also my beloved Il Giardino Armonico The Red Priest album that was enthusiastically lent to someone (who?) the week after I got it and subsequently lost track of it, but that seemed to be it until I remembered that all my cello CDs are on a different shelf. Still, there are only two more albums of cello concerti and sonatas there. Sounds like it’s time to invest in a couple of low-budget CDs of general instrumental stuff, and the Gloria, at the least. (Naxos, you are my friend.)

Two: The speakers I’ve been using for my computer have finally died. They died an honourable death, being the first set of high-quality speakers I received with my Discman back when I was seventeenish, so they’ve been in steady use for eighteen years or so. The only problem is that my sound card doesn’t have a speaker on it, so I’ve had to hunt out my big cushiony headphones and the cable extension to reach to the port on the back of the computer tower. Working with headphones is very odd. I’m not sure if I like it or not yet.

The Samhain Time of Year

Being away from the computer has been refreshing. I’d forgotten what it’s like to not have to sit down first thing in the morning, or log off late at night.

I began a new story on Friday night, struck by a lovely new idea for a YA historical set in early 18th century Venice, and got nine hundred words down plus three hours of research (you see, Sorceror, I am weak still) to give myself at least some kind of context. It feels marvellous to be able to respond to inspiration again, and indeed, to have inspiration at all, because it means that my brain is no longer swamped by the Large All-Consuming Project written to deadline. And, as I suspected, as of half an hour after I sent the MS in to the editor, I began to remember things I wanted to do that didn’t make it to my final list, and ways in which I could have made what’s already there more focused and to the point. I’ve been noting them down as they occur, and when I get it back for edits and rewrites I’ll add them in. I’m expecting some of them to come up in the copyeditor’s queries anyhow. It’s too easy to ascribe the new story idea to the rebound factor: I think it may have more to do with the whole decks-cleared feeling of the end of the year. Part of me wants to pick up Swan Sister again, and I will, except my creative spirit seems to want me to work through something new to get the gears meshing properly again before I do.

Speaking of the creative spirit, Jan and I met Friday afternoon to work on music, and band was terrific on Saturday. For those of you who are fans and have been asking when the next gig date is to be, I can now tell you to circle January 20 on your calendars, assuming you already have a 2007 calendar. Otherwise, write it on a sticky-note and put it on your fridge or something.

We had a lovely Samhain ritual today, and as always, it reminded my soul that it’s the end of the year, and that goes so very far to expaining how I’ve been feeling these past few weeks. No matter how clearly my intellectual brain remembers Ah, yes, the Samhain time of year, my spirit doesn’t get it until we’re actually in circle, and then everything slots into place: emotional shifts, sleep patterns, sensations of loss and regret and slow greyness that creep into my being, which I usually ascribe to SAD and am only partially correct in so doing.

I did another Brid-centered ritual tonight as well with some of the Daughters of the Flame, and that too settled some of the murky misdirected emotion within me. Why can’t I remember that doing rit is good for me? Ritual feeds something in my soul that craves a semi-formal structure in which to meet my perception of the Divine. It’s easy, it’s direct, and it works. Maybe it’s that it all seems too simple, and my intellectual mind waves it away as such. Whatever the reason, I know better, and I’ve fallen out of the habit because of the boy and the family schedule. With some time off now that the book is finished, I can turn my attention to reconstructing a healthier spiritual pattern again as I rediscover who I am and what my life is, for perhaps the first time since the boy was born.

I can play the cello again, too, for example, something that I haven’t been able to do since I started the book because I’ve either been working or watching the boy. We had our first rehearsal for the Messiah this past Wednesday, and it was good. I’ve been waiting a full two months to feel that way about an orchestra rehearsal, rather than coming home and trying to forget the experience every week because they made me feel awful, my lack of rehearsal time showing how poorly I’m keeping up with the demands the music makes of me. I played through all the new music directly after I sent off the MS, and it went a long way toward helping me not feel behind before we’d even started playing that night. The work I’ve done for band recently too has helped me remember how much I love music, and how beautiful it can be when I’m not trying too hard or too tense to let it flow.

The decks do feel cleared. I’ve been struggling through that feeling of endings and going nowhere this past month, as I do every year. With Samhain past and the new year before me, I can sense that still point I need in order to rebalance and begin again.

And so the Wheel turns….