Mid-Week

Well, the day home with the boy yesterday was mostly terrific. The morning was lovely; he watched TV while I slept, because three hours of sleep = Very Bad. The boys had a talk about how Mama needed some more sleep before she could get up and have a good day. The boy was mostly on board with this but decided to Take Care Of Me once HRH had left for work, which entailed bringing me various stuffed animals to cuddle while I slept, and informing me every time the TV show changed, which was at fifteen-minute intervals. Still, it was something. We went out to the big bookstore to noodle about and play with the trains, and wow, it’s nice and quiet on Tuesdays. We usually go once a month on a Friday, his regular at-home day, and it’s always packed. I finally picked up Dan Simmons’ Drood, which I am enjoying immensely, and the boy got a new Henry & Mudge book. He didn’t even fuss about not buying a train beyond pointing out the milk cars to me. Then I suggested wandering through the pet store, to which he readily agreed, and he didn’t kick and scream about leaving when we had to. We stopped by the Bramble House in its new location, which has more space but now feels like it carries fewer products as a result. It’s lost a bit of its charm. The boy got some Dairy Milk Buttons, and we bought a bottle of water at the corner store to share. (Very exciting if you are the boy.)

I was looking forward to his nap so I could nap too, but things went somewhat awry. He went to sleep willingly enough, but woke up after only forty-five minutes when I’d been counting on at least half an hour longer than that. Unfortunately for me, I’d only dozed for fifteen minutes myself before he pattered in, bright-eyed and bushy-tailed. I told him he could either play in his room or the living room, or cuddle with me, but I wasn’t getting up till three. He chose to stay, but whispered and squirmed a lot trying to pet Gryff, so I didn’t actually get back to sleep. At least I got to lie down with my eyes closed.

We did a small grocery run, and he was pretty good there too, apart from continually stepping on my feet because he wasn’t paying attention to where his own were. If I’d had enough sleep I’d have been more patient, but the little things like this were starting to make me grit my teeth. Once back home he settled down to watch the last half of a movie and play with his cars while I practised. I explained that I needed to, and that I’d close my office door so I wouldn’t disturb him, and he was fine with that. He came to the door about ten minutes in to watch me, then grinned and dashed away. Later, while I took a brief break, he brought his box of trains into my office to play, but when I picked the cello up again he burst into tears and wailed. He didn’t want me to play with him, he just didn’t want me to practise while he was in the room. And that’s where my short-on-sleep really caught up with me; my mood flipped from relaxed to tight and annoyed. When my temper was even enough again I talked to him about it being (a) my office, in which I am allowed to do whatever I like, and (b) he’d been informed that I was practising, so he had no reason to get upset. We went over the “How do you think Mama feels when you cry and tell her she can’t play the cello?” thing, and he mumbled, “You feel sad.” I could see that he was upset because he’d upset me, but he still didn’t want me to play.

HRH eventually got home, which helped diffuse the tension, and we had dinner. The boy was chipper and cheerful and played with him, and they had an awesome time in the bath and doing story and bed while I got ready for my cello lesson. And a wonderful cello lesson it was: my duet partner and I had a shared lesson wherein we worked our duet for the upcoming recital. It’s sounding really, really good. All we’re doing at this point is tweaking little things like gentling the ends of phrases and doing more subtle shaping along the way. Of course, I blew some simple stuff in the ensemble pieces we played first to warm up. I need to work out a weekly practise schedule where I can assign specific times to work on lesson stuff, solo pieces, ensemble music, and orchestra pieces. Otherwise I just end up trying to read through everything or what I remember going wrong, and other things get lost along the way. That’s a lot of music, after all, no matter how many notes I take about changes and obstacles in lessons and at rehearsal.

I’m worried about what’s going to happen in the summer when lessons stop.

Other good things that happened yesterday: I got my new freelance assignment (naturally, while we are given a week to turn them around, it lands at such a time when I only have two work days before the due date); receiving the exquisite score to The Painted Veil by Alexandre Desplat; and hearing back from the accountant about having a nice chunk of money being returned to us by the government. Yay for tax refunds! Yay, slashing at Visa/credit line/dumping money into RRSPs! Yay, no longer stressing about not having quite enough money from the anthology delivery cheque to buy the new computer and the 7/8 cello (for which I have begun thinking about names, which means yes, it’s going to be mine pending the full physical exam I want the luthier to give it)! I am content. I may even be able to buy a new bow, as mine is on its last legs frog-wise and has a nasty hook at the tip.

So other than the mild annoyance about not being able to sleep whenever I tried to, and the kerfuffle about not being allowed to play my cello in my own office, it was a very good day indeed.

Wiktory!

The copyedited anthology ms. has been handed in to the publisher! Next time I see it should be in proofs. Technically it’s due tomorrow, but the boy will be home with me because preschool is closed for the day, and so I guarantee that no work will get done.

I’ve also re-activated my freelance ms. evaluation gig, so I should get a new assignment from them soon. Meanwhile, today I think I’ll mess about with superficial edits in Orchestrated (things like inserting words or changing specific words, as I scribbled in the printout during my read-through of the first draft).

The weekend was really quiet and calm, so there isn’t much of a weekend roundup to report. We had dinner with my in-laws Saturday night, and there was delicious turkey (sort of a belated Easter thing). I got to bring the carcass home along with a few pounds of meat, and I made turkey soup yesterday. The whole house smelled fabulous.

We had a lovely Beltane rit on Saturday night, in which we made garden tokens in the form of painted river stones to hide in the yard to bless both the earth and the plants growing and/or to be planted in it. Sunday night we had another excellent session of the once-a-month steampunk horror game we’re in, and I rolled either dreadfully (read: 1) or brilliantly (read: 20), thereby establishing that if my character intuits/observes something cool she passes out. Also, huzzah, the whole party has finally been brought together!

Hmm. It’s getting lunchy. Think I’ll make a warm turkey sandwich.

A Happy Friday

Well, I’ve done as much as I can on the ms.; I’m waiting for answers and edits back from two of the four people I queried, due back next Monday, and then it’s back to the publisher. In celebration, I poured myself one of the new Alexander Keith Premium Whites that Ceri and Scott sent home with HRH after he helped set up their new dining table and chairs, and sat down to play half an hour of Metallica. Let me tell you, the #cello 4 line of the Apocalyptica arrangement of “Nothing Else Matters” is what it’s all about. Seriously. Celebrate those ringing tones! Sure, it’s shades of “this is all I do” and the stereotypical arpeggios played by basslines… but in 3/4 time, when you know it’s what drives the song that you’re hearing in your head at the same time, and those ringing tones echoing and lingering even when you’re playing two notes later? Beautiful.

Hmm. This beer is much… milder than I expected. Very light. Possibly too light for my mood. Oh well.

The cello lesson yesterday was all right. I suspect that I jinxed things by pointing out to the online cello community that I’d had a streak of really terrific lessons and theorizing that I’d passed the plateau I’d been struggling to move beyond. My bow hand is creeping back into bad habits and my bow arm is creeping back into wrist-led territory. Well, ten years of bad habits aren’t going to vanish overnight. I think I really prefer Saturday morning lessons; I’m much more relaxed, I’m not rushed because I have to go somewhere else next, and I’m not tired from working. I take what I can get, though. Anyway, by the time I picked the boy up and got home, I had a really bad stomachache for some reason and ended up not eating dinner, which was annoying because I’d been craving spaghetti for two weeks and had finally picked up the ingredients that morning.

I remedied the no-food thing by making a poached then shredded lemon-herb chicken breast with baby lettuces and freshly-grated Parmesan in a wrap for brunch today. Dear gods, so good.

And now, I am decamping to the living room to read, and taking the vase of tulips I cut from the side garden with me. I hope everyone’s having a wonderful Beltane.

What I Read In April 2009

The Android’s Dream by John Scalzi
The Foundling by Georgette Heyer
Pictures of the Night by Adele Geras
The Book Thief by Markus Zusak
The War at Ellesmere by Faith Erin Hicks
La’s Orchestra Saves the World by Alexander McCall Smith
Breaking Dawn by Stephenie Meyer
Grand Obsession by Perri Kinze
The Laughter of Dead Kings by Elizabeth Peters
The Luxe by Anna Godbersen
Red Seas Under Red Skies by Scott Lynch
J.K. Rowling: The Genius Behind Harry Potter by Sean Smith
Companion to Wolves by Sarah Monette and Elizabeth Bear
The Mystery of Grace by Charles de Lint
Lord John and the Hand of Devils by Diana Gabaldon
Eclipse by Stephenie Meyer
Lord John and the Brotherhood of the Blade by Diana Gabaldon
Coastliners by Joanne Harris

Thoughts:

The Book Thief by Markus Zusak: Not a comfortable book to read, but so very well-written. Staggering.

La’s Orchestra Saves the World by Alexander McCall Smith: Yes! I’ll own this when it comes out in paperback. Excellent. I’m relieved, as I didn’t care for The No. 1 Ladies Detective Agency at all when I tried it last month, although I love all his other books.

Breaking Dawn by Stephenie Meyer: A non-event. The pacing and emotional tone don’t deviate from a steady flatline. An incredible amount of stuff happens that should be emotionally resonant, and you just don’t care.

Grand Obsession by Perri Kinze: Excellent. Beautifully written exploration of what makes us fall in love with an instrument, and how we can respond emotionally to certain sounds when others don’t.

Red Seas Under Red Skies by Scott Lynch: It takes me a while to get around to reading a Scott Lynch book after buying it, but once I’m reading them they’re brilliant and the best book ever. Damn, he’s good. Plots within plots, greatc haracters, swashbuckling, swindling, triple- and quadruple-crossing. Great fun.

J.K. Rowling: The Genius Behind Harry Potter by Sean Smith: This book should be used as an example of how not to write a biography. A lot of it was “JK did/knew/passed within thirty feet of this event/person/place, and look, I can find a tenuous/coincidental/obvious/oblique parallel in her books!” It drove me up the wall in Wiccan Roots, and it drove me up the wall here.

Companion to Wolves by Sarah Monette and Elizabeth Bear: Best surprise of the month: Opening this hardcover book to find that BOTH AUTHORS HAD SIGNED IT. Score!

From The Files of Argh…

I have just called an end to a very intense work day.

Remember when I said oh yay, there aren’t many queries in this copy-edited anthology manuscript? Well, there aren’t.

But there are a tonne of inconsistencies the copy-editor overlooked, or worse, created by changing some things but not others. Things were edited so that they no longer matched house style (this one mystifies me). Odd stylistic choices were made that read very awkwardly.

So I’ve spent the day handling the rest of the queries (four sent out to contributors because I can’t answer them), then going through the ms. looking for things the CE overlooked. I’ll have to go back tomorrow morning and go through the first half of the ms. to fix the things I started fixing halfway through the file today.

This doesn’t happen often, thank goodness. In fact, I’ve only caught one or two missed or incorrectly edited things per ms. in the past. This one, though, wow. I think the CE must have been having a very off day.

My back is now killing me and I need to go lie down on the floor to try to straighten it out.

Orchestra tonight. Today’s practise got shelved because of the amount of work I did. I should look at the Vaughn-Williams while lying on the floor so as not to get caught completely flat-footed at rehearsal.

Sharing

One thing I love about the Internet (hello, Internet!) is that it’s good for sharing stuff with millions of people you’ve never met.

Allow me to share some music with you.

I discovered Philip Sheppard almost exactly two years ago. He’s a cellist and a very talented composer. I used to have his MySpace page open while I worked on other things so I could listen to his posted tracks on an endless loop. I got other people hooked, too, muah-hah-hah.

Now he’s posting more and more tracks, some free to download as mp3s, others embedded within his web site. As a start, visit this page to listen to a selection of his haunting piano pieces. A handful of free mp3s for download can be found here. There are other embedded pieces of various styles scattered throughout the site’s pages, too, as well as a free download of sheet music for his lovely Crystallized Beauty theme, arranged for two pianos.

Enjoy!

@PhilipSheppard
Radiomovies (Philip Sheppard’s official blog and web site)
Philip Sheppard’s MySpace page