Category Archives: Music

Fall Concert Announcement!

Greetings, faithful orchestra groupies! It’s November, which means that yes, the Lakeshore Chamber Orchestra’s fall concert for which you have all waited breathlessly is nigh! This concert’s theme is Vive la France!, and focuses on music by French composers or music written in France.

Circle Saturday the 24th of November on your calendars. (Yes, that is this coming Saturday night.) At 19h30 in the Valois United Church in Pointe-Claire (70 Belmont Avenue, between King and Queen), the Lakeshore Chamber Orchestra will present the following works:

    Mozart: Symphony no. 31 “Paris”
    Debussy: La première Rhapsodie (guest soloist: Eric Abramovitz)
    Halevy: “Si la rigueur” from La Juive (solost: John Manning)
    Fauré: Pelléas et Mélisande suite
    Bizet: L’Arlésienne incidental music

Admission is $10 per person; admission is free for those under 18 years of age. The concerts usually last just about two hours, including the refreshment break. There are driving directions and public transport info on the church website. I usually encourage people who are vehicle-less to find someone who has a car and share the cost of the driver’s admission to the concert among them. It’s more fun to enjoy the evening in the company of others, after all. And it bears repeating that children of all ages are very welcome indeed.

Canada Day Concert Reminder!

What? Canada Day approacheth? Why then, the Lakeshore Chamber Orchestra Canada Day concert must be nigh!

On Sunday July 1 the Lakeshore Chamber Orchestra will be giving a free (yes, free!) concert as part of the overall Canada Day celebrations in conjunction with Pointe-Claire Village. We do this every year, and it’s always terrific fun. Our conductor is the justly famed Stewart Grant, who is phenomenal.

This year’s programme has a Northern theme and features music from Scandinavian, Russian, and Canadian composers:

    Glinka: Russlan & Ludmilla overture
    Borodin: Symphony no. 3
    Grant: Chaconne
    Grieg: Peer Gynt
    Sibelius: Finlandia

The concert begins at 20h00. As always, this Canada Day concert is being presented at St-Joachim church in Pointe-Claire Village, located right on the waterfront at 2 Ste-Anne Street, a block and a half south of Lakeshore Road. The 211 bus from Lionel-Groulx metro drops you right at the corner of Sainte-Anne and Lakeshore. Here’s a map to give you a general idea. I usually encourage those facing public transport to get together and coax a vehicle-enabled friend along by offering to buy them an ice cream or something. It works nicely, and it’s fun to go with a group. And hey, you can’t beat the price. Be aware that if you’re driving, parking will be at a premium because of the whole Canada Day festivities thing going on. Give yourself extra time to find a parking place and walk to the church, which will be packed with people.

As it’s a holiday, the village will be full of various celebrations, booths, food stalls, and the like. You might want to come early and enjoy what’s going on.

Free classical music! Soul-enriching culture! And as an enticing bonus, the fireworks are scheduled for ten PM, right after we finish, and the church steps are a glorious spot from which to watch them. Write it on your calendar, tell all your friends and family members! The more the merrier!

(If you need more enticement, there will be a certain little girl in attendance. It will be her first concert. That means we won’t be staying for the fireworks this year, though; we’re going to need to leave ASAP, as it will be way, way past her bedtime and we have a forty-five minute drive home.)

The State Of Cello

I see that all I’m managing is a blog post every couple of weeks, which is not so great for my record keeping. I’m going to try to blog more often. (That makes it sound like I haven’t been trying. I pecked this out last night on my iPhone during break at orchestra using Evernote, then synced it up this morning, copied it to the blogging software, and edited it. Whatever works. It’s not something I can do for anything large and writing-related, though I have been using the same process to make notes for the basis of the kids’ posts.)

Let’s start with a cello post.

A couple of weeks ago, I decided to schedule a couple of lessons leading up to the summer recital. I’d been going to the group lessons and working on the group pieces, but I dropped private lessons entirely in February. When my teacher asked if I was doing something for the recital I wibbled. I hadn’t planned on it, as I hadn’t been really working on anything properly, although I’d been playing Allegro Moderato, the last assigned Suzuki piece now and then. She said she’d like me to, but if I didn’t feel comfortable doing the Allegro I’d started in January (and had all of two lessons on) then I could pull out something old and brush up on it. I agreed, because it would feel odd to play in the group pieces but not a solo, and it would be the first recital I didn’t play in since I started lessons again three years ago. (Is this really going to be my sixth recital with this teacher? Wow.) So for my first lesson in months, I brought in a pile of things I’d played sixteen years ago and had read through at home as potential back-up, but I set Allegro Moderato on the stand and played it for her first. She said, “Oh, this will be fine; we just need to polish it a bit here and there.” That made me feel remarkably good. I was relieved to know I hadn’t broken it irreparably over my months of practicing alone. Now, I’m not entirely happy with it; I’d like another two weeks of working on the targeted areas. I’m playing it at a slower speed than I’d been practicing it at home, because I couldn’t get it to hang together smoothly enough the other way. (It’s, um, very Moderato.) But I won’t crash and burn. (I hope?)

Orchestra is fun. We’re working on the Canada Day concert, which has a Northern theme, Russian and Scandinavian music… and one Canadian piece, too! We’re preparing Glinka’s Ruslan & Ludmilla overture (which we’re taking at a sane seed, so my initial conniption has been assuaged), both Peer Gynt suites, Finlandia, Borodin’s wonderful Third Symphony, and a piece by our conductor, Stewart Grant. I’m still sitting last chair, and that’s just fine and relaxed for me. It’s not like I have lots of time to work on my stuff at home, though it’s not a very challenging programme cellistically. I’m really enjoying this programme a lot. I won’t lie; it’s probably a wee bit due to the less challenging skill level required to pull it off as compared to our last couple of concerts, but also it’s also because I’ve loved most of this music for ages.

My A string is starting to feel rough. I may have to replace it. In fact, I haven’t taken my cello for a tuneup since I bought it two years ago; I can’t afford it. But it seems to be carrying on quite well, and if it’s taken two years for the A string to reach this point, then I’m pretty impressed, frankly. And the sound just keeps getting better. The 7/8 was a good investment: it still sounds fabulous, and much better than an entry-level student model is expected to sound.

Minutiae

Stuff keeps happening, and I don’t have a heck of a lot of time to write it down.

1. I got my first royalty statement yesterday. It freaked me out a bit because I wasn’t expecting it. It came in two parts and was essentially a bunch of numbers and terms I didn’t understand, and I tried to read it while juggling a fussy baby, and no one should ever do anything that requires attention and rational thought while juggling a baby. Eventually I figured out that it was for two different editions of the book. One said I’d made back 1/5th of my advance (in just one month!) and the other said I’d made almost an entire mortgage payment, but it was being applied to more of my advance payment. So I’m about 2/5 of the way in to paying back my advance, after which any money made goes into my pocket. I’m a bit boggled by this. In a good way, of course.

Yes, it’s my first royalty statement. It’s an interesting sensation, because previously I’ve done all my book writing on contract. I like it. I’m looking forward to my next one.

2. Owlet had roseola. We thought the fever, crying a lot, refusing solids and nursing constantly was due to her upper teeth (more on that below) but no; the fever broke, and a day and a half later she developed the rash. I thought it was a teething-related diaper rash, because she’s essentially been a waterfall this past week and the rash started on her bum, but then it spread to her legs, and the next day it was on her arms and face. It wasn’t itchy and there were no other symptoms. It’s pretty much gone now. I didn’t bother with the doctor because it happened on the weekend, her receptionist isn’t in on Mondays, and by the time I got an appointment it would be over (as it is). Also, it’s a virus, so there’s not much we could have done anyway. This is the second time Owlet has come down with something five to seven days after we drive home from visiting my parents; I think she’s picking stuff up at the rest stops, probably from the changing tables. I’m going to carry antibacterial wipes or spray to wipe them down before we use them from now on. Even better, with the weather warmer, we can change her in the car or on a picnic blanket outside.

Sparky had the sudden fever last night, and a couple of hours later I started with the body aches, sore throat, and hot/cold thing. He woke up this morning with his temperature just about normal again, so off he went to school. HRH handled him this morning and took him to the bus stop, for which I was deeply grateful because I could barely move. I napped with Owlet this morning, and woke up feeling much better. I don’t know if what we have is connected to the roseola or if it’s something else, but I am so tired of everyone being sick.

3. The teeth. Urg, the teeth. All four up top are swollen and descending. Now those two centre upper incisors are so close to being through. We can see the actual teeth through a very thin layer of skin.

4. The concert was wonderful. We had just about a full house. There was birthday cake at the intermission, and the audience sang happy birthday to us at the end, and the music went really well. The end of the Wagner was particularly magical, and the Beethoven felt like a train that just wasn’t going to stop or slow down for anyone. (I suppose the term for that would be ‘inexorable,’ wouldn’t it. Which is particularly appropriate for the Fifth.) As usual, there was easy stuff I flubbed that I’d never missed before, and hard stuff that I didn’t expect to get that I managed on the fly. Sitting in the back is hard; I can’t clearly see the conductor, or the principal’s bowing, so I end up listening to the orchestra for a lot of my cues. (I’m good at using aural cues for my entrances; in fact, I trust my aural cues more than my counting.) I mentioned that to my teacher this past weekend and she said, “Sitting at the front of the section is easy; you need to be a really good cellist to sit at the back,” which was really nice to hear. And the second half of the concert was a challenge because I couldn’t get my endpin to a comfortable height; I was slightly off all the time, and that played havoc with my intonation. But all in all I’m happy with how I did, considering that I missed just under half the rehearsals and have had no more than a hour or so a week to practice. Our next concert is July 1, of course, and it will have a Northern theme: Finlandia, Peer Gynt, the Ruslan & Ludmila overture, and so forth.

5. Sparky outgrew his bike before learning to ride it properly. He’s a perfectionist, so if he doesn’t think he can do it right or if he’s afraid of falling or failing or whatever, he just won’t do it; he says there’s something else he’d like to do instead, or says he’s tired, that sort of thing. We got the bike out the other week, put the seat and handlebars up, and no go; he’s just way too tall. HRH’s parents will be buying him a new one as an early birthday gift.

6. Sparky has also become a Pokemon fan. The kids at school know all about it and they’ve been playing Pokemon on the playground at recess and lunch, so he kept coming home with all sorts of facts and exciting information. So for the trip down to see my parents at Easter I dug out my DS and the sole Pokemon game I ever played, and he was thrilled. He is taking very good care of it, is having lots of fun, and learning valuable lessons about not hitting buttons when you don’t understand what they do (he accidentally released his starting Pokemon instead of putting it a storage box and was devastated, so we restarted the game from his last saved point), and saving often so you don’t lose a whole day’s activity.

7. We have daffodils, tulips, and hyacinths in the garden. The crocuses are over. And we already have tiny buds that will be flowers on the crabapple tree we planted last year in front of Sparky’s window. We’re getting another tree for this year’s Earth Day tree giveaway that our city does, and we’ll plant it in front of Owlet’s window.

Baby’s awake. That’s all for now.

Spring Concert Announcement, 40th Anniversary Edition!

Huzzah, it is spring! This means that yes, the Lakeshore Chamber Orchestra’s spring concert is on the near horizon! This concert’s theme is a celebration of the orchestra’s fortieth season.

So circle Saturday the 14th of April on your calendars, gentle readers. (That’s this Saturday!) At 19h30 in the Valois United Church in Pointe-Claire (70 Belmont Ave., between King and Queen), the Lakeshore Chamber Orchestra will present the following works:

    Mozart’s Serenata Notturna (Serenade for Orchestra No. 6 in D major, K. 239)
    Corelli’s Pastorale from the Concerto grosso in G minor, Op. 6, No. 8 (Christmas Concerto)
    The Lonely Maiden (traditional, arranged by Andres Gutmanis)
    Wagner’s Siegfried Idyll
    Beethoven’s Fifth Symphony

Admission is $10 per person; admission is free for those under 18 years of age. The concerts usually last approximately two hours, including the refreshment break. There are driving directions and public transport info on the church website. I usually encourage people who are vehicle-less to find someone who has a car and share the cost of the driver’s admission to the concert among them. It’s more fun to enjoy the evening in the company of others, after all. And it bears repeating that children of all ages are very welcome indeed.

We’d love to see you there!

In Which There Is Hope For Cello

I made the decision to get to every rehearsal between now and the upcoming concert (April 14, gentle readers) to preserve my sanity and help shore up my self-esteem in matters musical. I’m still fumbling through lots of the Beethoven, but I feel a lot better about it after having a conversation with some of the section and our conductor. Apparently the cello section of the youth orchestra he also conducts does the fifth symphony as sectional work every year to keep it sharp, otherwise it would fall apart when they eventually get to programming it. I find that incredibly reassuring. We’re coming to it cold and chipping away at it in a couple of months. It also helped a great deal to have the conductor look at me and say that we were actually in a pretty good place, all things considered.

For some reason, the Wagner falls more easily under my fingers than the Beethoven, and I never thought I’d say that. I’m fine in the first and final movements of the symphony, but the middle two are just gah. My fingers keep tangling up. Sometimes I think Beethoven is the sole reason cellists should memorize scales. I’ve reminded myself that in my first years with the orchestra I would only play the first note in a sequence of four eighth or sixteenth notes in fast passage work, and I’m allowing myself to default to that on the fly. It helps a bit.

I got an hour to practice on my own this weekend, while HRH took the kids and… did something with them, possibly watched a movie. No idea. It was just me upstairs with my cello, and a lot of frustrating sticky notes and pencil scribblings on my music, sounding pretty awful. But I was marginally better at rehearsal, so it obviously did some good.

In non-orchestra material, I’m working on Allegro Moderato, the last piece in the third Suzuki book, and it’s fine… all except bars 30 and 31. I just can’t seem to internalize the modulation so that I have the note firmly in my head before I shift, and because I don’t know what the note is supposed to sound like I’m not secure in my shift and I miss the intonation by almost a semitone. I can play the notes separately in separate bows in first position, but as soon as I move to slurred notes and playing in position (I’m using the alternate fingerings), it all goes out the window. Gnarr. I have no idea if I’m playing a solo in the June recital or not, but if I am this is it.

Our conductor gave us a preview of what the July concert will be like. It’s to have a northern theme, with the Ruslan and Lyudmila overture (nooooo!), the Peer Gynt suite, and other things I missed because I was too busy having a conniption at the R & L overture part. I really enjoy playing the Peer Gynt suite, though.

Cello!

Last Wednesday evening was the first orchestra rehearsal of the season, and it was fabulous. Despite our principal being absent; despite sight-reading challenging music I’d never heard before; despite being up past when I usually pass out.

The first concert of the season will take place on Saturday November 26th at 7 30 pm, at Valois United church, and this is the programme:

    Beethoven – Prometheus Overture
    Holst – St. Paul’s Suite
    Sibelius – Valse Triste
    Brahms – Serenade No 1

I’ve previously played the Beethoven and Sibelus. I thought I didn’t know the Holst till I played through it, and of course I know it; it’s an old CBC standard, nice and stompy folksongy stuff. It was the Brahms that tripped me up. I don’t know it, and it’s what we began with. It was not easy: it was a bit demoralizing as a starter to the first rehearsal of the year, and it’s going to take a lot of work.

This weekend the boy and I started our cello lessons again. It’s been about two months since I played seriously, so we took it nice and easy and played the Minuet I’d done for last winter’s recital, which went surprisingly well, then poked at the Dvorak Humoresque that I’d been working on in the spring, and finally did a bit of etude work. Then we started La Cinquantaine, which has a lovely elegant kind of controlled flick up to the A harmonic on the A string that I love to do.

The big news in private lessons, though, is that the boy is starting to use his big bow part-time, and has officially begun the first Suzuki book. We are going to work on French Folk Song, something he recognises because it’s my default test piece on any new cello I try, and Twinkle. So he has officially left pre-Twinkling behind! (And if I don’t get a move on, he’ll pass me in Suzuki, too. I know I play tonnes of other stuff and only dip occasionally into the Suzuki books, but if he passes me it will feel very odd indeed. But I’m only two pieces away from book four, so it’s very doable!) He has a new reply for his teacher when she asks him if he thinks he can do something she sets for him: “I don’t know if I can do that… but I’ll try!”

We had our first group lesson yesterday afternoon as well, and there are seventeen students with my teacher’s home studio this year, which is going to make for interesting floor plan dynamics come dress rehearsal time. I love the first group lesson of the season, because we sight-read the proposed group pieces for the recital, and anything goes bowing- and fingering-wise. There were some nice pieces — Monteverdi bits, an extract from Schütz’s Christmas Oratorio, a cello quartet arrangement of Beethoven’s Ode to Joy (which will please the Owlet no end, as she has decided Beethoven’s ninth is the perfect piece of music to relax ad pass out to), and a couple of other things that escape me at the moment. Nothing too finger-trippy if I’m on first cello, and some very pleasant harmonies indeed. The boy did well in following his teacher’s directions on the fly in his group lesson, too, in particular managing to pull off a full descending one-octave D major scale without ever having done it before. Mind you, then he decided he’d had enough and asked to go sit with me, and as he’d followed directions on three or four other fun things that were new to him his teacher was fine with that.

I have really, really missed my cello. Slipping back into it and seeing that I can pick up just about where I left off with only a few rough spots is a huge relief to me. I love making music with other people, and even with the challenges of a difficult commute, not much time to practice, leaving Owlet behind with HRH, and having to make sure we have enough bottles of expressed milk on hand, the good that it does me outweighs the stress.