Category Archives: Music

PSA For Music-Types

In my zealous search for something that will distract me from my valid and time-sensitive work, I went looking for cello-friendly sheet music for “Gaudete” and “In the Bleak Midwinter.” Because I don’t have enough music to occupy me, evidently. I woke up thinking that “Midwinter” would sound absolutely gorgeous on solo cello, and “Gaudete” popped into my head too, likely as a result of one of the songs on the new Loreena McKennitt album that has the word in it. The version I want, though, is the trad. anon. one covered by Steeleye Span.

Going through regular sheet music purchase sites was useless. Then I found ChristmasCarolMusic.org. Gentle readers, it has just about everything you can think of in almost any arrangement that you might ever want for the season. Lyrics, vocal/melody line, guitar chords, instrumental parts for C, F, Bb, and Eb instruments that all work together… you name it. Everything in public domain, that is, which covers a decent cross-section of traditional Christmas stuff. Including “Gaudete” and “Midwinter.” Bless them.

So there, that is my Good Deed for the day: sharing a link with you.

I really ought to work.

Monday!

According to the professor I delivered a kick-ass guest lecture on Neopaganism this morning (not her exact words, but my interpretation of them). As usual I completely misjudged the time. Out of the fifteen pages I got through ten in my allotted hour, and fielded some excellent questions from the students. (Good grief, there were something like seventy there. I am used to between seven and twelve.) And then a great brief discussion with some of them afterwards in the hall, and then a two-hour long talk with the professor over tea. A fabulous morning! And not only did she give me the usual university honorarium fee for speaking, she bought me — are you ready for this? — sea-salt caramels as a personal thanks. I kid you not. She’s a saint. I love her.

It felt really good to sit and talk with someone who is an academic and who comes at the whole spirituality/mysticism thing from a similar angle. It helps that she’s a recent mom and married to someone active in comics/SF fandom, too, I think. Similarities facilitate grokking (for the lack of a better term). I’m so glad we’ve finally met in real life instead of being online friends only.

I’ve just handed in my edits of the hearthcraft book. Let’s see if I can do a brief recap of the weekend before I have to throw myself into work again.

Friday: HRH takes a half-day off work to get the winter tires put on the car. He takes me out to lunch and we sit and converse like actual grownups. We both get haircuts. I take my latest US freelance cheque to the bank and make fifty dollars on it. That’s the kind of exchange rate I like! After the now traditional weekly homemade pizza for dinner I head out for the dress rehearsal for the concert. Sat on awful stacking chairs with metal frames and bent wooden seats. We do not sound awful. Pretty encouraging, actually. There is a double bassist! ( “He lives in Kirkland,” says our guest conductor. “Imagine!”)

Saturday: HRH puts the lights and garland up along the front balcony. We head out to Canadian Tire for a new scraper/brush (we break one every single year), replacement bulbs for the strings of lights, seat covers for the car, and a string of lights for the boy’s bunk bed. We have lunch out at the hot dog place. Everyone in the store and restaurant is curiously laid back, which makes HRH and I suspicious. The boy naps, and HRH heads out to Mousme‘s place to talk about painting it. I do work on the lecture notes. It feels like I spend most of my afternoon just kind of waiting for the concert; I hate that. We change and head out. The boy is very excited about going to the concert like a grown-up person. He and HRH drop me off for warm-up and head over to Tim Horton’s for a little snack. The concert goes brilliantly. The boy claps loudly and yells, “YAY!” after big exciting finishes. A little squirmy, a little out of it during the first part of the second half (translation: flopped over Dada’s shoulder and drowsing) but thoroughly awake when we play the Brahms Hungarian Dances. (I suspect we woke a few other people up, too.) People I expected to see are in the audience, as well as people I didn’t expect to see, which was a lovely surprise indeed. Many compliments on the contrasting dynamics (ha!) and general loveliness of the evening. In my rush to get the boy home I forget to drop off my music post-concert and also to grab my lovely red water bottle from under my chair. (I remembered it when we were on the highway. Fortunately someone picked it up for me.)

Sunday: More work on the lecture notes. We manage to get the boy to nap early to facilitate the going-to-a-cello-lesson thing later. I bake brownies. Wake boy up just before 2:30, bundle him and cello into the car. HRH drops us off at my teacher’s house. The other little boy does not join us to observe the younger kids’ lesson, alas and to the boy’s disappointment, so it’s myself, the boy, and a parent. The girls have lots of fun, and the boy observes them very quietly for the first half and gets a bit squirmy during the last half. He is particularly fascinated by a game where instead of playing a note when it occurs in the music (an F, for example, or an open string) they stand up then sit down in strict time and then play the following note. He starts standing up and sitting down too. Also very interested in them using a ball in the left hand to move around the fingerboard while bowing. He informs people importantly that he was at the concert last night. He does not embarrass me in any way (not that I expected him to) although he came close when he initially darted into the room between the instruments and both I and my teacher lunged after him, telling him to never, ever run around the cellos. (He knows this; we have the same rule at home. But it was a new place and had all sorts of exciting things to look at. He’s three, as we all keep forgetting.)

HRH returns to pick the boy up and take him to the b-o-o-k-s-t-o-r-e to play with the train layout. I tell him to come back for me between 5:15 and 5:30, closer to 5:30; he misunderstands me completely. We have our group lesson, which is great. We run a bit late and I dart out at 5:45… to find no one there. Apparently HRH showed up between 5:00 and 5:15 and gave up on me not five minutes before I emerged, thinking I must have said 6:15. The car arrives at 6:05. No harm done; it’s not like the weather is driving sleet or bitter wind.

HRH has picked up WALL*E on DVD while the boy and I are at the group lesson; we all go home and watch it while eating dinner. The boy is absolutely riveted, and despite the lateness of dinner and so forth we decide to allow him to watch the whole thing before going to bed. (After reading the last chapter of The House at Pooh Corner curled up with Mama and Dada in their bed, of course. See the earlier post.)

That, in a nutshell, was the weekend. There was a lot of music, which was lovely. I discovered yet again in the group lesson that I have a nicer tone than I think I do. It has been decided that I will play the first Bach minuet as a solo since someone else is now playing the third, which suits me just fine because that was the one I was going to choose anyhow. We got yet more new music. And I admit that I had to look up the music for “Twinkle” when I offered to play the theme while others played a great blues progression boogie-type thing under it. Yes, I am that lame; I need music for “Twinkle.” Also, it does wonders for the ego when I offer to switch from the group playing the theme to the blues progression to help support it and the teacher says, “If you do that I’ll be switching to the theme,” because it suggests I’m anchoring the part I’m playing with the others. Go me and my “Twinkle” skills! I really enjoy the group lessons. And I could feel a difference between my showing in this one as compared to the last one. I’m a lot happier with my sound, thanks to the tonalization work and the bow management I’ve been working on.

I was pleased with my showing at orchestra too. I nailed some of the harder scale passages and completely blew others (usually the ones I was confident about going into the concert, ironically enough). Turns out that we have a break at orchestra until early January. Our next guest conductor is very pregnant and is due next week or so, and there’s only one available date in December for our usual rehearsal space. So rather than trying to figure it all out we’re taking a six-week leave.

Okay, I think that’s everything. I have some serious writing to do this week as well as that freelance assignment, so off I go.

Good Grief, and Busy Busy Busy

I just made a complete fool of myself while reading the end of the last chapter of The House at Pooh Corner. You know, the one where Christopher Robin talks in thinly veiled terms about Growing Up to Pooh and asks him obliquely to be understanding if/when he Changes? Yeah. Complete mess, that’s me.

Awesome weekend. I am so very proud of my boy for all sorts of reasons. Excellent concert, too. Don’t have time to write a full post at the moment because I’m touching up my Real Live University Lecture for tomorrow morning (what do I leave in? what do I take out? what’s important info? what tangents can I predict? how much time will this take? how am I going to mess this one up?) and there are all kinds of Eep happening. The most I’ve done in the past is lecture college students. Fortunately the teacher is very supportive and encouraging and understanding!

After I get home from the lecture I have to do the last scan of the hearthcraft MS and send it in to my editor, then throw myself into the latest (time-intensive, alas and argh) freelance assignment, which is due back Wednesday. Yikes.

Resigned

I’ve just written, translated, and sent off the regretful decline of the reconstruction quote for the Mystery Cello. I’ve been putting it off because I haven’t wanted to formally call an end (albeit temporary) to the dream. But it’s been a month (not that I intended to let it languish that long in my inbox, dear god, where did November go? scratch that, where did 2008 go?) and it’s irresponsible to let the affair drag on any longer.

So I wrote a thank you and and an explanation of why we had to wait, and reinitialized my search for a 7/8. I should put my 4/4 up for sale as well to free up more money, but I’m enjoying the sound it makes in my lessons and I’m clingy when it comes to things like big resonant instruments that have been my companion for fifteen years. My teacher has assured me that if it sells before I’ve found a new one I can use the cello she still has from before she bought the beautiful one she uses now, which is lovely and mind-boggling but somehow I doubt I’ll be caught without one. I see the same celli up for sale online all the time. I also have no idea what to ask price-wise for the one I’ve got. I’ll talk to the luthier when I’m next in. I just wish I didn’t feel like I’d killed something heartlessly.

Anyway, I am consoling myself with, and actually beginning to revive my interest in, trying 7/8s again. In the meantime my teacher has somehow suckered me into playing a solo at the Christmas recital in three weeks. I suspect I agreed because she proposed it so nicely (in the “possessing, marked by, or demanding great or excessive precision and delicacy” definition) and didn’t make me feel like I was being railroaded into it. What I wanted to ask, but didn’t because I am shy and despite the fact I’ve played with her for seven years I’ve only been her student for a month, was who else was soloing and what were they playing. Because I’m doing a Bach minuet, and part of me is relieved because I played these things thirteen years ago, and another part is mildly squirmy because they’re in the Suzuki level 2 book, for heaven’s sake. I was playing sonatas before I stopped lessons before. Mind you I’ve lost a hell of a lot of decent sound production and technique since then, so these are reacquainting me with the basics, but still. Not that the people in the senior’s residence will care. They will be too busy being charmed by the six year old playing Suzuki book 1 pieces on her tiny cello .

Speaking of the six year old, my teacher told me yesterday that her next-door neighbour has a four year old who is obsessed with music and wants lessons. Generally the idea about children and lessons is not to bother until they can read (something about their ability to organize the info they take in, and I suspect so as not to utterly crush the joy they have in spontaneous music) but she knows that Sparky is also excited about the idea of music lessons, so he can play the cello like Mama does. So she has proposed that the two boys come to the group lesson on Sunday to see what it’s like. Our group lesson is divided into two halves, the younger students for the first hour, then a short social thing, and then the adults have an hour of group lesson. The boys would observe the younger group lesson, and if they are still as excited about things she’d think about maybe having a special series for them to learn about rhythm and other pre-formal lesson skills. She mentioned that the McGill Conservatory has a Very Little Musicians program that might do as well.

I told Liam about this Very Special Invitation last night and he was very excited. His first question was, of course, “What’s the little boy’s name?” “I didn’t ask,” I said. “I forgot that it would be important to you. I’ll ask when I see my teacher tomorrow at dress rehearsal.” So he went around for the rest of the evening telling his father and the cats that he and ‘the little boy’ would be watching a cello lesson. We’ll have to talk about proper etiquette and such tomorrow, both for the concert and the lesson the next day. The tentative plan for Sunday is to explain why he needs a slightly early nap and for HRH and I to bring him to the young group lesson, after which the boys can take off to the Thomas layout bookstore while I have my adult group lesson. If he’s unbearable after having attended the concert Saturday night we can call it off, and there’s always the option of HRH whisking him away from the lesson if he can’t sit quietly.

I looked at the calendar yesterday and realised that there was a Wednesday rehearsal, my lesson on Thursday, a dress rehearsal tonight, the concert on Saturday, and the group lesson on Sunday. Good grief. I’m also mildly freaked out about the amount of work that has to happen between now and Wednesday, because I’m teaching a real-live university class on Monday morning (subject: Neo-paganism, and I have an eight-page lecture outline and the dreadful feeling that I’m going to demonstrate an Epic Fail by somehow being unprepared… I always feel like there’s no good way to make the info flow logically) and have a coffee/lunch date on Tuesday and an assignment due for the evaluations Wednesday which is only about 30K words but revolves around examples drawn from Biblical stories and quotations so I’m going to be flipping through a Bible as I do it, which will slow things down.

Back to the cello stuff. I’m liking the sound that I’m (sometimes) producing in my lessons. It’s a bit of a juggling act because I have to remember things about my bow hand, my right elbow, my shoulders, the left wrist and elbow that we’ve been working on, and then all the usual technical music stuff too. But there was a point in yesterday’s lesson where I sounded good, and where I could hear and feel the vibration of the bow across the string in all the right ways. It feels sometimes like I’m not grasping very basic things, but things are improving in general at orchestra thanks to the new awareness I have of my body and how it moves, so there’s hope.

Weekend Roundup

Things are moderately insane here, and there’s a lot of stuff that’s being shifted lower on the list of priorities. Bear with me if I owe you a reply about something via e-mail or a phone call or blog post or something. In the meantime here’s a very brief overview of the last three days for my own records.

Friday Ceri and Phnee came over for a long-anticipated day of writing/crocheting/knitting. I haven’t laughed that hard in ages. I somehow managed to get a thousandish words written, which mystifies me because I’m fairly certain I spent most of my time talking about books and yarn and spontaneously rewriting TMBG songs to be about knitting instead of Advil. And eating. Dear gods, the food. Not that we planned to eat piles of it, just that it was pretty steady. Phnee baked muffins ( “These are delicious,” I said. “They should be,” she said, “they’re your recipe.”) and brought biscuit dough to bake on-site. Ceri brought tea sandwiches for lunch, two kinds of preserves (OMG the carrot cake preserve that I wanted to eat with a spoon), and there was baguette and baked Brie with onion confit and pots and pots of tea. The only shadow upon the day was that Phnee’s laptop decided to turn its nose up at the perfectly good electricity here at the palace.

Friday night HRH and Jeff H. shared a rental van to bring the rest of the bunk bed pieces home and move our no-longer-being-used double dresser to chez Jeff and Airea. Saturday morning HRH and Liam built the bunk beds (and I’m not kidding, the boy actually did help move the mattress and the base through the hall and into his room, and helped screw things together) and there is now a pirate ship construction site lion cage tree house in Liam’s room. I felt like death on toast, so I kind of dragged myself around and stayed out of their way. Saturday afternoon I had a strings-only rehearsal so I dragged myself to that. Managed not to embarrass myself, despite not being wholly there in mind or body. Came home, had a hot bath, rested, reheated homemade pizza for dinner, and then once the boy was in bed we headed out for Emru’s visitation. One never knows what to expect regarding visitations or funerals, but any uncertainty was immediately dispelled as soon as we stepped into the memorial complex. There was upbeat music playing, and people laughing and chatting. The family we spoke with were all equally upbeat, and the whole event really was the celebration of Emru that it couldn’t help but be. He had been dressed in a beautiful white dashiki with exquisite white embroidery around the collar and down the yoke, and a lovely black and white woven cloth of African design was draped over the lower half of the casket. (Perhaps slightly irreverent thought: I’d forgotten how darn tall Emru was.) We met all sorts of people and ended up being among the last to leave. On the way home HRH and I talked about how we really didn’t know much about what the other wanted regarding death arrangements, and discovered that we pretty much intuited the basics anyhow. It’s something we need to think about properly, though, especially now that we have a child. (HRH, of course, isn’t difficult at all: there’s a pond, and there will be a glorious fire, and several days of drinking and loud music of various kinds. Most of us know this. Mine’s similar.)

Sunday I woke up feeling a bit less like death on toast. I mostly worked on the programme notes for the upcoming concert while HRH and the boy played in the construction site tree house. With this new bed the furniture has been rearranged a bit and his toys now live in the two drawers under the lower bunk, so we’ve eliminated the shelves that used to hold his toy bins. Now the room has a very play/activity feel to it, what with the multi-purpose upper bunk (which doesn’t have a mattress on it and will soon have a set of those interlocking foam pieces to make it a bit more comfy), the easel, and the craft table. He has decided that he should be listening to his music while he’s in there, so his CDs have been moved into his room. He’s been playing there instead of in the living room, which is great because it means HRH and I can now relax in the living room when we need to rather than being dragged into the boy’s play. Mid-morning we had our usual pancake brunch, then we went out to buy the boy a play tool set because he’d had so much fun helping HRH build the bed and move the pictures and shelf on his wall. I kept working on the programme notes, which I finally finished last night; I just need to translate them today. I made candles while the boys watched Toy Story and used up the last of my vegetable/soy wax; I’ll need more before Yule. After dinner we had a concert where the boy played the drum and HRH and I alternately got the little xylophone thing and the bells to play and I laughed so much that I cried.

In bed last night I finished Thornyhold (why have I not read this novel before? Oh, right, because I went through my Mary Stewart phase in late high school, before it had been written), read the first quarter of Snake Agent, and wrote a thousand words. It didn’t feel like I did a lot yesterday but apparently I did.

Today: Translating, and doing the first half of my next evaluation assignment. And hopefully some writing, because I’m feeling behind and I really don’t want to lose the momentum of the past two weeks.

Concert Announcement Reminder Thingy!

It’s that time of year! Yes, the first concert of the 2007-08 Lakeshore Chamber Orchestra season is nigh!

Circle Saturday the 22th of November on your calendars. At 19h30 in the Valois United Church in Pointe-Claire (70 Belmont Ave., between King and Queen), the Lakeshore Chamber Orchestra will present their fall concert. We’re featuring a lovely blend of music this concert, most of it very emotional and passionate in some way. It’s an excellent way to forget about the cold and grey weather for a bit. On the programme for the evening:

Divertimento in C major, KV 157 – Mozart
Adagio for Clarinet and Strings – Wagner
Symphony no. 104 ( “London”) – Haydn
Overture to “Iphigenia in Aulis” – Gluck
Hungarian Dances 1, 5, & 6 – Brahms
Concerto grosso op. 3 no. 11 – Vivaldi

Admission is $10 per person; admission is free for those under 18 years of age. The concerts usually last approximately two hours, including the refreshment break. There are driving directions and public transport info on the church website, linked above. I usually encourage people who are vehicle-less to find someone who has a car and share the cost of the driver’s admission to the concert among them. It’s more fun to enjoy the evening in the company of others, after all.

We’re working with a series of guest conductors this season, and our guest leader for this upcoming evening is Benjamin Stolow, a wonderfully distinguished gentleman with a great sense of humour whose work we have been enjoying very much. He’s drawing excellent, precise, and nuanced music out of us, and we’re really looking forward to presenting it to you.

(Also: We have violas! Really! It’s wonderful! And we’re promised a double bass, too!)

Reserve the date! Bring friends! Feel free to share this info with others; it’s a public event. See you there!

(Yes, November 22 is nine days away. I know I usually give you a two-week notice and then a week-of notice, but November appears to be rapidly dissipating and I’m not sure where the time went.)

(And goodness but there are a surfeit of exclamation marks in this post.)