Category Archives: Books

Score!

Some day my postman is going to ask me what the heck I do for a living, that I have so many padded envelopes of books coming to my door, some of them quite bulky. And I will say that I am a writer, and I research a lot, and nine times out of ten the perfect book I need is out of print or unavailable at an easily-reached library or too damned expensive to buy new, and so I order them secondhand on-line. I prefer to have my own copy of something I’m likely to use extensively for research, as it eliminates the renewal issue and the losing-the-book-to-a-reserve possibility, and I can plaster it with sticky-notes to my heart’s content.

I have scored a copy of Barbier’s Vivaldi’s Venice, for which I paid $6 CDN. Huzzah!

(This means nothing to most of you, I know. It’s not like it’s a popular book. It just happens to be exactly what I needed.)

This book still has the original shipping slip inside the front cover. It was a comp copy for a Toronto newspaper editor in 2004. The book then somehow found its way down to Georgia to the secondhand retailer from whom I purchased it. I love finding notes or shopping lists or train tickets or boarding passes in secondhand books. It makes the person who owned them so real, and yet so mysterious. Who were they? Did the book make their trip from Oslo more enjoyable? What was their relationship to the Marie about whom they made a note on this scrap of paper, and what did they buy her for her birthday in the end? What did this journalist think of the book? Was it read for a review (unlikely, as the book doesn’t feel as if it’s ever been opened) or was it requested out of personal interest?

I like knowing that human beings still read, that books play a role in their lives. And I like to imagine the journeys that books have made.

Busy

Today:

Went to Best Buy to get a new CD player for Liam’s room, and naturally it was out of stock. This was so that we could once again use the nice relaxing CDs we played when he was much younger, before the first CD player died and left us with only the radio. (Anything to try to recapture the normal sleep routine.) What I didn’t do at Best Buy: walk through the DS games aisle to see what was there, which is a pity because I just checked on line and apparently they have Jam Session in stock! I forgot it was being released today. Argh.

Picked up a couple of small baskets at the dollar store for assorted odds and ends on my new closet shelves. Finally remembered to buy foam brushes so that I could stain the door of my office.

Did the tour of the pet store and little bookstore, as we always do while we’re running errands at the mall. Did not buy the adorable Abyssinian kitten, or the fluffy and killer-cute Golden Lab puppies that scampered back and forth with Liam and licked his hands through the glass. (Obviously they didn’t actually lick him, but he knew what they were doing and giggled and said “Puppies lick Liam!” anyway.) Did not buy books, but not for want of trying: Liam went through several but handed each back to me with a calm “Thank you, no, Mama”, and the book I was looking for wasn’t in stock.

Bought Liam a track expansion set for his trains.

Unexpectedly bought myself my first DS game: Brain Age II, as it was on sale for $15. (Why the second and not the first? Because it had a music game on the back cover.) This marks the first game I have actually purchased instead of borrowing. Now addicted; I enjoy this sort of game. I am the poster girl for casual gamers and people interested in non-games (please, someone come up with a better industry label). Must go back and buy the original Brain Age and Big Brain Academy very soon. The sale’s on for another week.

The boy went down for his nap with a minimum of fuss, only screaming for about twenty-five seconds before settling down to play and fall asleep. He napped for an hour and a half.

Stained the French door we hung in the doorway to my office months ago while the boy slept.

Played trains and Brain Age with the boy, who was very interested in helping me write letters on the touch screen. Not so helpful were his random decisions to draw letters completely unrelated to what was going on: “Letter… B!” “No, Liam we need a letter N!… Oh, drat.” “Your score is: negative six trillion.” Also, during a different exercise he kept talking at the game when the DS was trying to recognize our voice response, so we kept getting those answers wrong too. But we had lots of fun anyhow. (The game will undoubtedly be impressed when I improve astronomically when playing alone.)

Liam did his first watercolour painting with brushes. He told HRH that it was an airplane when they put it up on the fridge.

We prepared and ate dinner early at five o’clock. We wondered if the boy was feeling rushed at night, and that’s why he was having meltdowns. He ate a huge dinner (rice and barbecued sausages and a whole scrambled egg! er, we’re out of veggies, and he won’t eat tomatoes from the garden at the moment), had a popsicle for dessert, had a bath, brushed his teeth, put on a new set of Nemo jammies, and snuggled first with me then with HRH to read books. He asked halfway through the snuggling for cereal and milk ( “Hot milk, Mama” he specified, which he hasn’t had in, oh, months) so I got him a little bowl of dry kamut flakes and a sippy cup of warm milk. He polished both off while HRH read, then did the goodnight round in his room in perfect relaxation ( “Night-night, Peter and FlossieMossyCottontail, good little bunnies,” nod nod nod), and snuggled up in bed. Then he held the empty sippy cup out to HRH and said, “Oh, thank you” before snuggling back down again. HRH and I backed out of the room and gave each other a silent high-five. Not a peep has come from the room. We’d been trying to figure out what was wrong. Nothing had changed in the weekly routine earlier this week: we were doing everything at the usual times, but the way the boy was reacting we wondered if he needed more down time before bed, and backed everything up accordingly. Looks like we were right. This means HRH will have to leave work half an hour earlier than he already does in order to pick Liam up sooner on the two days when he’s in daycare and HRH is working; that way we’ll have a bit more leeway for his brain to encompass what it needs to encompass, time to decompress and fit some quiet playing, a calm sit-down family dinner, a bath, and plenty of snuggling and reading before bedtime. (It’s not as if we were skimping on or missing any of these things before, but any chance to do more of it without a family member feeling rushed is a good thing in our books.)

Then HRH made me watch the Iron Man trailer. Through the first half I was wondering why people said it was so awful, and then the second half kicked in. Atrocious. So bad it isn’t even funny. Iron Man isn’t remotely like RoboCop. Gah!

And now, I think I will have sangria and read. Or maybe curl up in bed and play the DS. Or maybe all of the above.

Twenty-Seven Months Old!

Somewhere inside that long enthusiastic body is my tiny tiny baby who had wires and tubes all over him for the first thirty days of his life. The boy who bounces off walls and floors without a pause and soaks up damage like a tank is the same child who was in neo-natal intensive care for two weeks, and confined to a hospital room for five, over half of it in an incubator. Now Liam throws himself over rocks and up cement blocks, goes headlong over swings and wagons, falls down stairs when he isn’t watching where he feet are going. He can climb in and out of the car by himself. His fine motor skills are growing with leaps and bounds too; for example, he can assemble his semi-trailer truck out of Lego-like connecting blocks without help now, holds crayons and pencils correctly, and eats very tidily with forks and spoons. He likes to help me bake and cook, pouring measured ingredients into a bowl and stirring them.

I want to laugh every time Liam glances up and gives a casual “Oh, hi, Mama” when I walk into the room, as if he’s mildly surprised to see me. He’s using ‘I’ a lot more now. “Oh, I see!”, “I get it!”, and “I do it” are all frequently heard. He helped HRH wash the car the other day, and had great fun. “Dada Liam washing the car!” he said over and over. Dropping the wet cloths into the bucket of soapy water was the best part, I think: he’d drop them in and say “Splash!” very happily. Then he’d pull them out and watch them drip. “Water running!” he said, watching it trickle down the driveway to the drain. He ran in and out of the spray when HRH used the hose to rinse the car off. “Raining, raining!” he chortled. He’d helped HRH water the plants in the front garden the day before, too, and spent a lot of the time trying to drink the spray of water.

The “Where’s Liam?” game has now developed a sequel of sorts. Now after hiding a toy he suggests places where he may have hidden it (which we can plainly see). Now the amused “Noooooo!” line in the game is ours, given when he suggests that Thomas is in an outlandish place like the ceiling fan when he’s actually behind a cup of milk on the table. He has also begun playing a sleeping game, where he closes his eyes and pretends to be asleep (complete with deep breathing!), then says with his eyes still shut, “Wake up, Liam!” before bouncing up and grinning. If someone has their eyes closed, they must be asleep and woken up by a perky toddler. (Dr Seuss characters frequently have their eyes shut in a sort of smug contentment, leading Liam to tell them to “Wake up!” a lot.)

His appetite ranges from eating a pile of food that must be bigger than his stomach to having two bites of rice at dinner and declaring himself to be all finished. He rejected salmon sashimi a couple of days ago; maybe that first time was a fluke. (No pun intended.)

His toddler worldview comprising people and their identification fascinates me. I am Mama; HRH is Dada. All other fathers are Daddy and all other mothers are Mummy. He enthusiastically lines up to give goodbye hugs and kisses to other kids’ parents when they drop their progeny off with the caregiver. (Hey, free hugs and kisses? He is so there! I’m not sure if it’s to give them or get them. Probably both.)

We have to read Green Eggs & Ham at least once before bedtime. Murmel Murmel Murmel and Mortimer by Robert Munsch have become quick favourites too. He had Mortimer’s bedtime song down pat the second time we read it. Three days ago he became fixated on the Cat in the Hat for some odd reason; he’s never read it at the caregiver’s, nor here. But one night he pulled it out of the bookcase and said “Cat! Hat! Read!” and climbed up into my lap. He’s begun reciting books to me at odd times and in odd places. All of a sudden he’ll be looking at me, repeating dialogue or narrative from some part of a story, with no obvious trigger or inspiration. “Go woods lane, but no McGregor garden, I am going out,” he said yesterday morning, looking at me very seriously. “Eat lettuce, green beans, radishes, feeling parsley.” He’s told the end of Arthur’s Pet Business several times, and has randomly recited bits of Green Eggs and Ham as well. New and fun books this month include The Incredible Book Eating Boy and The Day I Swapped My Dad for Two Goldfish, which is of course too old right now but very enjoyable for the parents.

He’s also begun to sing along with songs from soundtracks a lot more clearly, especially his beloved Cars soundtrack. (Yes, it’s still “Riding in the car, listening to Cars music again okay, yes?” when we get ready to go out somewhere.) It’s hilarious to hear him say “Route 66!” along with Chuck Berry, and touching to hear him sing the last half of phrases when listening to James Taylor’s heartbreaking Our Town.

Last month we went to visit the Exporail train museum in St-Constant on a lovely sunny day, and Liam was terribly excited. We went first thing in the morning when it opened, which was ideal because there weren’t many people in our way. He ran up and down the platforms of the display shed, ducked in and out of vintage cars and engines, and was generally thrilled to bits. We took a ride on a tram that went around the site, and a ride on the miniature railway. Liam came home with a train whistle, which thankfully isn’t very loud, and we have promised to take him back this fall so that we can explore the open reserve rolling stock and the century-old restored train station. We’ve added to his collection of toy Thomas trains too, buying him the Annie and Clarabel coach set for his little Thomas to pull. Liam was thrilled, but then got very upset because they wouldn’t attach together with both their faces facing forward. He cried and cried because they wouldn’t ‘click’, as he calls it. In his toddler worldview, all faces should point in the same direction. This is how he taught himself the right way to connect his engines: the magnet at the back of something connected to the magnet at the front of the next one. Annie and Clarabel are different, and I finally got him to come cuddle with me on the chesterfield with his big book of Thomas poetry while I read him the Annie and Clarabel poem, reading the bit about how they travel back to back very clearly, Annie looking forward and Clarabel seeing where they had been. We read it over and over and over, sometimes flipping to another poem then back again, until he slid down and went and picked them up, and clicked them together back to back, just as they’re designed to do. And from that moment everything was fine and dandy, and he insists on sleeping with them. He just needed some help thinking it through.

We’ve introduced the concept of the time out at home. Liam’s had a couple of these at the caregiver’s house when he’s pushed someone or thrown something, but we haven’t needed to do it at home until the other day when he pushed Maggie sharply off a chair. HRH scooped him up and strode to the kitchen,where we pulled a chair over and sat him down facing the wall, telling him sternly he was not to push the cat, and that he was going to sit there for one minute. We left and he began to cry, but he didn’t move till we went back for him. Yesterday morning we had to do it again for the same reason, and although he slipped off the seat he stood there, one hand on the chair, still crying; he didn’t move beyond that. I went back, held his face in my hands, and asked him if he knew why he was there. Liam nodded, his eyes bright with tears, and said, “Yes: no no, no push Maggie.” I kissed him and picked him up, and we went to find the poor cat who’d been tossed off the back of the recliner chair. She was asleep on the bed, so we sat down next to her and he petted her once or twice, barely touching her. Then he pulled his hand back and said very clearly, without prompting, “I sorry, Maggie.” He forgets how strong he is when he cuddles her, and we sometimes have to jump to rescue her because he’s strangling her or bending her in odd ways in his enthusiasm. We explain to him repeatedly that Maggie is old and can’t play the way he’d like her to. And yet she’s generally fine with him, letting him pet her and play with her tail and her feet and her ears, laying his head on her as he lies next to her on our bed. “Liam and Maggie sleeping,” he says, so very happy because he is lying down with her. I don’t know what we’ll do when she finally passes on; Nix and Cricket won’t have anything to do with him.

He woke up screaming last night at two in the morning — not crying, actually screaming. It took an hour and a half to get him back to sleep. Every time he was limp and relaxed I’d try to slip him into the crib and he would scream again. I have no idea what happened; we assume he had a nightmare. I read him a couple of stories, and we cuddled and dozed for a long time. I could tell he was tired because he kept saying random things dreamily as he rested his head on my shoulder and stared unseeing across the room. One of them was, “Flying. He’s flying.” (Who? I wondered. “Is he happy?” I asked, just to make sure Liam wasn’t talking about the nightmare. “Mm-hm,” was the answer.) Another was “Purple?” Later he said, “Baby feet.” In the end I put him back in bed for the sixth time, kissed him, and stepped out of his room as he began to scream my name over and over. I stood just on the other side of the door and rested my head against the door frame until he finally quieted down and passed out. I wish he could tell me what had happened, what he dreamed to make him so terrified of getting back into the crib. He fought naptime for two and a half hours today, screaming for me over and over and over when we put him in bed. He worked himself up so much that he fell out of the crib lunging for me as I opened the door to check on him. He went head first into his laundry basket, so there was a soft landing, but still — something has really spooked him, and he can’t tell us what it is. He has become such a wonderful communicator that I had all but forgotten how helpless I could feel, as I did when he was an infant and we were trying to figure out how to calm him the one or two times he really had a fit about something. I think we’ve all been taking the excellent communication for granted, and we’ve forgotten that sometimes deep-seated terror or need or emotion can’t be framed in words, especially not by a two year old. He feels so deeply, and is usually so happy-go-lucky that to see him struggle with this is heartbreaking. All will be well eventually, of course. But for now we’re reminded of the more challenging parts of being a child.

More Giants Passing

I just discovered via Curtana that Madeleine L’Engle passed away.

Madeleine L’Engle, Children’s Writer, Is Dead
By DOUGLAS MARTIN
Published: September 8, 2007

Madeleine L’Engle, who in writing more than 60 books, including childhood fables, religious meditations and science fiction, weaved emotional tapestries transcending genre and generation, died Thursday in Connecticut. She was 88.

Her death, of natural causes, was announced today by her publisher, Farrar, Straus and Giroux.

Curtana posted the wonderful evocation “I name you…” from A Wind in the Door on her LJ in tribute. Carrying the idea forward, here is a quote from A Circle of Quiet about the need to respond to the creations of others:

“A great painting, or symphony, or play, doesn’t diminish us, but enlarges us, and we, too, want to make our own cry of affirmation to the power of creation behind the universe. This surge of creativity has nothing to do with competition, or degree of talent….This response on the part of any artist is the need to make incarnate the new awareness we have been granted through the genius of someone else.”

Thank you, Madeleine. Thank you.

My Day, By Me

The boy and I had a terrific day today. I think we both needed it. We drove HRH to work and did a couple of hours’ worth of errands on the way home (we now have a drying rack, huzzah, but we do not have cornmeal, which meant I couldn’t make the polenta I was craving). Then Sparky asked to watch a movie while I put away groceries and made him lunch. His nap lasted somewhere between two and two and a half hours, which gave me plenty of time to read a chunk of Sarah Monette’s The Virtu as well as play the cello for an hour. Just for kicks I’ve decided to start learning the second solo cello line of Vivaldi’s Concerto for Two Celli in G minor (RV 531 if you are a music geek, as I am), so I played through that and did remarkably well, although I discovered that I didn’t know the timing as well as I thought I did, nor the correct stresses and musical phrasing in certain places. Also, holy sixteenth notes that feel like thirty-seconds! Playing them at speed just isn’t going to happen just yet.

Then I played through a bunch of band stuff, proved to myself that I can actually play the solo from Enter Sandman (contrary to the evidence supplied by my performance on May 19), worked on my tone during Moon Over Bourbon Street, played Wheat Kings because I love the long tones, and really worked The Bonny Swans riffs. There just is no pretty technical way to play the first call and response phrase; I tried it in three different position combinations and there’s no way to win. It has to be the way I first worked it out because as awkward as the shift is, the alternate positions are even more awkward. Still, I worked that shift and the tone, and yeah, I can make it sound good. In fact, all of it sounded a lot better than I thought it would after not playing any of it since the gig, almost four months ago.

I am rather pleased: this marks the second time this week I’ve sat down and played. I’ve really ignored the cello this summer, partially because I am lazy, but also because the fretless bass is shiny and siren-like. Not that I’ve played Eva a heck of a lot either, but she’s easier to grab and mess about with than Adele is. However, I’ve played Adele at least an hour every couple of weeks, so she hasn’t been completely ignored. And really, I’ve been quite happy with my tone, too, and the quality of sound I’m pulling from her. I believe orchestra will be back in session next week, and I’m glad I won’t completely embarrass myself in whatever we end up playing. (Apart from whatever understandable embarrassment arises from sightreading things, naturally.)

Anywhats, yes, much with the cello playing while the boy napped. I heard him mumble an hour and a half into the nap while I played the Swans riffs and thought I’d woken him, but evidently he only surfaced for a moment and rolled over because I didn’t hear him again for another hour. And when I walked in to get him he was sitting in bed with a book, and said, “Oh, hi, Mama, I’m reading now.” “Oh, okay,” I said, “you just let me know when you’re ready to get up, then.” So I went back to chopping and frying the onions for the lasagna, and he didn’t call me back for another ten minutes. We made the lasagna together, the boy eating grated mozzarella and broken bits of uncooked lasagna noodles while standing on a kitchen chair supervising me. ( “Where go the noodles?” he said as I covered them with sauce, exactly the way he plays the Where’s Liam? game. “They’re under the sauce.” “Ah, otay, I see,” he said. Glad we’ve got all that straight, Sparky. Can we move on to the next layer now?)

Lasagna assembled, we hit the road to go pick HRH up, and treated ourselves to iced cappuccinos and doughnut holes on the way home. They were a comfort in the abysmal traffic and the August-like humidity that has returned to haunt us after a lovely cool week. Did I mention that everyone and their dog has returned to school? People are cluttering up my roads. That’s the one drawback to having the car while HRH is at work: we have to go pick him up at the end of the day and it’s lots of traffic both ways, being rush hour, and the boy gets very upset at being in the car for an hour and a half. Can’t blame him; I’m usually deeply unimpressed with the experience myself.

So, a good day all around. Tomorrow I will work on the Vivaldi novel again.

Back From The Dead

… or from the bed, anyway. I am better, thank you all.

On the other hand, it looks like the dryer is sicker than I was. It should not take three sessions to dry a small load of socks and underthings. We’re looking into getting the vent cleaned professionally; that ought to help. In the meantime, the clothesline is seeing lots of time and I’ll be buying a wooden drying rack this week, something I’ve been putting off for two years now. If the line can’t be used, I’m going to put my foot down and limit everyone to one session in the dryer per load, then it’s being relegated to the drying rack. The waste of electricity is shameful.

Also, one of the funniest LJ icons I have seen in a while: a crop of a Mary Wollstonecraft portrait, with the words “I can has rights?” along the bottom.

What I Read This August

New Amsterdam by Elizabeth Bear
Nurtured by Love by Shinichi Suzuki
Eat Pray Love by Elizabeth Gilbert
Nodame Cantabile vol. 10 by Tomoko Ninomiya
The Passion of Artemisia by Susan Vreeland
Falling Angels by Tracey Chevalier
The Prioress’ Tale by Margaret Frazer
The Lies of Locke Lamora by Scott Lynch
The Glamour by Christopher Priest
Kushiel’s Scion by Jaqueline Carey
The Players by Stephanie Cowell
Ability Development From Age Zero by Shinichi Suzuki
The Bass Book: A Complete Illustrated History of Bass Guitars by Tony Bacon & Barry Moorhouse
First Among Sequels by Jasper Fforde
Ex Libris by Ross King
Midnight Hour Encores by Bruce Brooks (reread)
Author, Author by David Lodge
Sense and Sensibility by Jane Austen (reread)

Random notes:

Is there no genre Elizabeth Bear cannot write well? (I love you with much love, eBear.) New Amsterdam is a linked series of long short stories (oh, probably novelettes, I am tired, okay?) set in an alternate turn-of-the-20th century, featuring good old-fashioned mystery-solving, intrigue, politics, and sharp interpersonal shtuff as well as awesome characters.

Eat Pray Love: Lots of interesting stuff in this that reminded me of the spiritual upheaval and hard work to resettle everything I went through fiveish years ago. Elizabeth Gilbert’s first-person narration of her experience also reminded me that it’s easy to be spiritual when you’re in an environment focused on spirituality, not as easy to keep it up when you’re back in everyday life.

Ability Development From Age Zero by Shinichi Suzuki was pretty much a rehash of the original Nurtured By Love, It was essentially written to convince American mothers of the 1950s that yes, spending time with their children was actually the right way to raise them, and demonstrating that you love music is the plainest way instil a love of music in them. Some of it is dated, some of it sounds a bit condescending, but it’s a translation and also fifty years old. I can see what it’s meant to communicate, but I am not its target audience and didn’t need to be convinced, so other than a couple of interesting statements about how children learn it was useless to me. Nurtured by Love was more interesting to me from a philosophical standpoint, although I didn’t agree with all of it.

The Bass Book was essentially a waste of my time; it gave me a history of electric bass guitars, not the actual development of the instrument from its origins and how it was constructed. There was a lot of focus on Fender and Ampeg (some of the early Ampeg stuff is really interesting), but essentially it’s a highlight of the second half of the twentieth century and the electric bass business, along with the input of certain players that changed the development of the design and so forth. Not uninteresting, just not what I wanted. I won’t ever need to read it again. Pretty pictures, though, and gatefolds of some very lovely basses.

Christopher Priest’s The Glamour was good, but not as good as his The Extremes.

Scott Lynch’s The Lies of Locke Lamora was excellent, but took me a long time to settle into. The style of storytelling wasn’t exactly easy to go with as a reader, but the story itself and the characters were interesting enough that I stuck with it to accustom myself to the style. Once I had, it was enjoyable enough that I found myself chuckling now and again.

This was an insane month for reading, I see. Some of that had to do with periods of insomnia, some with the brevity of the books, some with the un-put-downable-ness of various titles.