Category Archives: Books

Mid-Week

Well, the day home with the boy yesterday was mostly terrific. The morning was lovely; he watched TV while I slept, because three hours of sleep = Very Bad. The boys had a talk about how Mama needed some more sleep before she could get up and have a good day. The boy was mostly on board with this but decided to Take Care Of Me once HRH had left for work, which entailed bringing me various stuffed animals to cuddle while I slept, and informing me every time the TV show changed, which was at fifteen-minute intervals. Still, it was something. We went out to the big bookstore to noodle about and play with the trains, and wow, it’s nice and quiet on Tuesdays. We usually go once a month on a Friday, his regular at-home day, and it’s always packed. I finally picked up Dan Simmons’ Drood, which I am enjoying immensely, and the boy got a new Henry & Mudge book. He didn’t even fuss about not buying a train beyond pointing out the milk cars to me. Then I suggested wandering through the pet store, to which he readily agreed, and he didn’t kick and scream about leaving when we had to. We stopped by the Bramble House in its new location, which has more space but now feels like it carries fewer products as a result. It’s lost a bit of its charm. The boy got some Dairy Milk Buttons, and we bought a bottle of water at the corner store to share. (Very exciting if you are the boy.)

I was looking forward to his nap so I could nap too, but things went somewhat awry. He went to sleep willingly enough, but woke up after only forty-five minutes when I’d been counting on at least half an hour longer than that. Unfortunately for me, I’d only dozed for fifteen minutes myself before he pattered in, bright-eyed and bushy-tailed. I told him he could either play in his room or the living room, or cuddle with me, but I wasn’t getting up till three. He chose to stay, but whispered and squirmed a lot trying to pet Gryff, so I didn’t actually get back to sleep. At least I got to lie down with my eyes closed.

We did a small grocery run, and he was pretty good there too, apart from continually stepping on my feet because he wasn’t paying attention to where his own were. If I’d had enough sleep I’d have been more patient, but the little things like this were starting to make me grit my teeth. Once back home he settled down to watch the last half of a movie and play with his cars while I practised. I explained that I needed to, and that I’d close my office door so I wouldn’t disturb him, and he was fine with that. He came to the door about ten minutes in to watch me, then grinned and dashed away. Later, while I took a brief break, he brought his box of trains into my office to play, but when I picked the cello up again he burst into tears and wailed. He didn’t want me to play with him, he just didn’t want me to practise while he was in the room. And that’s where my short-on-sleep really caught up with me; my mood flipped from relaxed to tight and annoyed. When my temper was even enough again I talked to him about it being (a) my office, in which I am allowed to do whatever I like, and (b) he’d been informed that I was practising, so he had no reason to get upset. We went over the “How do you think Mama feels when you cry and tell her she can’t play the cello?” thing, and he mumbled, “You feel sad.” I could see that he was upset because he’d upset me, but he still didn’t want me to play.

HRH eventually got home, which helped diffuse the tension, and we had dinner. The boy was chipper and cheerful and played with him, and they had an awesome time in the bath and doing story and bed while I got ready for my cello lesson. And a wonderful cello lesson it was: my duet partner and I had a shared lesson wherein we worked our duet for the upcoming recital. It’s sounding really, really good. All we’re doing at this point is tweaking little things like gentling the ends of phrases and doing more subtle shaping along the way. Of course, I blew some simple stuff in the ensemble pieces we played first to warm up. I need to work out a weekly practise schedule where I can assign specific times to work on lesson stuff, solo pieces, ensemble music, and orchestra pieces. Otherwise I just end up trying to read through everything or what I remember going wrong, and other things get lost along the way. That’s a lot of music, after all, no matter how many notes I take about changes and obstacles in lessons and at rehearsal.

I’m worried about what’s going to happen in the summer when lessons stop.

Other good things that happened yesterday: I got my new freelance assignment (naturally, while we are given a week to turn them around, it lands at such a time when I only have two work days before the due date); receiving the exquisite score to The Painted Veil by Alexandre Desplat; and hearing back from the accountant about having a nice chunk of money being returned to us by the government. Yay for tax refunds! Yay, slashing at Visa/credit line/dumping money into RRSPs! Yay, no longer stressing about not having quite enough money from the anthology delivery cheque to buy the new computer and the 7/8 cello (for which I have begun thinking about names, which means yes, it’s going to be mine pending the full physical exam I want the luthier to give it)! I am content. I may even be able to buy a new bow, as mine is on its last legs frog-wise and has a nasty hook at the tip.

So other than the mild annoyance about not being able to sleep whenever I tried to, and the kerfuffle about not being allowed to play my cello in my own office, it was a very good day indeed.

What I Read In April 2009

The Android’s Dream by John Scalzi
The Foundling by Georgette Heyer
Pictures of the Night by Adele Geras
The Book Thief by Markus Zusak
The War at Ellesmere by Faith Erin Hicks
La’s Orchestra Saves the World by Alexander McCall Smith
Breaking Dawn by Stephenie Meyer
Grand Obsession by Perri Kinze
The Laughter of Dead Kings by Elizabeth Peters
The Luxe by Anna Godbersen
Red Seas Under Red Skies by Scott Lynch
J.K. Rowling: The Genius Behind Harry Potter by Sean Smith
Companion to Wolves by Sarah Monette and Elizabeth Bear
The Mystery of Grace by Charles de Lint
Lord John and the Hand of Devils by Diana Gabaldon
Eclipse by Stephenie Meyer
Lord John and the Brotherhood of the Blade by Diana Gabaldon
Coastliners by Joanne Harris

Thoughts:

The Book Thief by Markus Zusak: Not a comfortable book to read, but so very well-written. Staggering.

La’s Orchestra Saves the World by Alexander McCall Smith: Yes! I’ll own this when it comes out in paperback. Excellent. I’m relieved, as I didn’t care for The No. 1 Ladies Detective Agency at all when I tried it last month, although I love all his other books.

Breaking Dawn by Stephenie Meyer: A non-event. The pacing and emotional tone don’t deviate from a steady flatline. An incredible amount of stuff happens that should be emotionally resonant, and you just don’t care.

Grand Obsession by Perri Kinze: Excellent. Beautifully written exploration of what makes us fall in love with an instrument, and how we can respond emotionally to certain sounds when others don’t.

Red Seas Under Red Skies by Scott Lynch: It takes me a while to get around to reading a Scott Lynch book after buying it, but once I’m reading them they’re brilliant and the best book ever. Damn, he’s good. Plots within plots, greatc haracters, swashbuckling, swindling, triple- and quadruple-crossing. Great fun.

J.K. Rowling: The Genius Behind Harry Potter by Sean Smith: This book should be used as an example of how not to write a biography. A lot of it was “JK did/knew/passed within thirty feet of this event/person/place, and look, I can find a tenuous/coincidental/obvious/oblique parallel in her books!” It drove me up the wall in Wiccan Roots, and it drove me up the wall here.

Companion to Wolves by Sarah Monette and Elizabeth Bear: Best surprise of the month: Opening this hardcover book to find that BOTH AUTHORS HAD SIGNED IT. Score!

Dear Amazon

You and I have an on-again off-again relationship. I’ll order stuff I can’t get anywhere else in a flurry while I’m working on a book, then ignore you for months on end. I consult you for research and for maintaining wish lists, and tell people to buy me things elsewhere. I use you, I admit that. And I don’t mean in a tool or services kind of way; I mean I abuse you callously.

And still, you gamely try to convince me that we’re meant to be. “Look at these shiny new books!” you say, sending me e-mails with colourful covers displayed in them. Except if you really loved me, you’d think about the titles you recommend to me. Just because I bought the same book that someone else did doesn’t mean I like everything else in their past orders. Ninety-eight percent of the time I roll my eyes at your eager but pathetic suggestion and delete them. The other two percent of the time I click through and dismiss them after reading the summaries. No, I don’t watch the movies you try to sell me just because I bought something as a gift for someone else. And no, I really don’t want to play the Nintendo DS or Xbox games you wave at me. My purchasing history and wish list picks really, really don’t line up with the average cross-indexing of your database.

Also, what’s with recommending me things that I have already bought from you? “We’ve noticed people who have bought books about XYZ also buy these titles!” Yes, they do. I’m one of them. Why recommend books I already own? Especially when I bought some of them through you in a spate of book research three years ago? Don’t you listen to me? How could you forget?

The one lame thing you do that endears you to me, you pathetically adoring creature, is that you recommend my own books to me. Why yes, I would like to read a book on hearth- and home-based spirituality. That’s why I wrote one. Thank you.

I can only imagine the equal bemusement experienced by other clients when you send them e-mails saying, “We’ve noticed that people who have purchased Mass Effect for Xbox in the past have also purchased this new Wicca title!” Or this new book on musicology, or knitting techniques, or a biography of Queen Isabella of France, or female musicians in seventeenth century Venice, or breastfeeding. Because really, Amazon, I know that although you’re swearing up and down that you do love me for myself and we’re meant to be together, I know you’re just phoning it in. You’re simply not trying. You’re attempting to keep this relationship going by skimming how-to books and relationship magazines in supermarket check-out racks and using superficial techniques to try to catch my attention. I’m not your average girl, and trying to entice me closer by waving best-seller stuff at me won’t work. And you’re trying to hook up with millions of other people at the same time, too, hoping that one of us will fall for it.

You get marks for trying, but you’re coming dangerously close to stalker status, Amazon. Especially when you send me mail from thinly disguised sock puppet accounts like .com and .co.uk as well as from .ca. I know you’re all the same entity. You’re not fooling me.

Face it, Amazon. I keep you around because you can get me books I can’t get anywhere else. Sure, sometimes I go slumming and toss a mass-market paperback into my shopping cart because it will bump me over the minimum required for free shipping. But I’m not an easily wowed or cheap date.

Sincerely,

Me.

Ongoing

Doing the evaluation of the final third of Orchestrated today. Why is it not finished, when I have had all week to work on it? I… keep falling asleep. No, really. Not because it’s bad or boring, just because my body has been wresting the steering wheel out of my hands and saying “NOW WE WILL NAP” around two every day, and bang, my eyes are closing and I have to put the ms. or whatever book I’m reading down and pass out for an hour or so. Then it’s cello and making dinner and the boys are home, and yeah.

What I’m discovering about the ms. is that it flows decently well. I haven’t yet found a gap or a hole that really absolutely needs to be filled; there’s nothing obvious missing. Things need to be tightened up here and there or expanded a tiny bit, but overall it’s surprisingly solid. I also have really good places that can be used as chapter break points. I may need to go back and insert one or two more clues to the eventual crisis of a main character, but that’s actually minor. I found a place where some of my intro-stuff-written-for-me-but-unnecessary-for-readers can go, and in the new place set in dialogue will actually serve the purpose of character interaction/deepening.

I read pretty much the entirety of Perri Knize’s Grand Obsession in one day. It was fabulous. I was worried at one or two points that it was going to veer a bit too far into the mystical (and coming from me that’s saying something) but it righted itself in time. After all, how do you define how music affects us? It’s a twofold story about a woman deciding to study piano in middle age and buying one, then trying to understand what the personal connection to a specific instrument is (not violin or cello or piano, but one specific example of the chosen instrument), and an exploration of how pianos are built and maintained.

We had out second rehearsal with our third guest conductor and I enjoyed it even more than the first. He’s good. There is a problem with his voice carrying to the back, but he’s terrific in his bilingualism, and his musicality and his interaction are fabulous. He knows exactly what to work to smooth out problems, and how to phrase what he’s looking for. We’ve added Grieg’s Norwegian Dances to the programme, and (hurrah!) Vaughn Williams’ English Folk Song suite. Of course, the Vaughn Williams starts in A-flat major (F minor? no, pretty sure it’s Ab) which is four flats, augh! I have enough trouble remembering to flatten my As, and he wants me to flatten my Ds as well? But it is Vaughn Williams and I am over the moon.

Also in cello news, while I was working on some ensemble stuff earlier this week and trying to isolate why my intonation was unstable, my left elbow kind of said, “Oh, I’ve got it,” and moved a millimetre or two forward on the horizontal axis, all on its own. And it solved the problem. I was amazed and very grateful to it. Perhaps the next time I have a problem of some kind I shall consult it.

My friendly neighbourhood postperson brought me my two Harmony circular needles I ordered from KnitPicks today, along with the sample skein of green Pima cotton yarn I ordered. The colour’s a bit bright for the sweater I ultimately wanted it for; it was a bit less yellow on my monitor. Not a problem; I ordered it to test it out in a washcloth kind of swatch anyhow.

Did the groceries and some birthday shopping this morning and also acquired a new blouse for myself. It never ceases to amaze me how much I hate shopping for clothes, and yet have managed to acquire two new pairs of shoes, two blouses, and three sweaters in the past month. They all kind of ambushed me, though; it’s not like I decided I needed new stuff and went looking. Well, okay, I needed new black shoes, but I found them by accident just browsing in Winners. And I went into a store because I remembered seeing a blouse and ended up not buying it but two other sweaters. Still. And while I bought the blouse today I wondered, Where do I wear all this stuff other than to orchestra and my cello lessons? I work at home. I mean, I occasionally go out, but not often. I wear jeans and t-shirts most of the time. Maybe I’ll institute a one-day-a-week workday in the library just so I can wear slightly nicer stuff. Good grief.

Right-o; back to work. Also need to collect wrapping paper and addresses for a trip to the post office later.

Today’s Plan

Know what I’m doing today, after I finish baking oatmeal cookies? (And in between batches, chasing the stubborn little grey mackerel tabby off the top of the warm stove, drat her paws and whiskers?)

Research in the living room! I have books and pens and notebooks and sticky tabs and my new recording of the Planet Earth soundtrack (George Fenton, how I love thee) to keep me company. I have the Orchestrated ms. to work on, and coven/writing research to do, and a new book to read to help me with Harpsichord Dreams. There ought to be some celloing in there as well. In other words, today is a work day that emphatically does not feel like one, seeming instead like a day of personal indulgence. We should all have more of these.

Figures

The boy’s hair has been cut, I have paid a slew of bills (my poor bank account, at least it was flush for twenty-four hours), we have new books, there is a new Hot Wheels fire truck, and of course I missed a FedEx delivery while we were out. When do I get FedEx deliveries? Never. Well, not entirely true; two of my sets of author’s copies arrived by FedEx in the past. As I’m not expecting anything like that, however, I’m guessing that it’s the cello goody bag I won, but I won’t know till Monday. At least, FedEx says they’ll come back on the next business day, which I am assuming is Monday in their world as in mine. Woe. I would have liked to have opened a parcel today. Especially a parcel with surprises in it.

In half an hour or so I’ll start the dough for the rolls I’m making for tonight. I may make a double batch and freeze one set.

Yes, that’s about as exciting as it gets today. It’s damp. I’m going to go find a cat and an afghan.

What I Read This March

Lord John and the Private Matter by Diana Gabaldon
Sylvester by Georgette Heyer
The Game by Diana Wynne Jones
Anne of the Island by L.M. Montgomery (reread)
New Moon by Stephenie Meyer
The No. 1 Ladies Detective Agency by Alexander McCall Smith
Foundation by Mercedes Lackey
Pride and Prescience by Carrie Bebris
Good Enough by Paula Yoo
The Tower Room by Adele Geras
Zoe’s Tale by John Scalzi
The Last Colony by John Scalzi
Anne of Avonlea by L.M. Montgomery (reread)
Suite Scarlett by Maureen Johnson
Thirteen Little Blue Envelopes by Maureen Johnson
Greener Shore by Morgan Llywelyn
Princess in Training by Meg Cabot
Remember Me? by Sophie Kinsella
Bread Alone by Judith Hendricks
Princess on the Brink by Meg Cabot
Sweet Sixteen Princess by Meg Cabot
Night Train to Memphis by Elizabeth Peters
The Ghost Brigades by John Scalzi
Silhouette In Scarlet by Elizabeth Peters
The World According to Bertie by Alexander McCall Smith
Street of Five Moons by Elizabeth Peters
Party Princess by Meg Cabot
Princess in Training by Meg Cabot
Pride & Prejudice & Jasmin Fields by Melissa Nathan
Chicks With Sticks (It’s a Purl Thing) by Elizabeth Lenhard
Scott Pilgrim 5: Scott Pilgrim vs. The Universe by Bryan Lee O’Malley

My gods. Thirty-one. That’s one a day.

Um, yeah. Pretty much all I did this month was turn my brain off and read if I wasn’t working. I read most if not all of a book at bedtime each night because I didn’t have the energy to do anything else, and my brain was too awake to fall asleep easily. The library loves me; I love the library. They’re literally saving me, because I don’t have the money to buy books.

I finally read my first Georgette Heyer! I will read more.

I read the last three novels in the Old Man’s War series by John Scalzi, despite telling myself that I should really space them out to enjoy them one at a time. I’m sure I would have enjoyed them that way, too.

Why do I still read Mercedes Lackey? Is it because I keep hoping I’ll enjoy it as much as I did when I was seventeen?

I also finally decided to read the sequel to Twilight. It was better, although I still rolled my eyes a lot when the tragic hero re-entered the scene. I find the references to classic love stories and comparisons between the contemporary storyline and classic heroines and heroes really clunky. Meyer seems to undercut her own writing somehow. It will be working, actually flowing, and then she’ll do something that sinks it by using cliche or something, and it stumbles along that way for a while before it begins to creep back, only to run headlong into cliche again. It’s frustrating.

I wanted to like The No. 1 Ladies Detective Agency much more than I did. Oh, well.