Category Archives: Links

Stopping To Think; Or, In Which She Gets Philosophical

We tend to get caught up in our plans.

Plans are important. They give us direction and structure and context. But sometimes we forget to revisit them, to look at them and make sure they still match who we’ve become in the time between making the plans and the now. Because in the same way that adorable kittens become seventeen-pound cats and tiny babies become strong energetic children bound for kindergarten in less than two months and the novels you write take unexpected turns, we change, too, and to expect us to stick to a plan made for someone five years younger is moderately unrealistic. Five years is a lot of living, and a lot can happen in that space of time.

I’m not saying that everyone should scrap all their life plans. To completely reinvent a life plan every few years would be pointless and a waste of energy. But it’s important to re-evaluate, to seriously examine who you are and what you need on a regular basis to make sure that the details still apply. Otherwise, at some point you’ll lift your head and realise that you’re living the life or writing the book you planned out when you were twenty-eight, only now that you’re twenty years older you wish you weren’t.

Would those intervening twenty years be wasted? Not really; life experience is life experience. But it would have been nice to notice that you were changing along the way, and that the life path you had planned out wasn’t flexible enough to match you as you were evolving. It comes down to a question of efficiency, I suppose. And being as happy with yourself as you can be. Tiny changes along the way to match who you are at any given time are more efficient than a drastic life change at a much later date. Drastic changes are rather challenging to pull off; minor shifts are usually easier to handle.

Amanda Palmer, in a blog post wherein she did some self-examination in the light of her recent experience at a Lady Gaga show, said something that really made me stop and think:

here’s the thing.

it sometimes kills us to believe this, but you are ALWAYS free to choose a new path and hop off the one you’re on.
your expectations of yourself can change on a daily basis. it’s FINE.

your expectations of YOUR LIFE from when you were 12 years old, 15 years old, 25 years old, they will gnaw and haunt you. no doubt.
every love you left, every love you never chased, every career path you didn’t follow, every instrument you didn’t practice, every time you kept your mouth shut and should have spoken up, every time you said too much.
but none of that exists NOW. it’s gone, over, non-existent.

the same way your parents’ expectations haunt you. and your teachers and the noise of cultural expectations haunt you.
all these voices in your head bicker and argue and obscure the real key to freedom:
your ability to stand still and ask:

who do i want to be

and what do i want to do

RIGHT. NOW.

?

No, I’m not considering something drastic; I’m more philosophical at the moment than anything else. I just found this interesting in the light of a discussion we’re having over chez Emily’s Stark Raving Cello Blog about regrets and pie charts and difficulty embracing the now. We can change the parts of our lives we’re not happy with. It can be a scary thing to do, yes. I left a perfectly safe job to write, and following my bliss paid off (and yet, as I pointed out over there, I very often do not wish to be doing whatever I am currently doing at any given moment, so a major life change is not a guarantee of eternal contentment). And significant change should never be a whim; life plans need to be taken seriously. But we can look at our lives, ask what makes us happy right now, and embrace it without judgement. We need to accept that past things are past things, stop letting them drag us down, stop worrying about things beyond our control, and start focusing our energy on what we can do instead. Because really, we all need more happiness and less anxiety in our lives.

Can I do all that? I have to be honest; no, not completely. But I can try.

Tuesday Activity Log

I am freaking exhausted. I know I have fibro, I know travel knocks me out, I knew being outside knocks me out even before the fibro diagnosis. Two twelve-hour car rides in four days, plus all the time between those trips being outside? Recipe for dragging myself around for the week following. I’m really struggling.

In other random news, in the past twenty-four hours I have spent more time on Facebook talking to people I reconnected with this weekend than I usually spend in a week. Which wasn’t much to begin with (I am a Twitter girl more than a Facebook girl), but whoa. It’s good to be with them, even virtually.

In my ongoing project of recording what I do each day so I don’t feel like I wasted it, I can report that today I:

– baked bread
– baked a pan of shortbread
– coloured my hair
– finished weaving the baby blanket (that link takes you to the blanket’s Ravelry project page, which I set to be accessible via this link only if you’re a non-Rav user)
– did all the finishing on the baby blanket (hemstitching the ends, cutting it off the loom, doing the fringe)
– did research on a couple of things
– reactivated my freelance status with my employer
– viewed a house
– spun two ounces of mohair/merino blend (longdraw, ultimately trying for a worsted weight chain-plied yarn)

Notice that “practising the cello” is not on that list. Why yes, I do have a concert in two days.

I passed out in the car on the way home after struggling not to nap this afternoon. I’m trying hard to not beat myself up for being useless after the trip.

Canada Day Concert 2010 Announcement/Reminder Thingy

Hail, faithful orchestra groupies! July 1 is coming up, which means that the annual Canada Day concert presented by the Lakeshore Chamber Orchestra is also nigh!

On Thursday July 1 the Lakeshore Chamber Orchestra will be giving a free (yes, free!) concert as part of the overall Canada Day celebrations in conjunction with Pointe-Claire Village. We do this every year, and it’s always terrific fun. Our conductor is the justly famed Stewart Grant, who is phenomenal.

This year’s stirring programme features:

Rosamunde Ouverture – Schubert
Gentle River, Prairie Sky – Grant
Symphony n. 5, “Reformation” – Mendelssohn
Pomp & Circumstance, March no. 4 – Elgar

See the composer of that second piece on the programme? Why yes, he does share the same name as our conductor. And if you made the leap to thinking our conductor composed it, you’d be right. We’re thrilled to be playing this piece. And on a personal level, Mendelssohn’s Reformation symphony is my favourite symphony of all symphonies, and playing it is an incredible experience.

The concert begins at 20h00. As always, this Canada Day concert is being presented at St-Joachim church in Pointe-Claire Village, located right on the waterfront at 2 Ste-Anne Street, a block and a half south of Lakeshore Road. The 211 bus from Lionel-Groulx metro drops you right at the corner of Sainte-Anne and Lakeshore. Here’s a map to give you a general idea. I usually encourage those facing public transport to get together and coax a vehicle-enabled friend along by offering to buy them an ice cream or something. It works nicely, and it’s fun to go with a group. And hey, you can’t beat the price. Be aware that if you’re driving, parking will be at a premium because of the whole Canada Day festivities thing going on. Give yourself extra time to find a parking place and walk to the church, which will be packed with people.

As it’s a holiday, the village will be full of various celebrations, booths, food stalls, and the like. You might want to come early and enjoy what’s going on.

Free classical music! Soul-enriching culture! And as an enticing bonus, the fireworks are scheduled for ten PM, right after we finish, and the church steps are a glorious spot from which to watch them.

Write it on your calendar, tell all your friends and family members! The more the merrier!

Tuesday Activity Log

Today, I:
– finished the freelance thing, proofed, did the final summary report, sent it all in just before noon (and am now second-guessing myself, as usual)
– had a 47-min phone conversation
– baked bread
– plied Jan’s yarn (which went well, but not so well; I’ve got less than half the yardage I’d planned to get because the fibre was partially felted, making drafting a thin single almost impossable)
– wet-finished said yarn
– spun another 4oz of mohair/merino to make up for the shortfall
– listened to two episode of the SpinDoctor podcast (while spinning and plying)

Nice, sunny day, too.

In Which She Examines The Current Void (And It Probably Evaluates Her As Well)

So my comment spam these days tends to be mortgage and loan related. Ah, keyword searches. Why do I never get exciting cello spam when I drone on about music?

I’m sore all over today from the whiplash the life speed bump we hit yesterday. I know, I know; physical reaction to mental/emotional trauma. Who’d have thought? Fibro aside… well, no, fibro’s part of it, because I’m so drained I can’t bounce back properly. Still. Also, it sucks that therapeutic crying exhausts me. It’s a lose-lose situation.

I was looking forward to rehearsal last night, both to distract me and because I’ve done a lot of cello work this week. Except that exhaustion thing? I muffed things I can do in my sleep, and it was like a bad dream about dominoes or a house of cards: every time the celli were asked to work on a portion of music I got less accurate and dropped out more. Even on the easy stuff. And I sank deeper and deeper into that unavoidable self-loathing/numb detached headspace and general grumpiness at the world, because gods damn it, I practised this stuff, and I played it well at home. Not that it seems to make a difference when I’m playing where and when it counts, and especially not when the conductor turns around and is right in front of me to lead the celli. I just can’t do it at full speed, and it’s really, really frustrating me. We played through one of the hard parts I’d worked on my a lesson a couple of weeks ago and at the end my teacher leaned over and poked me with her bow with an approving nod. I shook my head, and I was so depressed at the end of the night that she sat there and gave me a pep talk. She reminded me of how I work within the rhythm, always being on the beat in hard passages, that I drop the right notes to drop in a run if I can’t get them all, and how I’m in sync with her bow changes. The left hand will get there, she said. She reminded me of how far I’ve come in a year, two years, and I realised that I could probably handle Scheherazade now without the problems I’d had last year. (The Hebrides overture, well, no, and there are some very similar runs in the Reformation symphony, it occurs to me now, damn you for being a pianist, Mendelssohn.) She pointed out that I drop a lot less than I would have dropped before, which is true. I appreciated the pep talk, but it didn’t lift my gloom entirely.

There’s that not-comforting-at-all adage that “What does not kill you makes you stronger,” and you know what? Maybe you don’t die, and maybe you do get life experience from all the crap, but when you have fibro it doesn’t actually make you stronger. It just keeps eroding you, bit by bit. On the other hand, it’s certainly character-forming.

I read a terrific spinning-related metaphor this morning from The Crafty Rabbit, though:

[F]ulling is a pretty good metaphor for life. You’re all ugly and uneven and imperfect and full of little bits of hay. Then you get beaten up–tossed from hot to cold, agitated with a plunger, smacked against a table. And then it turns out, after all that, that the abuse has smoothed you out, rendered you shiny and resilient. You’re still imperfect, yes, and you’re beautiful.

Fulling is the process whereby yarn or cloth gets cleaned and transformed or locked into its final form, for the lack of a better description. Some cloths felt when you do this (usually intentionally) and some yarn will, too, if you’re not wholly careful. Part of what you try to do with yarn, though, is shock it so that it plumps up and the scales on the fibre catch one another to make a stronger strand. You can’t turn a worsted-weight woollen-spun Coopworth yarn into laceweight silk by this method, but you can smooth out your Coopworth skein, plump it up, and make it stronger and nicer to touch.

It’s a good life metaphor, but this particular Coopworth skein (read: me) is tired of the fulling process and would just like to hang in the sun. Failing that, to stay in the hot bath with nice smelling soap, and have the cold immersion baths and furious agitation stop for a while.

Deep Sigh

Okay, this week’s freelance assignment has been handed back. It was really tough, because it was good; it was the structure that fought against it. I’m not super confident about my report, but that’s why they’re reviewed by the editorial team. We’ll see if they want me to handle a rewrite. I’m kind of dazed now.

We had our last regular rehearsal before Saturday’s concert last night. We did the entire programme with bits replayed to work on them. I had a great day yesterday, but I ran out of steam three-quarters of the way through. I already miss the Vaughan Williams and the Butterworth, even though the concert hasn’t happened. There’s something fabulous about sitting in the middle of all that lush or tight music, and I am an unabashed fan of early twentieth century English music based around folksongs. Which is not to say I don’t get anything out of Haydn and Debussy; sitting in the middle of all that is just as exciting. But Vaughan Williams and Butterworth are extra-special.

(Mendelssohn’s fifth symphony, the Reformation, is being considered for the Canada Day concert. I adore the Reformation symphony.)

I have to say that I am loving the whole I-don’t-have-to-wear-boots thing that spring is giving me. Even though I wore them Tuesday night, along with my winter coat. My sinus cold is dragging like all my colds drag, and I ache all over, but what else is new?

As a reward for getting through this week, I made brown-butter sea salt Rice Krispie squares. Tonight after the boy is in bed I plan to tune in to Unwoman’s live at-home concert stream, assuming I can stay awake. I missed last night’s, but I watched the recording this afternoon (which included some of her fabulous originals, as well as not one but two great covers of Dr. Horrible’s ‘Brand New Day’ on cello, as well as Amanda Palmer’s ‘Ampersand’ on piano). And I am kicking the laundry list today.

Finally, Molly the owl has two hatchlings. The boy and I check in regularly before he goes to school, when he gets home, and before he goes to bed.

Now, there are Rice Krispie squares calling me. And woo-hoo, my report was okayed!

Book Announcement

No, not one of mine… exactly.

I am giddy to announce the release of A Modern Cellist’s Manual by Emily Wright. I had the very enjoyable task of editing this book.

A very different sort of cello method, A Modern Cellist’s Manual combines technical information and plenty of photographs with advice on approach. Topics addressed range from the basics of a painless bow grip to injury avoidance, working with a metronome, and tenor clef. Emily’s tone and sense of humor lighten the mood of any practice session. A Modern Cellist’s Manual is suitable for those taking private lessons as well as returning cellists looking to bolster rusty technique.

A Modern Cellist’s Manual can be purchased via Lulu.com for now, and should be listed at major online retailers eventually.

Congratulations, Emily. You’ve worked hard for this. And for those who read it and want more… I have it on good authority that she’s working on it.