One of the good things about teaching workshops is that suddenly you have money again, despite the infrequency of the payment, and despite how the total is dependent upon how many students register. Last night’s gain went immediately to bills, of course, just like that last few have, but the next one I’m reserving to have my fingerboard restained and my bridge replaced. I took a good look at it today and saw to my dismay that not only was it warping (the wood piece holding the strings off the belly of the instrument is curving over), it’s twisting as well (i.e., it’s warping to the side as well as horizontally, meaning that as a result the pressure on it is more uneven than usual) thereby increasing the possibility that the bridge could collapse, or slip and slam my strings down on the cello proper, creating cracks and gashes and even holes. No need to explain how that can (a) bring down the value of the instrument, or (b) really reduce the playability and sound quality. A cello with a hole in it is just a piece of wood. Not to mention a huge knife in a cellist’s heart. I believe this is the original bridge, and since my cello is approximately as old as I am, that’s quite the life for a bit of wood about five inches by four inches.
So, next month, I’ll take my baby in to the luthier and leave her overnight, then bring her home to get used to the new bridge which should be good for at least another ten years or so, depending on how extreme our weather gets (wood responds to everything!). This fall before orchestra begins again, I should think about replacing the strings again too; it will have been about three years since this set was put on, and strings stretch and lose their tension after a while. They probably should have been replaced before (once a year is proper maintenance), but strings are like socks – I wear them out, and in my mind they should last longer than they do.